1 Saar Supreme Quality
#48 - January 2019 Review

Extreme times call for extreme heroines

Victoria Horne visits Keepin’ It Clean by Betye Saar at New-York Historical Society, 2 November 2018 - 27 May 2019
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#48 - January 2019 Review

Burning Ties

Harry Weeks reviews Rasheed Araeen: A Retrospective at Baltic, Gateshead, 19 October 2018 - 27 January 2019
Fig5
#48 - January 2019

The cheapest notebook purchased hastily and a pencil decorated with the newest generation of Pokemon

Last in a series of research texts by Gordon Douglas reporting on encounters with collaborative practice in Japan.
Fig4
#48 - January 2019

An upside down triangle with a two-headed arrow between the top two apexes. In the middle of this arrow, a dotted line with ‘SOCIAL’ written on one side and ‘SEXUAL’ on the other

Fourth in a series of research texts by Gordon Douglas reporting on encounters with collaborative practice in Japan
Fig3
#48 - January 2019

The word ‘Tradition’ with several circles around it indicating it’s been alluded to multiple times in a conversation

Third in a series of research texts by Gordon Douglas reporting on encounters with collaborative practice in Japan
Fig2
#48 - January 2019

Handwritten personal details on a deck of fluorescent green playing cards

Second in a series of research texts by Gordon Douglas reporting on encounters with collaborative practice in Japan
Fig1
#48 - January 2019

Folded multi-page travel itineraries with stage directions

The first in a series of research texts by Gordon Douglas reporting on encounters with collaborative practice in Japan
Agency 0869
#48 - January 2019 Interview

Unmasterable: an interview with James Bridle

William Kherbek interviews the artist, journalist, technologist and author of New Dark Age: Technology and the End of the Future
176 Anni Albers Rug 1959
#48 - December 2018 Essay

an almost obsolete species

Felix Bazalgette unpicks a major exhibition of Anni Albers’ work at Tate Modern, London, 11 October 2018 - 27 January 2019
Pines Still From Eden 2008
#48 - December 2018 Column

Gardenlust #3: Holly, Ivy, Hellebore, Pine

A monthly column by Isabella Streffen
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#48 - December 2018 Essay

Dark Chambers, Fever Dreams: Artists’ Moving Image and the Gothic Landscape

An essay by Marcus Jack
Pb2
#48 - December 2018 Review

Workers!

Lauren Houlton on a new film by Petra Bauer and sex-worker led charity SCOT-PEP, commissioned by Collective Gallery and first screened at Filmhouse, Edinburgh, 24 November
Cample Line Louise Hopkins Img 1577
#48 - December 2018 Review

Flying Fox

Calum Sutherland visits Louise Hopkins’ solo exhibition at CAMPLE LINE, Dumfriesshire, 8 September - 15 December
Screen Shot 2018 12 02 At 18 01 07
#48 - December 2018 Short Story

One Great Love

Last in a series of dark fairy tales by Ester Krumbachová, published in conjunction with the exhibition and film programme of the Czech artist’s work at CCA Glasgow.
Screen Shot 2018 12 02 At 18 00 15
#48 - December 2018 Short Story

The White Snake

Fifth in a series of dark fairy tales by Ester Krumbachová, published in conjunction with the exhibition and film programme of the Czech artist’s work at CCA Glasgow.
Screen Shot 2018 12 02 At 18 00 39
#48 - December 2018 Short Story

The Swan

Fourth in a series of dark fairy tales by Ester Krumbachová, published in conjunction with the exhibition and film programme of the Czech artist’s work at CCA Glasgow.
69 3
#22 - June 2010

Jesse Jones: Men in Dark Times

Artist Jesse Jones  presents an excerpt from her forthcoming project, The Centre of the Elephant
84 85
#19 Autumn - September 2009 Review

Matthew Monahan

22 May–27 June, 2009, Modern Art, London
21 1
#16 Winter - November 2008

Remarks: Moot Moves

Tom Godfrey, one of four artist/directors of Nottingham’s Moot organisation is excited about new prospects opened up by the occupation of new premises. 
85 3
#18 Summer - June 2009 Review

The Russian Linesman

18 February–4 May, The Hayward Gallery, London
96 6
#16 Winter - November 2008

Back Page: Dawood/Deora

FROM: DAWOOD/DEORA SUBJECT: RE: MAP BACK PAGE DATE: THU OCT 23 18:24 TO: MAP 
#37 - September 2016

TIME IS NOT A LINE

A footnote by Suzanne van der Lingen
5K Still 22 Sc03 Figurehead Meat
#47 - October 2018 Review

Make Me Up

Victoria Horne reviews the new feature-length film by Rachel Maclean 
89 3
#18 Summer - June 2009 Review

