TENANCY: Asylum Archive
a conversation between Vukašin Nedeljković and Lily Ní Dhomhnaill
The Self-Illuminating Pen by Sarah Tripp. Part 1: Make Your Own Guitar
Part 1 of a 5 part series. Sarah Tripp shines light on words past midnight in her ‘letters to the editor’ alongside video representations in collaboration with Isobel Lutz-Smith. Free pamphlet available
farewell, Art: Imagining a Hospitable Planetary Future
Angeliki Roussou reflects on ‘farewell, Art’, a project by Bureau d’études commissioned by Rhubaba, Edinburgh
A PLACE FOR 4 WOMEN, #3 HARVEST MOON
The third in a four part poetic response by Valerie Norris to ‘The Bitter Cup’ by Joanne Tatham and Tom O’Sullivan
Compositional Insurgencies
Sarah Messerschmidt shares thoughts on Shade Théret’s choreographic practice
A PLACE FOR 4 WOMEN, #2 STRAWBERRY MOON
The second in a four part poetic response by Valerie Norris to ‘The Bitter Cup’ by Joanne Tatham and Tom O’Sullivan
Solastalgic Soliloquy
MAP screens a new film by Ayla Dmyterko, with an accompanying text by Ranjana Thapalyal
A PLACE FOR 4 WOMEN, #1 WORM MOON
The first of a four part poetic response by Valerie Norris to ‘The Bitter Cup’ by Joanne Tatham and Tom O’Sullivan
Dot, dot, dot, space, space, space
Maria Blom revisits three repetitive acts: encountering Magic Block: Contemporary Art from Chile, Rachel Lowe’s film A Letter to an Unknown Person no. 2 and Ceal Floyer’s audio work ‘Til I Get It Right
Pictorial Critique
Madeleine Pollard interviews New York based artist and illustrator Pamela Sztybel
COTTAGING THE HEDGEROW: PART 4
The final instalment of a four part chronicle by Mathew Parkin, foraging queerness and rurality in recent artist moving image
SQIFFLIX: Queer community online
Through a series of WhatsApp conversations artists Rachel Sharpe and Andrw Houston (two queers in lockdown) discuss clones, politics, vengeful vampiric werewolves and say thank you to SQIFF for providing a platform for them to continue to connect.
Within Four Walls
Myriam Mouflih re-watches Jumana Manna’s A Magical Substance Flows Into Me, 2016
Every film screening, its own kind of love affair
Kaya Erdinç reviews Masha Tupitsyn’s latest book Picture Cycle, Semiotext(e)
GROVE AND GRIEF
Clare Patterson reads ‘Grove’ by Esther Kinsky, Fitzcarraldo Editions, April 2020
‘Liquiform Murmurs’
Nisha Ramayya explores Vahni Capildeo’s invitations in Odyssey Calling, Sad Press, 2020
Romance in what feels like The End
Marie Lopez reviews Elaine Kahn’s latest poetry collection Romance or the End, Soft Skull Press, 2020
Remarks: Collective Recipes
Palermo-based artist Aleksandra Mir discusses her new book project.
#24 - November 2010
Review
The Portable John Latham
Edited by Antony Hudek and Athanasios Velios, Occasional Papers in association with Whitechapel Gallery, London, 2010, £12.50, ISBN 978-0-9562605-5-0
My Favourite Sister’s Uncle
Colin Herd responds to an exhibition by Charlie Billingham and Zin Taylor at Independent Régence Brussels, 7 September - 7 October
#4 - December 2005
Review
Books: Kate Davis: Partners and Hanneline Visnes: Afterwards, in the blank wood
Published respectively by Sorcha Dallas, October 2005 and Centre for Contemporary Arts, October 2005
Q&A: Joanne Tatham and Tom O’Sullivan
Mona Casey interviews Joanne Tatham & Tom O’Sullivan
Books: Ron Mueck
By Robert Rosenblum, published by Fondation Cartier Pour L’Art Contemporain, 2006
Remarks: No Soul for Sale
Massimiliano Gioni reveals ambitions behind the project on artist groups at the Tate, London.
Map Commission: Goya Vs Yoko Ono
‘Goya Vs Yoko Ono’, by Glasgow-based artist Alex Hetherington, is the first MAP commission
Music: Daniel Johnston: It’s A Beautiful Life
5 September–10 November 2007, alt.gallery, Newcastle
Luke Fowler & Charlie Hammond
19–24 January 2008, Buccleuch Street, Glasgow
Do Not Make The
A new publication from MAP comprising 15 hybrid essays. Authors include Lisa Robertson, Joanna Walsh and Kate Briggs
Residency Silberkuppe
MAP talks to Berlin art space Silberkuppe about space and strategy
The Fruit of Their Actions
Laura Edbrook engages in the psychology of a recent work by artist duo Smith/Stewart
Physical or Otherwise
Gwendolen Dupré on the alchemy of Suggestions and Encounters: Physical or Otherwise by Leontios Toumpouris at The Telfer Gallery, Glasgow, 9 February - 4 March
#15 Autumn - September 2008
Review
Mark Neville
11 May — 30 September 2008, Mount Stuart, Isle of Bute
Report: Internet Art in the Present Tense
Karen Archey examines the rise, fall and rise of art and information technologies
Hashtag: No More Boring Art
Artist and poet Annie Runkel remembers John Baldessari and teases the life out of boredom
Rosalind Nashashibi: Bachelor Machines
Part 1, Scotland and Venice, 10 June–2 November 2007, Palazzo Zenobio, Venice Part 2, Art Statements, 4–8 June 2007, Art Basel
The Enlightenments
Various dates, August–October, 2009, Various venues, Edinburgh
Materiality cut two ways
Kamini Vellodi reviews the two artist installation, A New Order, at the Scottish National Gallery of Modern Art, Edinburgh
Alex Pollard
11 October–2 November, 2008, Whitechapel Project Space, London
Report: Art of Survival
In this two-part report, Paddy Johnson examines the day-to day survival of commercial and mixed-economy art organisations in New York, while Jennifer Thatcher assesses the new conditions fully-funded UK spaces now face
Chantal Akerman
11 July–14 September 2008, Camden Arts Centre, London
Remarks: New Films In The Making
Steven Bode, director of The Film and Video Umbrella discusses the history of the organisation and some upcoming commission.
#22 - June 2010
POOL Group: Deriving History from Hindsight
Steven Cairns discovers the humanity in the films of the overlooked POOL Group