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#47 - September 2018

Survival Kit

An essay by Olivia Scott-Berry in response to The Land+The People, reflecting on deep time, eerie geology and methods of bearing witness
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#47 - September 2018

Reader’s Digest

An essay by Kirsty Hendry
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#47 - September 2018 Review

Beneath the Platform

William Kherbek reflects on the 10th Berlin Biennale, We Don’t Need Another Hero, 9 June - 9 September 
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#46 - September 2018

‘To repeat this circle’

Rediscovering Margaret Tait at 100: Sarah Neely reports on three important exhibitions. 
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#46 - September 2018

is it lovely yet?

an essay by Hannah Van Hove
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#46 - August 2018 Review

CRYSTALLINE CHRYSALIS CRISIS

David Upton reports on a dissident takeover of Summerhall’s basement by artist and musician Fritz Welch
20 Shilpa Gupta For In Your Tongue I Cannot Hide  Commissioned By Edinburgh Art Festival And Yarat Art Space Baku  Installation View Courtesy Edinburgh Art Festival  Photo Johnny Barrington
#46 - August 2018 Review

‘tomorrow maybe they will kill us’

Edinburgh Art Festival: Katy Hastie writes in response to Shilpa Gupta’s For, in your tongue I cannot hide at The Fire Station, Edinburgh College of Art, 26 July - 26 August 
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#46 - August 2018 Review

back in at the deep end

Emma Balkind reflects on SINK by Janice Kerbel, commissioned by The Common Guild and performed at The Western Baths Club, Glasgow
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#46 - August 2018 Review

WOMAN WITH A RED HAT

Edinburgh Art Festival: Tom Jeffreys reflects on ‘Event for a Stage’ by Tacita Dean, part of Woman with a Red Hat, Fruitmarket, 7 July - 30 September
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#46 - August 2018 Review

Hemispheric Phases

Edinburgh Art Festival: Tom Jeffreys visits a group exhibition at Edinburgh Sculpture Workshop, including work by Birthe Jorgensen, Scott Rogers and Santiago Poggio, 28 July - 26 August
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#46 - August 2018 Review

AMENABLE ARCHIVE

Edinburgh Art Festival: Calum Sutherland considers The Green Man by Lucy Skaer and others at Talbot Rice Gallery, 26 July - 6 October 
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#46 - August 2018 Review

New Order, Other Spaces

Lucy Weir writes on an exhibition by Jo Longhurst exploring the personal and professional in competitive gymnastics. Kelvin Hall, Glasgow, 2 - 12 August
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#46 - August 2018 Review

The skin is an organ

Sam Playford-Greenwell on ECZEMA!, written and directed by Maria Fusco as part of The National Theatre of Wales’ NHS70 Festival
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#46 - July 2018 Review

Something for the Boys

Eliel Jones reviews a new film work by Hannah Quinlan and Rosie Hastings at Two Queens, Leicester, 30 June - 1 September
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#46 - July 2018 Review

Naked and Practical

Amy Todman reviews a new collection of short stories, scenes and fragments by Siân Robinson Davies, published by tenletters
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#46 - July 2018

Wannabe: notes toward a performance

Aniela Piasecka of Stasis on research, girl gangs and residency ambivalence
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#20 Winter - November 2009

Remarks: Face to Face

Collector, founder and president of the eponymous foundation in Turin, Patrizia Sandretto Re Rebaudengo talks about FACE.
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#19 Autumn - September 2009

Pinochet Porn in Progress

Artist Ellen Cantor sketches out the narrative beginnings of an ambitious film project
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#18 Summer - June 2009 Review

Daniel Roth

21 March–25 April, Galerie Fons Welters, Amsterdam  
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#46 - August 2018 Review

back in at the deep end

Emma Balkind reflects on SINK by Janice Kerbel, commissioned by The Common Guild and performed at The Western Baths Club, Glasgow
#24 - November 2010 Review

The Portable John Latham

Edited by Antony Hudek and Athanasios Velios, Occasional Papers in association with Whitechapel Gallery, London, 2010, £12.50,                                                   ISBN 978-0-9562605-5-0
#24 - November 2010

Rosemarie Trockel

89 1
#16 Winter - November 2008 Review

Diango Hernández

6 September–25 October, 2008, Barbara Thumm, Berlin
59 7
#7 - September 2006 Review

Zidane: a 21st Century Portrait

CANNES FILM FESTIVAL WORLD PREMIERE 23 APR EDINBURGH INTERNATIONAL FILM FESTIVAL 19/20 AUG, 2006, Cannes
62 1 1
#1 - February 2005 Review

