The cheapest notebook purchased hastily and a pencil decorated with the newest generation of Pokemon
Last in a series of research texts by Gordon Douglas reporting on encounters with collaborative practice in Japan.
An upside down triangle with a two-headed arrow between the top two apexes. In the middle of this arrow, a dotted line with ‘SOCIAL’ written on one side and ‘SEXUAL’ on the other
Fourth in a series of research texts by Gordon Douglas reporting on encounters with collaborative practice in Japan
The word ‘Tradition’ with several circles around it indicating it’s been alluded to multiple times in a conversation
Third in a series of research texts by Gordon Douglas reporting on encounters with collaborative practice in Japan
Handwritten personal details on a deck of fluorescent green playing cards
Second in a series of research texts by Gordon Douglas reporting on encounters with collaborative practice in Japan
Folded multi-page travel itineraries with stage directions
The first in a series of research texts by Gordon Douglas reporting on encounters with collaborative practice in Japan
Unmasterable: an interview with James Bridle
William Kherbek interviews the artist, journalist, technologist and author of New Dark Age: Technology and the End of the Future
an almost obsolete species
Felix Bazalgette unpicks a major exhibition of Anni Albers’ work at Tate Modern, London, 11 October 2018 - 27 January 2019
Gardenlust #3: Holly, Ivy, Hellebore, Pine
A monthly column by Isabella Streffen
Dark Chambers, Fever Dreams: Artists’ Moving Image and the Gothic Landscape
An essay by Marcus Jack
Workers!
Lauren Houlton on a new film by Petra Bauer and sex-worker led charity SCOT-PEP, commissioned by Collective Gallery and first screened at Filmhouse, Edinburgh, 24 November
Flying Fox
Calum Sutherland visits Louise Hopkins’ solo exhibition at CAMPLE LINE, Dumfriesshire, 8 September - 15 December
One Great Love
Last in a series of dark fairy tales by Ester Krumbachová, published in conjunction with the exhibition and film programme of the Czech artist’s work at CCA Glasgow.
The White Snake
Fifth in a series of dark fairy tales by Ester Krumbachová, published in conjunction with the exhibition and film programme of the Czech artist’s work at CCA Glasgow.
The Swan
Fourth in a series of dark fairy tales by Ester Krumbachová, published in conjunction with the exhibition and film programme of the Czech artist’s work at CCA Glasgow.
The Gingerbread House
Third in a series of dark fairy tales by Ester Krumbachová, published in conjunction with the exhibition and film programme of the Czech artist’s work at CCA Glasgow.
The Clover Queen
Second in a series of dark fairy tales by Ester Krumbachová, published in conjunction with the exhibition and film programme of the Czech artist’s work at CCA Glasgow.
On the Camera Arts and Consecutive Matters: The Writings of Hollis Frampton
£25.95, ISBN 978-0-262-06276-3 http://mitpress.mit.edu
#4 - December 2005
Review
Jim Lambie—Byrds
The Modern Institute, Glasgow 7 October-11 November, 2005
Remarks: Read-Out! Read-In!
Faith Wilding and Kate Davis are working towards a two-woman discursive exhibition project with CCA, Glasgow, entitled ‘The Long Loch: How Do We Go On From Here?’, commissioned for Glasgow international, April 2010
The Hollow Mountain
Voice in the live performance of Maria Fusco’s, ‘Master Rock’, by Claire Walsh
Head-Wig (Portrait of an exhibition)
25 September–29 November, 2009, Camden Arts Centre, London
Amsterdam
Morag Keil, 3 March–14 April, Grimm Fine Art 14 / Lucy Stein, 3 March–14 April, Galerie Martin van Zomeren / Sue Tompkins, 3 March–7 April, Galerie Diana Stigter
Kenny Hunter
29 July–5 November 2006, Longside Gallery, Yorkshire Sculpture Park, Wakefield
Mathilde ter Heijne
20 September–8 November, 2009, SMBA, Amsterdam
Residency: Abraham Cruzvillegas
Mexican artist Abraham Cruzvillegas spent six months at Cove Park this summer shaping an exhibition for Glasgow’s CCA. The result is Autoconstrucción
Jordan Wolfson: In Search of the Whale
Hans Ulrich Obrist and Jordan Wolfson take a taxi to the Museum of Natural History, New York, to visit the whale. Time, travel, and time-travel come into their sights
Chapter Two
The second instalment of Out of Office Auto-Reply by William Kherbek
Faces in the Crowd: Picturing Modern Life from Manet to Today
Whitechapel Art Gallery, London, 3 Dec 2004-6 Mar 2005
‘A Murderous Fury’
Felix Bazalgette on the politics and protest behind Art and Space at the Guggenheim Bilbao, 5 December 2017 - 18 April 2018
Moving Images from the Attic Archive
19 March–18 April, 2010, Cooper Gallery, Dundee
a weakness for raisins
Ahead of an exhibition of Ester Krumbachová’s films and archive at CCA, Francis Mckee introduces the life and work of this key figure in Czech New Wave cinema
Andrea Büttner: The Shame of Culture
Richard Birkett discusses the sensitive work of an enquiring artist
Danièle Huillet and Jean-Marie Straub
13 November–20 December, 2009, Extra City, Antwerp
Emerging: Alex Gross
An element of failure is crucial to the development of this young artist’s strategy. John Calcutt gets to grips with his liberating style
The Great Transformation—Art and Tactical Magic
7 June–7 September 2008, Frankfurter Kunstverein, Frankfurt
Who Wants a Pope?
Coline Milliard explores the pop world of the late Ray Johnson, founder of mail art & an artist currently receiving critical reappraisal
Merlin James: Yes Yes Yes
Sherman Sam finds an uneasy longing, coupled with affirmative gesture, in the work of contemporary painter Merlin James
#1 - February 2005
Collecting for the Future
Kirstie Skinner examines the Contemporary Art Society distribution scheme which is set to undergo transformation later this year
Map Commission: Goya Vs Yoko Ono
‘Goya Vs Yoko Ono’, by Glasgow-based artist Alex Hetherington, is the first MAP commission
Ian Hamilton Finlay
In these extracts from his eulogy read at Greyfriars Kirk, Edinburgh, Alec Finlay remembers his father, the artist, poet, philosopher and gardener Ian Hamilton Finlay
Portfolio: Florence Durante and Paul Chiappe
MAP introduces up-and-coming artists Florencia Durante and Paul Chiappe with writing by newcomer Rosamund West and assistant editor Isla Leaver-Yap
Letter to my cats, Prague, 5 July, 1985
The third in a series of letters written by Ester Krumbachová, published in conjunction with the exhibition and film programme of the Czech artist’s work at CCA Glasgow, 7 Dec 2018 to 27 January 2019