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#60 - January 2021 Editorial

Issue #60 Real Estate

Our current season continues
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#60 - March 2021 MAP Project

TENANCY Part 12: Deposit return

by Helen Charman
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#60 - March 2021 MAP Project

TENANCY Part 12: Public Transports

a conversation between So Mayer and Sarah Turner
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#60 - February 2021 Review

Mountain Water

April Yee reviews Minari and Mekong 2030, two films from this year’s Glasgow Film Festival
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#60 - February 2021 Poetry

Blue Monday, Part 3

A duo of poems, Border Control 1 & 2, completes this MAP selection from Blue Monday by Zara Joan Miller
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#60 - February 2021 Poetry

Blue Monday, Part 2

The second group of 3 poems from Zara Joan Miller’s Blue Monday series
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#60 - February 2021 Poetry

Blue Monday, Part 1

The first 3 in a suite of poems by Zara Joan Miller, published by MAP across 3 days. These form part of a larger collection by Miller, written over the past 3 years. The ‘Blue Monday’ phenomenon claims that the third Monday in January is the most depressing day of the year
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#60 - February 2021 Camara Taylor X SBWN

Before Emergence: A Means of Break/age

by Martha Adonai Williams
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#60 - January 2021 MAP Project

TENANCY Part 11: Documents in Time

by Sukaina Kubba
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#60 - January 2021 MAP Project

TENANCY Part 11: Celluloid

by Sarona Abuaker
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#60 - January 2021 MAP Project

TENANCY Part 11: Stock Transfer

by Joey Simons
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#60 - January 2021 Short Story

Bestia Taurina

by Catalina Barroso-Luque
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#60 - January 2021 MAP Project

TENANCY Part 10: Notes upon Return

by Bhanu Kapil
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#60 - January 2021 Review

Weird Folds

Susannah Thompson reads an expansive anthology of poetry just published. ‘I can’t breathe but it’s worth it’
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#59 - December 2020

MAP Editorial Residency 2020

Rosie Roberts & Alison Scott finished their near year long programme in December—we celebrate their contribution
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#59 - December 2020

Postscript

Fallout; back down to earth…
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#59 - December 2020 From the archive

Back Page: Rear Window Cinema

Alison Scott shares notes on the window as cinema and a series of ‘Back Pages’ in the MAP archive, offering a Back Page to this extended issue
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#14 Summer - June 2008

Back Page: Juliette Blightman

Dear Juliette We would like to invite you to write about the view from a window and whatever associated thoughts are inspired by it. We heard you are a bit of an avid rear-window photographer and thought this small project would go well with the domestic-space thematic inherent in your practice.Best, MAP 
#29 - August 2013

The Designated Area

A short story by Sean Ashton
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#51 - August 2019 Interview series

Part 7: ‘Matter as a Hope of Finding Some Answers.’ LATVIA

‘Opening up even more, instead of closing in around national borders, should be the response.’ Curators Valentinas Klimašauskas and Inga Lāce continue our 15 part season.
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#23 Autumn - September 2010

In Production: Discoteca Flaming Star

Anita Di Bianco interviews Cristina Gómez Barrio and Wolfgang Mayer
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#48 - January 2019 Journal

Handwritten personal details on a deck of fluorescent green playing cards

Second in a series of research texts by Gordon Douglas reporting on encounters with collaborative practice in Japan
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#11 Autumn - September 2007 Review

FOCUS: 52nd Venice Biennale—Reflections

10 June–21 November 2007, Venice
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#21 Spring - March 2010 Review

Andreas Bunte

7 November–9 December, 2009, Galerie Ben Kaufmann, Berlin
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#58 - July 2020 Through Motion

Compositional Insurgencies

Sarah Messerschmidt shares thoughts on Shade Théret’s choreographic practice
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#9 - March 2007 Review

Brice Marden

29 October 2006–15 January 2007, Museum of Modern Art, New York
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#14 Summer - June 2008 Review

Music: Nalle—The Sirens Wave

www.locustmusic.com £10
#17 Spring - March 2009

Roundtable

MAP asked the following artists and organisers to contribute towards a debate on artist-run spaces in Glasgow and beyond
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#11 Autumn - September 2007 Review

