Issues / #66 tendencies

Laundry 08 11 at 10 52 04
#66 - August 2022 Essay

Airing Laundry

The first of a two part exploration by Rose Higham-Stainton into domestic laundry in art-making, from feminist protestations of the late seventies to contemporary art practice
Unnamed
#66 - August 2022
A Year of Carte Blanche & Other Chimeras

Too Likeable (To the Side of Rosemary Mayer), Part 2

by Alice Butler
IMG 4489 min
#66 - August 2022
A Year of Carte Blanche & Other Chimeras

Too Likeable (To the Side of Rosemary Mayer), Part 1

by Alice Butler
Enxhi Mandija Shore 2 2022 min
#66 - August 2022
A Year of Carte Blanche & Other Chimeras

To Be Elastic, Part 2

by Enxhi Mandija
Shore 1
#66 - August 2022
A Year of Carte Blanche & Other Chimeras

To Be Elastic, Part 1

by Enxhi Mandija
IMG 0363
#66 - August 2022
A Year of Carte Blanche & Other Chimeras

Singing, Fading

Project editor Daniela Cascella writes after last month’s contributions by Snejanka Mihaylova and Jen/Eleana Hofer
DB1
#66 - August 2022 Tender a response

Surface Tension

A review of Domestic Bliss, curated by Katie Bruce, by Rhian Williams
Forever
#66 - August 2022 Project Series

Forever

Appendix 4 of Good on Paper’s third invitation to readers to join a workshop on Performance & Comfort & Discomfort
Every 3 years
#66 - August 2022 Project Series

Every 3 years

Appendix 3 of Good on Paper’s third invitation to readers to join a workshop on Performance & Comfort & Discomfort
Not at all
#66 - August 2022 Project Series

Not at All

Appendix 2 of Good on Paper’s third invitation to readers to join a workshop on Performance & Comfort & Discomfort
Once
#66 - August 2022 Project Series

Once

Appendix 1 of Good on Paper’s third invitation to readers to join a workshop on Performance & Comfort & Discomfort
Comfort and discomfort
#66 - August 2022 Project Series

Performance and Comfort & Discomfort: 3rd Invitation from Good on Paper

In their last of three invitations to Good on Paper, Gordon Douglas and Cicely Farrer reflect on comfort and discomfort in the encounters with and around performance art. Readers can attend a workshop on Sunday 21 August 2022
Slime Mould research and experimentation slime mould agar Perspex box 2022 photographed by Caitlin Dick RESIZED
#66 - July 2022 Tender a response

Analogies

Enxhi Mandija responds to a speculative exhibition, sometime in Aberdeen. Works by Caitlin Dick and Phoebe McBride
Watts Hughes Voice Figure
#66 - July 2022 Bodies, Proximity and Place

CHURN

A poem by Francis Jones
1 2022 Am S Bloodlines SNGMA RGB web angle 1 shot 14 ph Isobel Lutz Smith SML
#66 - July 2022 Tender a response

Genealogy as a matter of tracking shots: Amie Siegel’s Bloodlines

by Dominic Paterson
Bible Cake
#66 - July 2022 Review

Sickness In The Sacristy

Hayley Jane Dawson reviews recent work by Megan Rudden at Saltspace Gallery, Glasgow
Map re img7 sml
#66 - July 2022 Tender a response

Tender a response

Editorial for a newly commissioned series by reviews editor-in-residence Sara O’Brien
1 online seen not seen
#66 - July 2022 Tender a response

YOU’VE GOT A NICE VOICE ACTUALLY, SCOTT

A review of Scott Caruth & Alex Hetherington’s joint exhibition Seen and Not Seen by Jess Higgins
1a6daa46 635d 40d4 b9bc 08239a74a8f8
#66 - July 2022 Bodies, Proximity and Place

Shaking the world: Hannah Black’s Tuesday or September or the End

A review by Rosie Woodhouse