Adrian Piper, My Calling (Card) #1, (1986-1990). Offset lithograph on brown paper; published by Angry Art. Gift of John P. Bowles, Indiana University Art Museum
#45 - May 2018 Editorial

Out of Office Auto-Reply

Editorial: a collaborative serial fiction project following the exploits of Colin Clout—a sixteenth century persona of dissent, here reimagined as art critic
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#45 - May 2018 Review

Chapter Three

The third instalment of Out of Office Auto-Reply by Eley Williams
Chapter 2
#45 - May 2018 Review

Chapter Two

The second instalment of Out of Office Auto-Reply by William Kherbek
Potential
#45 - May 2018 Review

Chapter One

The first instalment of Out of Office Auto-Reply, a collaborative serial fiction project following the exploits of art critic Colin Clout
Installation View Nadia Myre Code Switching And Other Work Curated By Mother Tongue  Courtesy Nadia Myre And Art Mûr  Photo Credit Ross Fraser Mc Lean
#44 - May 2018 Review

GI reviews and responses

Last in a series of reviews and responses to Glasgow International 2018, Maria Howard writes on Nadia Myre at The Briggait, Cross-feed by Gary Zhexi Zhang & Aniara Omann and Self-Service by Kirsty Hendry & Ilona Sagar
War Of The Corners 2018 Torsten Lauschmann Reid Gallery The Glasgow School Of Art  Two Screens Four Automatons  Photo By Mc Ateer 2
#44 - May 2018 Review

GI reviews and responses

Sixth in a series of reviews and responses to Glasgow International 2018, Ari Nielsson writes on Torsten Lauschmann at GSA, ‘i’ The Opera at The Art School and Cabinet Interventions at Pollok House
Peel Eezy The Critic
#44 - May 2018 Short Story

The Tear in the Work Shop, and Post-Office Performance, and the Peel Eezy Review

By The Critic: proudly ghost-written by Andy Grace Hayes. Commissioned by Peel Eezy. All persons fictitious
Ross Birrell The Athens Kassel Ride 2017  The Transit Of Hermes At Cca Glasgow  Photography By Alan Dimmick
#44 - May 2018 Review

GI reviews and responses

Fifth in a series of reviews and responses to Glasgow International 2018 presentations, Calum Sutherland reviews Ross Birrell at CCA, Mark Leckey at Tramway and Michael White at Oxford House
Helen Hester 1
#44 - May 2018 Essay

Xenofeminist Ecologies

(Re)producing Futures Without Reproductive Futurity by Helen Hester (Laboria Cuboniks) philosopher
Nina Power
#44 - May 2018 Essay

Soft Coercion, the City and the Recorded Female Voice

by Nina Power
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#44 - May 2018 Review

GI reviews and responses

Fourth in a series of reviews and responses to Glasgow International 2018 presentations, Gordon Douglas responds to iQhiya at Transmission and XSexcentenary at Glasgow Necropolis PLUS an intimate question for Hannah and Jenny are here 4 u
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#44 - May 2018 Review

GI reviews and responses

Third in a series of reviews and responses to Glasgow International 2018 presentations, Neil Cooper reviews Katinka Bock at the Common Guild, Corin Sworn at Koppe Astner and Scott Caruth at House for an Art Lover
Butwhatare Youdoingaboutwhitesupremacy2
#44 - April 2018 Review

GI reviews and responses

Second in a series of reviews and responses to Glasgow International 2018 presentations, Samar Ziadat writes on sorryyoufeeluncomfortable’s group show at Many Studios
Esther Ferrer 23Apr Gi2018 3 Of 4
#44 - April 2018 Interview

Esther Ferrer

Mónica Laiseca talks to the Spanish artist who has recently performed at Glasgow International 2018  
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#44 - April 2018 Essay

“More generous and more suspicious”

Anna Bunting Branch examines Feminist SF as a worldbuilding practice 
Linder Bower Of Bliss Glasgow Womens Library 2018  Film Still Cinematographer Fatosh Olgacher 2
#44 - April 2018 Review

GI reviews and responses

First in a series of reviews and responses to Glasgow International 2018 presentations, Ruth Barker writes on Linder at Glasgow Women’s Library, Celluar World group show at GoMA, and Michelle Hannah’s Keener at The Savings Bank 
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#8 - November 2006 Review

Books: Timeline

Douglas Gordon, MOMA £32
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#11 Autumn - September 2007 Review

You Have Not Been Honest

24 May–1 October 2007, Museo d’Arte Contemporanea Donnaregina, Naples
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#22 - June 2010 Review

James Welling: Glass House

New York 24 March–24 April, 2010, David Zwirner
Chris  Kraus 1
#31 - January 2014

‘Sick Sick Sick’ : The Books of Ornery Women

A reading project examining a radical or ‘bludgeoned’ subjectivity of female writers 
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#35 - August 2015

The orphans of a GENERATION

Preserving the legacy of Margaret Tait. Essay by Sarah Neely
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#3 - August 2005 Review

