Issues / #48 Together we will have a lot of fun
Hated Sexuality and Pinochet Porn
Georgia Horgan writes about the work of the late Ellen Cantor and this uncompromising artist’s take on the role of the ‘straight’ woman.
What moves you?
Rebecca O’Dwyer reports on Transmediale, Berlin, 31 Jan - 3 Feb
Pinochet Porn — Ellen Cantor’s dark feature at Glasgow Film Festival 2019
A MAP screening curated by artist Georgia Horgan
Crone Music
Philomena Epps reviews Beatrice Gibson at Camden Arts Centre, London, 18 January - 31 March
The Ignorant Curator
Katy Bentham visits Festival of the Not by Giles Bailey & CIRCA Projects, Star and Shadow Cinema, Newcastle upon Tyne, 17 - 20 January
Gardenlust #4: The Persephone Complex
A monthly column by Isabella Streffen
Extreme times call for extreme heroines
Victoria Horne visits Keepin’ It Clean by Betye Saar at New-York Historical Society, 2 November 2018 - 27 May 2019
Burning Ties
Harry Weeks reviews Rasheed Araeen: A Retrospective at Baltic, Gateshead, 19 October 2018 - 27 January 2019
The cheapest notebook purchased hastily and a pencil decorated with the newest generation of Pokemon
Last in a series of research texts by Gordon Douglas reporting on encounters with collaborative practice in Japan.
An upside down triangle with a two-headed arrow between the top two apexes. In the middle of this arrow, a dotted line with ‘SOCIAL’ written on one side and ‘SEXUAL’ on the other
Fourth in a series of research texts by Gordon Douglas reporting on encounters with collaborative practice in Japan
The word ‘Tradition’ with several circles around it indicating it’s been alluded to multiple times in a conversation
Third in a series of research texts by Gordon Douglas reporting on encounters with collaborative practice in Japan
Handwritten personal details on a deck of fluorescent green playing cards
Second in a series of research texts by Gordon Douglas reporting on encounters with collaborative practice in Japan
Folded multi-page travel itineraries with stage directions
The first in a series of research texts by Gordon Douglas reporting on encounters with collaborative practice in Japan
Unmasterable: an interview with James Bridle
William Kherbek interviews the artist, journalist, technologist and author of New Dark Age: Technology and the End of the Future
an almost obsolete species
Felix Bazalgette unpicks a major exhibition of Anni Albers’ work at Tate Modern, London, 11 October 2018 - 27 January 2019
Gardenlust #3: Holly, Ivy, Hellebore, Pine
A monthly column by Isabella Streffen
Dark Chambers, Fever Dreams: Artists’ Moving Image and the Gothic Landscape
An essay by Marcus Jack
Workers!
Lauren Houlton on a new film by Petra Bauer and sex-worker led charity SCOT-PEP, commissioned by Collective Gallery and first screened at Filmhouse, Edinburgh, 24 November
Flying Fox
Calum Sutherland visits Louise Hopkins’ solo exhibition at CAMPLE LINE, Dumfriesshire, 8 September - 15 December
One Great Love
Last in a series of dark fairy tales by Ester Krumbachová, published in conjunction with the exhibition and film programme of the Czech artist’s work at CCA Glasgow.
The White Snake
Fifth in a series of dark fairy tales by Ester Krumbachová, published in conjunction with the exhibition and film programme of the Czech artist’s work at CCA Glasgow.
The Swan
Fourth in a series of dark fairy tales by Ester Krumbachová, published in conjunction with the exhibition and film programme of the Czech artist’s work at CCA Glasgow.
The Gingerbread House
Third in a series of dark fairy tales by Ester Krumbachová, published in conjunction with the exhibition and film programme of the Czech artist’s work at CCA Glasgow.
The Clover Queen
Second in a series of dark fairy tales by Ester Krumbachová, published in conjunction with the exhibition and film programme of the Czech artist’s work at CCA Glasgow.
BAD LUCK
First in a series of dark fairy tales by Ester Krumbachová, published in conjunction with the exhibition and film programme of the Czech artist’s work at CCA Glasgow, 7 December 2018 - 27 January 2019
Letter to my cats, Prague, 5 July, 1985
The third in a series of letters written by Ester Krumbachová, published in conjunction with the exhibition and film programme of the Czech artist’s work at CCA Glasgow, 7 Dec 2018 to 27 January 2019