Extreme times call for extreme heroines
Victoria Horne visits Keepin’ It Clean by Betye Saar at New-York Historical Society, 2 November 2018 - 27 May 2019
Burning Ties
Harry Weeks reviews Rasheed Araeen: A Retrospective at Baltic, Gateshead, 19 October 2018 - 27 January 2019
The cheapest notebook purchased hastily and a pencil decorated with the newest generation of Pokemon
Last in a series of research texts by Gordon Douglas reporting on encounters with collaborative practice in Japan.
An upside down triangle with a two-headed arrow between the top two apexes. In the middle of this arrow, a dotted line with ‘SOCIAL’ written on one side and ‘SEXUAL’ on the other
Fourth in a series of research texts by Gordon Douglas reporting on encounters with collaborative practice in Japan
The word ‘Tradition’ with several circles around it indicating it’s been alluded to multiple times in a conversation
Third in a series of research texts by Gordon Douglas reporting on encounters with collaborative practice in Japan
Handwritten personal details on a deck of fluorescent green playing cards
Second in a series of research texts by Gordon Douglas reporting on encounters with collaborative practice in Japan
Folded multi-page travel itineraries with stage directions
The first in a series of research texts by Gordon Douglas reporting on encounters with collaborative practice in Japan
Unmasterable: an interview with James Bridle
William Kherbek interviews the artist, journalist, technologist and author of New Dark Age: Technology and the End of the Future
an almost obsolete species
Felix Bazalgette unpicks a major exhibition of Anni Albers’ work at Tate Modern, London, 11 October 2018 - 27 January 2019
Gardenlust #3: Holly, Ivy, Hellebore, Pine
A monthly column by Isabella Streffen
Dark Chambers, Fever Dreams: Artists’ Moving Image and the Gothic Landscape
An essay by Marcus Jack
Workers!
Lauren Houlton on a new film by Petra Bauer and sex-worker led charity SCOT-PEP, commissioned by Collective Gallery and first screened at Filmhouse, Edinburgh, 24 November
Flying Fox
Calum Sutherland visits Louise Hopkins’ solo exhibition at CAMPLE LINE, Dumfriesshire, 8 September - 15 December
One Great Love
Last in a series of dark fairy tales by Ester Krumbachová, published in conjunction with the exhibition and film programme of the Czech artist’s work at CCA Glasgow.
The White Snake
Fifth in a series of dark fairy tales by Ester Krumbachová, published in conjunction with the exhibition and film programme of the Czech artist’s work at CCA Glasgow.
The Swan
Fourth in a series of dark fairy tales by Ester Krumbachová, published in conjunction with the exhibition and film programme of the Czech artist’s work at CCA Glasgow.
Jesse Jones: Men in Dark Times
Artist Jesse Jones presents an excerpt from her forthcoming project, The Centre of the Elephant
Remarks: Moot Moves
Tom Godfrey, one of four artist/directors of Nottingham’s Moot organisation is excited about new prospects opened up by the occupation of new premises.
Back Page: Dawood/Deora
FROM: DAWOOD/DEORA SUBJECT: RE: MAP BACK PAGE DATE: THU OCT 23 18:24 TO: MAP
Make Me Up
Victoria Horne reviews the new feature-length film by Rachel Maclean
The Scottish Enlightenment: A Visual Culture
Murdo Macdonald looks back to a time when the visual arts connected organically with other activities to create a powerful expression of intellectual culture
Residency: Abraham Cruzvillegas
Mexican artist Abraham Cruzvillegas spent six months at Cove Park this summer shaping an exhibition for Glasgow’s CCA. The result is Autoconstrucción
Songs in the Key of Life
Music is the escape, the anger, the boredom, the sadness, the sex, the affirmation, the madness and sense that takes us out of the daily grind. Neil Cooper celebrates the whole beautiful, blurred shebang as it morphs into art in the exhibition ‘Pass the Time of Day’
The Four
19 August–23 September 2006, Collins Galery, University of Strathclyde, Glasgow
Remarks: New Commission for Threshold
In his first solo show in the UK, Igor Krenz creates new work for Threshold artspace’s permanent collection. Here, he talks about the commission ‘Circles and Squares’ and his YouTube Mix.
The you in us
Kylie Gilchrist reviews Lydia Ourahmane’s solo exhibition at Chisenhale Gallery, London, 26 January - 25 March
Report
Tim Abrahams investigates art world activity and goes head to head with the national collectors of art
May all of your dreams come true
Anna McLauchlan experiences Ross Little’s ‘The Heavy of Your Body Parts and The Cool Air of the Air Condition’, the fourth commission in Collective’s Satellites programme
Lucy Stein and Manuela Gernedel share thoughts on Carole Gibbons as inspiration
Three women painters have shared a common address. Two have a conversation embracing their muse, home, practices, generation and serendipity
#22 - June 2010
POOL Group: Deriving History from Hindsight
Steven Cairns discovers the humanity in the films of the overlooked POOL Group
We’re all strangers in someone’s pub
Nasser Hussain reviews Liberating the Canon: An Anthology of Innovative Literature edited by Isabel Waidner, published by Dostoyevsky Wannabe
Residency: Maria and Natalia Petschatnikov
This Russian-born duo has a joint practice that is inspired and driven by participation in residencies throughout Europe
Report: What is ‘Public’ in Public Art?
Christophe Gallois on the Site-Specific
Kommando Friedrich Hölderlin
27 January–17 March 2007, Galerie Max Hetzler, Berlin
The Way In
Luke Fowler’s films exist on the margins of documentary. Martin Herbert examines the artist’s archive
Collaborative Research
Sam Ainsley, a member of AHM, discusses future plans for this artist trio
The Artist ’s Institute
Anthony Huberman discusses the opening of a new institution
Remarks: Face to Face
Collector, founder and president of the eponymous foundation in Turin, Patrizia Sandretto Re Rebaudengo talks about FACE.
The International Necronautical Society (INS) 17 January
17 January, Tate Britain, London