Jude Browning talks to Anne-Marie Copestake in bed
A video conversation inspired by Copestake’s series of interviews between artists and musicians, Trigger Tonic (1999-2004).
Cannibal O
An intimate evening of feminist cannibalism hosted by Catalina Barroso-Luque around a circular dining table and premiered at Intermedia Gallery, CCA, Glasgow on 17 April 2019. Twenty eight images by Isobel Lutz-Smith tell the story.
Spaces, Places
Alchemy Film and Moving Image Festival, Hawick, 2-6 May, 2019. Review by Ben Nicholson
‘Persepolis Now?’
A Utopian Stage at SAVVY Contemporary, Berlin. Curated by Vali Mahlouji | Archeology of the Final Decade. Review by Sumugan Sivansan
New Waves: Mohamed Melehi and the Casablanca Art School
The Mosaic Rooms 12/04/19–22/06/19. Review by Kylie Gilchrist
Alberta Whittle and Emilio Bianchic
Curators Diego Chocano and Ellie Dobbs interview the two artists brought together in Useless, Pig Rock Bothy, Scottish National Gallery of Modern Art, 13-21 April
It Bites Back
Gabriella Beckhurst reviews the viral solo show by Pedro Neves Marques at Gasworks, London, 11 Apr-16 June 2019
We Nurture
Gordon Douglas participates in Shona MacNaughton’s new performance on Calton Hill
A typeface narrative on the Ñ and its infected tilde
In 22 parts, one episode was added to the story every weekday throughout April 2019. This narrative by Catalina Barroso-Luque has now concluded and can be read in full.
A golden interweaving link
Anna McLauchlan visits the D’Arcy Thompson Zoology Museum, Dundee
I was a Humandwolf
Alec Finlay writes on Project Wolf - a performative ecological strategy in which human wolves reanimate the role of lost predators
Tone Poems
A series of vignettes on animals in cinema and moving image by Suzanne van der Lingen
Dorothea Tanning: A Canine State of Mind
Natalie Ferris on the artist’s retrospective at Tate Modern and communion with the animal world
Ryan Trecartin, Sharon Lockhart, Peter Campus, Joachim Koester
26 March–24 May, 2010, The Power Plant, Toronto
Head-Wig (Portrait of an exhibition)
25 September–29 November, 2009, Camden Arts Centre, London
Roni Horn
Inverleith House, Edinburgh, 21 January–26 March and Museion, Bolzano 4 February–30 April 2006
Alberta Whittle and Emilio Bianchic
Curators Diego Chocano and Ellie Dobbs interview the two artists brought together in Useless, Pig Rock Bothy, Scottish National Gallery of Modern Art, 13-21 April
GI reviews and responses
Fourth in a series of reviews and responses to Glasgow International 2018 presentations, Gordon Douglas responds to iQhiya at Transmission and XSexcentenary at Glasgow Necropolis PLUS an intimate question for Hannah and Jenny are here 4 u
AVAILABLE FONTS
Phoebe Blatton reviews Lucy Skaer at KW, Berlin, 13 October 2017 - 7 January 2018
#4 - December 2005
Review
Jim Lambie—Byrds
The Modern Institute, Glasgow 7 October-11 November, 2005
Whitney Biennial 2008 / Judy Chicago
6 March–1 June 2008, Whitney Museum of American Art / Long-term installation, Brooklyn Museum, New York
Chapter Four
The fourth instalment of Out of Office Auto-Reply by Susan Finlay
Studio: Toby Paterson
Photographer Luke Watson visits painter Toby Paterson, well known for his postmodern architectural abstract works, in his Glasgow city centre studio
This Drove My Mother Up The Wall
Susan Finlay reviews Katharina Grosse at South London Gallery, 28 September - 3 December
#4 - December 2005
Review
James Lumsden and Andrew MacKenzie
Sarah Myerscough, London 30 September-29 October 2005
Turner Prize 2017
Jay Drinkall visits this year’s Turner Prize exhibition at the Ferens Art Gallery, Hull, 26 September 2017 – 7 January 2018
Certain of Nothing: Francis Alÿs
Francis McKee traces the path of Belgian artist Francis Alÿs as he explores the boundaries between politics, poetry and art
Give Up Art
Rebecca O’Dwyer on Maria Fusco’s ‘exciting alongsidedness’ Give Up Art (2018), collected critical writings from 2002-2017, published by New Documents
A Strategic History of Art
Richard Demarco looks back at the long and inspirational road he has travelled, which has led him to operate today under the shadow of a nuclear power station
Christopher Orr
24 May–1 August, 2009, IBID PROJECTS/Hoxton Square, London
the chapter with the bar and the boxing
An interview with writer and curator Jeanne Graff on Vzszhhzz, published by Semiotext(e)
MAP Screen | READING IN THE DARK
Curated by Suzanne van der Lingen | Instalment 2: Gerard Byrne, Sarah Forrest, Laure Prouvost, Peter Rose | Readings by Laura Edbrook & Sarah Forrest and Suzanne van der Lingen | Screened 25 February. Event images online
Lucy Reynolds: Talks
Glasgow School of Art, Friday Event at the Glasgow Film Theatre, 11am—12:30pm, 14 February 2014 | Edinburgh College of Art, Friday Talk, Main Lecture Theatre, 11.30am—1pm, 28 March 2014