Issues / #64 something more and something else than words
Room for Folds
Sara O’Brien engages with the At Practise programme hosted by David Dale Gallery, Glasgow
A Year of Carte Blanche & Other Chimeras
Our Lady of the Forest, Part 2
by Saudamini Deo
A Year of Carte Blanche & Other Chimeras
Our Lady of the Forest, Part 1
by Saudamini Deo
A Year of Carte Blanche & Other Chimeras
Dialogue of Chimera and D.C.
After January’s commissions in ‘A Year of Carte Blanche and Other Chimeras’
Light at the End of the Dial
Daniella Watson Hughes listens in to Radiophrenia, a festival of sound transmitting from Glasgow’s CCA
Mutations
Jamie Donald writes on the second Sit In of Cooper Gallery’s three-year project The Ignorant Art School
In A Sound World
Nicol Parkinson reviews a collection of early twentieth-century writings by Victor Segalen, including the first English translation, by Marie Roux and RWM Hunt, of the French ethnographer’s novel of troubled synaesthesia, In A Sound World (Strange Attractor Press, 2021)
A Year of Carte Blanche & Other Chimeras
Humuskind
After Roberto Calasso’s The Celestial Hunter. By Patrick Farmer
A Year of Carte Blanche & Other Chimeras
Visions In A Flame, Csites With No Maps
Project editor Daniela Cascella responds to December commissions
Painted Fragments
Victoria Horne examines new paintings by Alison Watt at the Scottish National Portrait Gallery
The Deepest Gurgle I Ever Heard
Megan Rudden steps into the ‘fabricated ecosystem’ of the Jame St Findlay and Jonny Walker exhibition at Kiosk, Govanhill
Anam creative and The Alchemy Experiment
Maria Sledmere visits the launch of a new collaborative platform for musicians and artists in Glasgow
Bordered Miles: in the footsteps of Iman Tajik
Tom Jeffreys documents the 26 mile walk from Glasgow city centre to Dungavel House detention centre
A Measure of Longing
Enxhi Mandija reviews The Mourning Lines by Tamarin Norwood, MA BIBLIOTHÈQUE, 2021
A Year of Carte Blanche & Other Chimeras
The Book and the Lattice
by Richard Skelton
A Year of Carte Blanche & Other Chimeras
Editorial Response One: A Lichen, a Spell
Beginning a monthly series, Daniela Cascella transmits her thoughts on recent texts published as part of her year long project for MAP
Being Beside Oneself, 3
The final selection of writing by Lydia Davies
Being Beside Oneself, 2
Part 2 of a selection of writing by Lydia Davies
Being Beside Oneself, 1
Writing by Lydia Davies brings together a selection of short stories and segments from an eponymous essay that explores relational and narrative constructions of self through the transformative potential of souvenirs, grief and voice. Lydia is the recipient of this year’s John Calcutt Prize for Critical Writing, presented by The Glasgow School of Art in collaboration with MAP.
Rooms are shells, they are skins
Rose Higham-Stainton reviews two Munich exhibitions that cut deep imprints into institutional pasts
A Year of Carte Blanche & Other Chimeras