You Have Not Been Honest

24 May–1 October 2007, Museo d’Arte Contemporanea Donnaregina, Naples
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#48 - November 2018 Letters

Letter to my cats, Prague, 5 July, 1985

The third in a series of letters written by Ester Krumbachová, published in conjunction with the exhibition and film programme of the Czech artist’s work at CCA Glasgow, 7 Dec 2018 to 27 January 2019
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#14 Summer - June 2008 Review

Whitney Biennial 2008 / Judy Chicago

6 March–1 June 2008, Whitney Museum of American Art / Long-term installation, Brooklyn Museum, New York
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#56 - March 2020 Review

Ambiguous Heterotopias

James Bell reviews Seized by the Left Hand at Dundee Contemporary Arts
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#2 - May 2005 Review

Glasgow International 2005

Various venues, Glasgow, 21 April–2 May  
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#31 - March 2014

‘A Feminist Chorus’ by Lucy Reynolds | Recording, March 2014

Recording for A Feminist Chorus at Glasgow Kelvin College, 21 March, 2014
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#7 - September 2006 Review

The Poets Still Throwing Up Their Hands

THE CHANGING ROOM 29 APR–10 JUN, 2006, Stirling
#4 - December 2005 Review

Robert Smithson

Whitney Museum of American Art, New York 22 June-16 October
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#51 - August 2019 Interview series

Part 10: ‘Matter as a Hope of Finding Some Answers’ CROATIA

‘Traces of Disappearing, the project I am presenting in Venice, has been in progress for thirteen years…’ Response from artist Igor Grubić.
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#39 - August 2017 Review

Notes from Venice

Claire Walsh offers notes from the Venice Biennale ‘Viva Arte Viva’ 13 May - 26 November
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#10 - June 2007 Review

Books: Kara Walker: My Compliment, My Enemy, My Oppressor, My Love

Edited by Michelle Piranio www.Hatjecantze.com ISBN 978-3-7757-1932-239
#39 - July 2017 Review

this scattering of minds; like seeds

Kirsty Hendry responds to a film screening and Q&A with artist Sulaïman Majali at Transmission Gallery
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#19 Autumn - September 2009

Back Page: Jane and Louise Wilson

Jane and Louise Wilson, film still from ‘Unfolding the Aryan Papers’, 2009
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#32 - June 2014 MAP Reading Group

‘Sick Sick Sick’ : The Books of Ornery Women

A reading project examining a radical or ‘bludgeoned’ subjectivity of female writers | Session Six : 6.30pm, CCA Cinema, Thu 25 Sep : reading Love Dog by Masha Tupitsyn
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#20 Winter - November 2009 Review

In & Out of Amsterdam: Travels in Conceptual Art, 1960-1976

19 July–5 October, MoMA, 2009, New York
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#17 Spring - March 2009

Remarks: 2HB

Louise Shelley announces a new publishing project for innovative creative art writing, to be launched by CCA, Glasgow, in March. 
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#20 Winter - November 2009

Abstract Capitalist Realism

Alastair MacKinven reflects on his current practice 
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#23 Autumn - September 2010 Review

Knut Åsdam

27 May–27 August, 2010, Bergen Kunsthall
#2 - May 2005

Letter to MAP: Johnny Gailey

Letter from Johnny Gailey, photographer and arts worker, in response to ‘State In the Art’, MAP Issue 1
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#19 Autumn - September 2009 Review

Rory Macbeth

26 June Standpoint Gallery, 2009, London
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#58 - July 2020 MAP Project

Part 2: The Self-Illuminating Pen

The-Here-and-Now-Word. ‘What turns out to be astonishing is the way this pen illuminates one word at a time.’ Sarah Tripp continues to write deep into the dark.
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#7 - September 2006 Review

ANNIE LENNOX

The Eurythmics singer, who was recently honoured by both Edinburgh College of Art and the Royal Scottish Academy of Music & Drama, reveals her artistic passions
#13 Spring - March 2008 Review

Thomas Houseago

24 November 2007–5 January 2008, The Modern Institute, Glasgow
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#59 - September 2020 Review

Letters for/against Wild Invention: Part 1

Over three instalments, A+E Collective respond in epistolary form to The Wild Book of Invention, Sternberg Press, 2020