Daniel Roth

21 March–25 April, Galerie Fons Welters, Amsterdam  
22 3
#9 - March 2007

The Scottish Enlightenment: A Visual Culture

Murdo Macdonald looks back to a time when the visual arts connected organically with other activities to create a powerful expression of intellectual culture
57 1 1
#3 - August 2005 Review

Richard Hughes

The Modern Institute, Glasgow 3 June-15 July, 2005
27 3
#16 Winter - November 2008

Residency: Abraham Cruzvillegas

Mexican artist Abraham Cruzvillegas spent six months at Cove Park this summer shaping an exhibition for Glasgow’s CCA. The result is Autoconstrucción
39 1
#2 - May 2005

Songs in the Key of Life

Music is the escape, the anger, the boredom, the sadness, the sex, the affirmation, the madness and sense that takes us out of the daily grind. Neil Cooper celebrates the whole beautiful, blurred shebang as it morphs into art in the exhibition ‘Pass the Time of Day’
54 10
#8 - November 2006 Review

The Four

19 August–23 September 2006, Collins Galery, University of Strathclyde, Glasgow
50 9
#11 Autumn - September 2007 Review

Wrong Place, Wrong Time

25 May–1 July 2007, Tent, Rotterdam
87 4
#20 Winter - November 2009 Review

Rosalind Nashashibi

10 September–1 November, 2009, ICA, London
19 1
#18 Summer - June 2009

Remarks: New Commission for Threshold

In his first solo show in the UK, Igor Krenz creates new work for Threshold artspace’s permanent collection. Here, he talks about the commission ‘Circles and Squares’ and his YouTube Mix. 
11
#43 - March 2018 Review

The you in us

Kylie Gilchrist reviews Lydia Ourahmane’s solo exhibition at Chisenhale Gallery, London, 26 January - 25 March
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#5 - January 2006

Report

Tim Abrahams investigates art world activity and goes head to head with the national collectors of art
Picture1
#39 - August 2017 Review

May all of your dreams come true

Anna McLauchlan experiences Ross Little’s ‘The Heavy of Your Body Parts and The Cool Air of the Air Condition’, the fourth commission in Collective’s Satellites programme
Photo Of  Carole  Gibbons 2 72Dpi
#26 - November 2012

Lucy Stein and Manuela Gernedel share thoughts on Carole Gibbons as inspiration

Three women painters have shared a common address. Two have a conversation embracing their muse, home, practices, generation and serendipity 
#22 - June 2010

POOL Group: Deriving History from Hindsight

Steven Cairns discovers the humanity in the films of the overlooked POOL Group
Liberating The Canon
#43 - May 2018 Review

We’re all strangers in someone’s pub

Nasser Hussain reviews Liberating the Canon: An Anthology of Innovative Literature edited by Isabel Waidner, published by Dostoyevsky Wannabe
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#21 Spring - March 2010 Review

Moyra Davey

7 November–24 December, 2009, Murray Guy, New York
24 4
#15 Autumn - September 2008

Residency: Maria and Natalia Petschatnikov

This Russian-born duo has a  joint practice that is inspired and driven by participation in residencies throughout Europe
60 4
#25 - July 2011

Ed Atkins

Q&A by Richard Whitby
7 2
#11 Autumn - September 2007

Report: What is ‘Public’ in Public Art?

Christophe Gallois on the Site-Specific
55 1 1
#10 - June 2007 Review

Kommando Friedrich Hölderlin

27 January–17 March 2007, Galerie Max Hetzler, Berlin
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#18 Summer - June 2009

The Way In

Luke Fowler’s films exist on the margins of documentary. Martin Herbert examines the artist’s archive
Dsc 4630
#23 Autumn - September 2010

Collaborative Research

Sam Ainsley, a member of AHM, discusses future plans for this artist trio
Filliou Back Wall2
#24 - November 2010

The Artist ’s Institute

Anthony Huberman discusses the opening of a new institution
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#20 Winter - November 2009

Remarks: Face to Face

Collector, founder and president of the eponymous foundation in Turin, Patrizia Sandretto Re Rebaudengo talks about FACE.
94 2
#17 Spring - March 2009 Review

The International Necronautical Society (INS) 17 January

17 January, Tate Britain, London
134 Galerías El Arte Y El Espacio
#42 - January 2018 Review

‘A Murderous Fury’

Felix Bazalgette on the politics and protest behind Art and Space at the Guggenheim Bilbao, 5 December 2017 - 18 April 2018 
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#22 - June 2010 Review

FOCUS REVIEW: Glasgow International

Glasgow 16 April–3 May, various venues
Fig2
#48 - January 2019

Handwritten personal details on a deck of fluorescent green playing cards

Second in a series of research texts by Gordon Douglas reporting on encounters with collaborative practice in Japan
72 8
#15 Autumn - September 2008 Review

Chantal Akerman

11 July–14 September 2008, Camden Arts Centre, London