Search for: lux scotland
Hanging Out
Artist Moving Image Festival, LUX Scotland at Tramway, Glasgow, 16/17 November 2019. Review by Cicely Farrer
Performance & Language: 1st invitation from Good on Paper
Over six months, Gordon Douglas and Cicely Farrer share a series of invitations that look into the futures of performance art making in Scotland. The first invites readers to attend a workshop on 27 March 2022
Seizing the means of projection
Marcus Jack considers thirty years of artists’ moving image exhibition in Glasgow
Introduction to the cold
Camara Taylor’s writing launches their curated series looking at ‘the cold’ in its various registers and realities
‘Only the mineral remains’
A commentary by writer, researcher and activist Keir Milburn in response to Andrew Black’s Margaret Tait Commission film, ‘On Clogger Lane’
Do you really just want to be part of a band?
Notes from the 14th Berwick Film & Media Arts Festival, 20-23 September 2018, by Marcus Jack
The fact that we do
Joanna Peace writes on EVA International in Limerick in the context of the Irish Referendum
Land now fantastical when jarred
Eilidh Akilade touches on our relationship with land, a subject of examination in the Scotland + Venice exhibition this year
Wake up and the world is different
Anna McLauchlan drinks in The Last Hour!, a project curated by Timothea Armour, the fifth and final commission in Collective’s Satellites programme
Against dialogue, or, we need to sing to mountains
Notes from the 15th Berwick Film & Media Arts Festival, 19–22 September 2019. By Marcus Jack
Space left over after planning
Alison Scott introduces Rachel McBrinn’s film Are you going my way? and publication Winding Up Body, works that have emerged from a research-led residency with Rhubaba
Helen McCrorie in conversation with Emmie McLuskey
‘Any object can be a toy to a young child. They don’t see boundaries in what you can play with and what you can’t… Play is serious work.’ McCrorie’s new film brings these facts into exquisite focus. Screening at Collective until 6 Oct 2019.
CAST by Jamie Donald
A response to Sharon Hayes’ ‘Fingernails on a blackboard: Bella’ which was screened at the launch of the year long GIVE BIRTH TO ME TOMORROW—Artist Moving Image Festival 2021
Couldn’t we just bee?
Editorial: an animal-themed season of reviews and features
Hemispheric Phases
Edinburgh Art Festival: Tom Jeffreys visits a group exhibition at Edinburgh Sculpture Workshop, including work by Birthe Jorgensen, Scott Rogers and Santiago Poggio, 28 July - 26 August
CRYSTALLINE CHRYSALIS CRISIS
David Upton reports on a dissident takeover of Summerhall’s basement by artist and musician Fritz Welch
Attention Economies
William Kherbek attends Glasgow International’s Digital Programme 23 April - 31 May 2020
Genealogy as a matter of tracking shots: Amie Siegel’s Bloodlines
by Dominic Paterson
SALT
Tom Jeffreys interviews Rosy Naylor, artist, curator and founder of Art Walk Projects in Portobello, as she embarks a new season of artist commissions. This also marks the beginning of a new editorial partnership with MAP, culminating in March 2023
GI reviews and responses
Fourth in a series of reviews and responses to Glasgow International 2018 presentations, Gordon Douglas responds to iQhiya at Transmission and XSexcentenary at Glasgow Necropolis PLUS an intimate question for Hannah and Jenny are here 4 u
Dark Chambers, Fever Dreams: Artists’ Moving Image and the Gothic Landscape
An essay by Marcus Jack
WRITINGS BETWEEN
Vulnerability and Resistance: the third and final part of a series of correspondences between Caroline Gausden and Jen Clarke on the politics of hosting and hospitality