Books: Saint Etienne and Ry Cooder

Neil Cooper reviews two volumes—Saint Etienne, Tales From Turnpike House published by Sanctuary and Ry Cooder by Chavez Ravine published by Nonesuch/Perro Verde
#24 - November 2010 Review

Paul Thek

21 October–9 January, Whitney Museum, New York
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#41 - October 2017 Review

Turner Prize 2017

Jay Drinkall visits this year’s Turner Prize exhibition at the Ferens Art Gallery, Hull, 26 September 2017 – 7 January 2018
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#9 - March 2007 Review

Catherine Sullivan

2 December 2006–27 January 2007, CCA, Glasgow
#12 Winter - November 2007 Review

Music: Sighs Trapped By Liars (new album from Red Krayola)

The Red Krayola with Art & Language www.dragcity.com £10
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#23 Autumn - September 2010

Collaborative Research

Sam Ainsley, a member of AHM, discusses future plans for this artist trio
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#41 - November 2017 Review

INTERSTICES

Rachael Finney reviews ‘Interstices’ by Terre Thaemlitz at Auto Italia, 3 October - 3 December
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#43 - March 2018 Review

Give Up Art

Rebecca O’Dwyer on Maria Fusco’s ‘exciting alongsidedness’ Give Up Art (2018), collected critical writings from 2002-2017, published by New Documents
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#19 Autumn - September 2009

Pinochet Porn in Progress

Artist Ellen Cantor sketches out the narrative beginnings of an ambitious film project
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#19 Autumn - September 2009

Eva Hesse: Present Tense

Isla Leaver-Yap assesses the work of Eva Hesse, finding a sophisticated legacy with fresh resonance
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#20 Winter - November 2009 Review

Generosity is the New Political

5 September–1 November, 2009, Wysing Arts Centre, Cambridge
#24 - November 2010

Emerging: Patrizio Di Massimo

Rebecca Geldard looks at the work of this young Italian artist
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#6 - April 2006 Review

Allen Ruppersberg

Dundee Contemporary Arts, Dundee, 8 April–28 May 2006 
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#15 Autumn - September 2008 Review

Folkestone Triennial

14 June–14 September 2008, Folkestone
In  These  Troubled  Times 1
#25 - July 2011

Remarks: In These Troubled Times

Jesse Jones and Fiona Marron discuss their Dublin workshops
#31 - September 2014

‘A Feminist Chorus’ voices at 5 Blythswood Square

The sound work installed during Glasgow International 2014 is now online
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#25 - July 2011 Review

Hayley Tompkins

2 April–7 May, Modern Institute, Glasgow
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#8 - November 2006

Iain Forsyth, Jane Pollard, Jason Pierce

The collaborators behind Silent Sound on their Liverpool Biennial performance based around the idea of spiritualism
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#16 Winter - November 2008

Charles Avery: Mythologies

Charles Avery’s entire practice is built on the creation of a new world, an island place where cults and gulls and islanders all play their part. Anthony Spira explores its boundaries
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#5 - January 2006

Back Page: Kim Gordon

Kim Gordon, sound artist and founder member of Sonic Youth, on art and music 
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#14 Summer - June 2008 Review

Wilhelm Sasnal: The Other Church

11–27 April 2008, 66-68 Osborne Street, Glasgow
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#6 - April 2006 Review

Luke Fowler

The Modern Insitute, Glasgow, 18 February–18 March 2006 
Esther Ferrer 23Apr Gi2018 3 Of 4
#44 - April 2018 Interview

Esther Ferrer

Mónica Laiseca talks to the Spanish artist who has recently performed at Glasgow International 2018  
Megan Rooney Fonyourtongue 005Small
#41 - November 2017

Event over. Premier of Others got wings for flying by Megan Rooney

Megan Rooney’s new performance, created for the MAP commission 2017, was presented at Tramway, 7.30-8.30, 7 December.
Map Quiet Heat
#37 - November 2016

Quiet Heat: an Introduction

Dave Young introduces ‘Quiet Heat: Archive Machines and War Fever’. Commissioned as part of ‘Footnoting the Archive’, and produced using research conducted during a remote residency at the Artist Run Data Center, run by Servus in Linz, Austria, in late 2015. The extended text is hosted by the Artist Run Data Centre and accessible at quietheat.dvyng.com
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#19 Autumn - September 2009

Emerging: Lynn Hynd

Colin Perry enjoys the ‘pleasure of not knowing’ in the sculptural collage of this Glasgow-based artist
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#19 Autumn - September 2009 Review

Throbbing Gristle/Cerith Wyn Evans

17 June 2009, Tramway, Glasgow
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#5 - January 2006

Diary: Tel Aviv

Alone in Israel with curator Francis McKee
Haris Epaminonda, 'Untitled #67', polaroid, 2009. MAP Issue #18, 2009
#18 Summer - June 2009

Images in Search of Lost Time

Haris Epaminonda’s recent series of Polaroids dovetail reality and imagination. Isla Leaver-Yap investigates
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#5 - January 2006 Review

Claire Barclay: Silver Gilt

Stepehn Friedman Gallery, London,  20 October–19 November 2005