Issues / #66 tendencies
Touch the Veil
Corin Sworn visits Buenos Aires and finds a collection of written tracings in Leticia Obeid’s installation at Hache GalleryTHAT GNAWING FEELING
Sara O’Brien responds to Paige Silverman’s Pleasure PestCat’s have paws, can’t take them off
Kate Morgan responds to On Not Knowing: How to Love and Other Essays by Emily OgdenCuts in the Day
Mathew Wayne Parkin talks to Dani and Sheilah ReStack about their show at Camden Art CentreALL AT ONCE, AT A PACE OF AWE
A review of Brazilian artist Ana Vaz’s film Look Closely at the Mountains. By Kate TimneyMy Mouth is Very Hot Now
A response by Lisa Freeman to Galalith, an exhibition and publication by Lauren Gault, guest curated by Katherine Murphy. The text is a script for two characters, Ghost & Wolf, and is set in a field on the outskirts of the small fictional town of Cúl GortMESHES AND MELDING OF PAST AND PRESENCE
Sara O’Brien responds to Chimera, work by Nashashibi/Skaer at Cooper Gallery, DundeeThreat and allure. The shore line. Close attention. Death.
As part of MAP’s ongoing collaboration with the Portobello-based project SALT, Melissa McCarthy responds to films selected by Rosy Naylor‘I’m still a painter and will die a painter’
Neil Cooper surveys the epic homage to Carolee Schneemann: Body Politics at Barbican, LondonSo you want to live like common pipistrelles?
Timothea Armour (sometime member of Moth Death) surveys the bat music sceneUntitled (the likeness of lightness in Abney)
By Pierce Evan EldridgeOn traces of rhythm
Marina Iodice at Listen Gallery, Glasgow. Review by Laura PlantA Year of Carte Blanche & Other Chimeras
A Year of Carte Blanche and Other Chimeras
A summary of the year long MAP series commissioned by Daniela Cascella, November 2021-October 2022A Year of Carte Blanche & Other Chimeras
A Prayer to Tláloc – Fragments of an Invocation
edited and translated by Autumn RichardsonA Year of Carte Blanche & Other Chimeras
Listening with Eunice
by Helena Hunter and Mark Peter WrightA Year of Carte Blanche & Other Chimeras
The Sick Train, Part 2
by Gemma BlackshawA Year of Carte Blanche & Other Chimeras
The Sick Train, Part 1
by Gemma BlackshawA Year of Carte Blanche & Other Chimeras
Vocal Recall: Reading for a Friend’s Voice
by Julia CalverIII. pray for a life without a plot
The final text by Harvey Dimond, in a trio that unravels real and imagined oceanic journeys in South Africa, Scotland and BarbadosII. Maps
Part of a trio of texts that unravel real and imagined oceanic journeys in South Africa, Scotland and Barbados. By Harvey DimondI. nobody dies of old age in the ocean
A trio of texts by Harvey Dimond, published across three days, unravels real and imagined oceanic journeys in South Africa, Scotland and BarbadosI wondered if I would care if I saw him again
People Person by Sam Cottington. A review by Caitlin Merrett Kingno dearer time
Rosie Roberts responds to Norman Gilbert: an exhibition of work by the Glasgow artist in his south side neighbourhoodWorkaround
‘The Creep of Life’. Kate Morgan reviews the solo exhibition Workaround by Charlie Hammond at The Hunterian Art Gallery, GlasgowBodies Proximity and Place
Reading event to celebrate Hatty Nestor’s MAP project and forthcoming publicationMOTHER OF PEARL
Catalina Barrosso Luque’s new poem takes a journey of transformationBRICK, BLOCK, INK, STONE
Cheryl McGregor reviews Craig Coulthard’s new solo showA Year of Carte Blanche & Other Chimeras
Learning to Live with Ghosts, Part 2
by Moosje M GoosenA Year of Carte Blanche & Other Chimeras
Learning to Live with Ghosts, Part 1
by Moosje M GoosenA Year of Carte Blanche & Other Chimeras
How to Sew a Scream, How to Cut a Sigh
Project editor Daniela Cascella writes in response to last month’s contributions by Enxhi Mandija and Alice ButlerSTRINGS RESUME DANCING
Alice Hill-Woods finds a collaborative refrain resonating through the Institut français d’Écosse, EdinburghAiring Laundry Part 2
Rose Higham-Stainton considers the mechanisation of laundry from the perspectives of Kate Bush’s washing machine and an exhibition by Hendrickje Schimmel at Camden Art CentreLANDSCAPES OF RUMOURED LONELINESS
Clara Raillard reviews Don’t Believe Everything Yves Leather Tells You at The Pipe FactoryRadio on the Union Canal
Timothea Armour takes the train and tunes into the noise. ‘Background noise is about foregrounding the background—everything that is usually seen as sideline to what has been made’SALT
Tom Jeffreys interviews Rosy Naylor, artist, curator and founder of Art Walk Projects in Portobello, as she embarks a new season of artist commissions. This also marks the beginning of a new editorial partnership with MAP, culminating in March 2023Whilst physical, a body is always infinite - a response to Holy Bodies by Clay AD
by Adrien HowardSTONE ARCHES HOLD NO HUMAN HEAT / BLOODLINES BY AMIE SIEGEL
by Juana AdcockDouble Time
An hour-by-hour report on Cooper Gallery’s 12hr Sit-in Revel by Jamie Donald and Alison ScottAiring Laundry Part 1
The first of a two part exploration by Rose Higham-Stainton into domestic laundry in art-making, from feminist protestations of the late seventies to contemporary art practiceA Year of Carte Blanche & Other Chimeras
Too Likeable (To the Side of Rosemary Mayer), Part 2
by Alice ButlerA Year of Carte Blanche & Other Chimeras
Too Likeable (To the Side of Rosemary Mayer), Part 1
by Alice ButlerA Year of Carte Blanche & Other Chimeras