Brasilia pic
#70 - December 2023 Poetry

‘…saudades is an overrated word, simple to translate’

Two poems by filmmaker and writer Ali Sargent
Garden refuse sacks
#70 - December 2023 Review

re-routing, rooting, writing

Lucy Rose Cunningham examines the idea of change through recent works exploring gardens
Liz Ligon study now steady live
#70 - December 2023 Review

Parallel Play

Jenny Wu reviews Ligia Lewis’s exhibition study now steady at the Center for Art, Research and Alliances (CARA), New York
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#70 - December 2023 Review

Radio Talk

Rebecca Wilcox takes to the air with Glasgow’s Radiophrenia
Andrew Black
#70 - November 2023 Reflection

‘Only the mineral remains’

A commentary by writer, researcher and activist Keir Milburn in response to Andrew Black’s Margaret Tait Commission film, ‘On Clogger Lane’
MAP AE WILD LETTERS 3
#59 - October 2020 Review

Letters for/against Wild Invention: Part 3

The final instalment of A+E Collective’s epistolary response to The Wild Book of Invention, Sternberg Press, 2020
Timothea Armour
#61 - May 2021 Review

A Public Class: Radical Pub Crawl

Timothea Armour goes on a virtual pub crawl hosted by artist Ruth Ewan and Cooper Gallery, Dundee
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#58 - August 2020 MAP Project

Part 5: The Self-Illuminating Pen

Sarah Tripp concludes her letter series with: Dear Alice. ‘This is a story about what I let go of and what I took hold of.’
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#12 Winter - November 2007 Review

Music: Daniel Johnston: It’s A Beautiful Life

5 September–10 November 2007, alt.gallery, Newcastle
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#19 Autumn - September 2009 Review

Maison Domino

5 July–2 August, 2009, Generator Projects, Dundee
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#6 - April 2006 Review

Books: Ron Mueck

By Robert Rosenblum, published by Fondation Cartier Pour L’Art Contemporain, 2006 
Nat Raha
#69 - October 2023 MAP X EAF

Poems as Portals

Phil Crockett Thomas responds to Nat Raha: epistolary (on carceral islands). Part of Rosie Roberts’ Edinburgh Art Festival 2023 series
#21 Spring - March 2010 Review

Urban Stories: The X Baltic Triennial of International Art

25 September–22 November 2009, Various venues, Vilnius
#4 - December 2005 Review

Books: The Book of David Shrigley

Published by Redstone Press, October 2005 
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#24 - November 2010

Guy de Cointet

Giles Bailey meets Marie de Brugerolle to talk about the renewed interest in the avant-garde artist’s surreal performances
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#18 Summer - June 2009

Who Wants a Pope?

Coline Milliard explores the pop world of the late Ray Johnson, founder of mail art & an artist currently receiving critical reappraisal
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#9 - March 2007 Review

Peter Horobin

29 November–12 December 2006, University of Ulster, Belfast
#4 - December 2005 Review

Edinburgh Art Festival and Annuale 2005

Various venues citywide during August 2005
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#48 - November 2018 Essay

a weakness for raisins

Ahead of an exhibition of Ester Krumbachová’s films and archive at CCA, Francis Mckee introduces the life and work of this key figure in Czech New Wave cinema
#2 - May 2005

Bulletin

A round-up of journeys, events and spaces. Contact Jess Dolan with details of new projects, residencies or opportunities.
A  Feminist  Chorus Recording 21  March 2014
#33 - February 2015

A Feminist Chorus: ‘Hen Run’ sound work at RIBA, London

Installed as part of Mackintosh Architecture, 18 February-23 May 2015.
Daniela Editorial4
#64 - February 2022
A Year of Carte Blanche & Other Chimeras

Dialogue of Chimera and D.C.

After January’s commissions in ‘A Year of Carte Blanche and Other Chimeras’
Ufuoma Essi Bodies In Dissent 3
#61 - April 2021 Review

They lay on the floor like starfish

Ben Nicholson looks into Alchemy Film and Moving Image Festival 2021, Thu 29 Apr-Mon 3 May
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#5 - January 2006

Journey Five: The Thames

On the fifth leg of his intrepid wanderings, Duncan McLaren takes two wintery voyages up the Thames, and finds the spirit of the new haunted by the remembrance of things past
Gardenlust 9 Header
#50 - July 2019 Column

Gardenlust #9 Nymphéas​

Isabella Streffen soaks up the summer
#39 - June 2017 Review

Writing in Absence

Anna McLauchlan visits ‘Ours’ [1], curated by Grace Johnston, the first of five commissions in Collective’s Satellites programme
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#17 Spring - March 2009 Review

Charlie Hammond

6 November–20 December, Michael Benevento, Los Angeles
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#21 Spring - March 2010 Review

Support Structures

Ed Céline Condorelli, Sternberg Press, 2009, £23, ISBN 978-1-933128-45-0,
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#19 Autumn - September 2009 Review

Simon Starling

13 December 2008–31 October, 2010, Sol LeWitt through 2033 MASS MoCA, Boston
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#3 - August 2005 Review

Ilana Halperin

Doggerfisher, Edinburgh 6 May-25 June 
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#30 - November 2013

Kate Zambreno

As part of the ‘Sick Sick Sick’ project, author Kate Zambreno reads from her book Heroines, published by Semiotext(e)
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#13 Spring - March 2008 Review

Music: Sound Art: Beyond Music, Between Categories

Alan Licht www.rizzoliusa.com ISBN: 978-0847829699 £25
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#37 - May 2016

Challenge to Fascism: Glasgow’s May Day (1938)

Jenny Brownrigg and Shona Main write about Helen Biggar’s final film
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#23 Autumn - September 2010

In Production: Discoteca Flaming Star

Anita Di Bianco interviews Cristina Gómez Barrio and Wolfgang Mayer
#14 Summer - June 2008 Review

Joan Jonas

5 April–18 May 2008, Wilkinson Gallery, London
Jim Lambie Sticky Fingers 2010
#52 - August 2019 Review

Cut and Paste: 400 Years of Collage

National Galleries of Scotland, Modern Two. Until 27 Oct 2019. Review by Victoria Horne
Ill feelings
#63 - September 2021 Review

Chronicler

Kirsty Hendry responds to Alice Hattrick’s new book Ill Feelings
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#5 - January 2006 Review

Jessica Stockholder

Kunsthallen Brandts, Odense 23 September 2005–5 February 2006
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#32 - August 2014 Review

CROSS BLOCK SPLIT

Jenny Brownrigg reflects on the career of artist Mary Redmond and her installation at Platform, Glasgow for the national exhibition series, GENERATION 25
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#16 Winter - November 2008

Back Page: Dawood/Deora

FROM: DAWOOD/DEORA SUBJECT: RE: MAP BACK PAGE DATE: THU OCT 23 18:24 TO: MAP 
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#67 - February 2023 Art Writing

I had a dream last night: Politics and Repetition

Sarah Long publishes two texts this month. Sarah is the recipient of this year’s John Calcutt Prize for Critical Writing, presented by The Glasgow School of Art in association with MAP