Books: The Wilco Book

PictureBox, 2004
#30 - November 2013

Black Space Down

A new text by Stephanie Mann
9 3
#14 Summer - June 2008

Report: Exhibition by Commission

Jane Neal traces the path of a new phenomenon in British art: the meteoric rise of the public commission.
62 7
#11 Autumn - September 2007 Review

Music: Shadowed Spaces

6–15 July 2007, various venues around Scotland
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#12 Winter - November 2007

Remarks: RSVP—Jim Lambie

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#23 Autumn - September 2010

New Work Scotland

Collective Gallery director Kate Gray announces the gallery’s dynamic annual programme. Jacob Kerray / Shelly Nadashi 16 October–28 November. Nicolas Party / Catherine Payton 11 December 2010–30 January 2011
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#8 - November 2006 Review

Absent without leave—Second Young Artists Biennial

12 October–16 November 2006, Bratianu Palace, Bucharest
#34 - March 2015

~~~~

Audrey Reynolds prose poems 1, 2, 3 and 4.
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#43 - March 2018 Review

more of an avalanche

Helena Haimes on the group show at Wysing Arts Centre, Cambridge, 11 February - 8 April
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#3 - August 2005 Review

Portfolio: A Question of Degrees

Four artists, themselves graduates of Scotland’s art colleges, select work from the 2005 degree shows in Glasgow, Edinburgh, Aberdeen and Dundee—for art’s sake. Photography by recent graduates
63 2 4
#9 - March 2007 Review

Home Ornaments

Daphne Wright, The Artworks Programme
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#22 - June 2010 Review

James Welling: Glass House

New York 24 March–24 April, 2010, David Zwirner
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#23 Autumn - September 2010 Review

David Hominal

11 June–15 August 2010, Centre d’Art Contemporain, Geneva
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#7 - September 2006

Edward Summerton: Birds of the Devil

Is it a bird? Is it a book? Colin Martin, aka the Lonely Piper, takes flight with fellow Dundee-based artist, Edward Summerton, on the subject of both. Inspired by Ladybird illustration, Summerton’s book of feathered friends invites nostalgia, mild terror and connections with flu and civilisation. Read on…
#24 - November 2010 Review

Elizabeth McAlpine

26 October–20 November, Laura Bartlett Gallery, London
22 4
#8 - November 2006

Studio: Alison Watt

Writer Diana Hope travels with photographer Luke Watson to the National Gallery in London to find painter Alison Watt in a studio under that hallowed roof
60 1 5
#9 - March 2007 Review

Jonathan Monk

8 December 2006–18 February 2007, Haus am Waldsee, Berlin / 29 November 2006 –20 January 2007, Lisson Gallery, London
87 5
#19 Autumn - September 2009 Review

Phil Collins/Bruce Nauman

17 April–31 May, Tramway, Glasgow 
94 2
#17 Spring - March 2009 Review

The International Necronautical Society (INS) 17 January

17 January, Tate Britain, London
72 2 1
#14 Summer - June 2008 Review

Simon Starling

1 March–11 May 2008, The Power Plant, Toronto
56 9
#1 - February 2005 Review

Dan Flavin

National Gallery of Art, Washington DC, 3 Oct 2004-9 Jan 2005
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#26 - November 2012

Sun Photographs

Ken Okiishi and Nick Mauss reflect on Zoe Leonard’s Sun Photographs
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#37 - April 2016

Voicing the Archive

An installation of readings from MAP’s archive at Edinburgh Sculpture Workshop and Centre for Contemporary Arts, Glasgow
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#22 - June 2010 Review

The Inhabitants

14 March–25 April, 2010, Vilma Gold, London
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#10 - June 2007

Kate Davis: Could we? I am asking

John Calcutt finds the work of Kate Davis complex, subtle, powerful and bravely questioning of gender perspectives. Born in New Zeland, and now resident in Glasgow, Davis is attracting increasing international recognition
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#16 Winter - November 2008

Emerging: Phoebe Unwin

Rebecca Geldard discovers a savvy painter whose clever balance of good and bad taste is propelling her towards success
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#9 - March 2007 Review

Karla Black

7 November–9 December 2006, Galerie Sandra Buergel, Berlin
#21 Spring - March 2010

On Several Works By Benoît Maire

Jonas Zakaitis investigates the artist’s relationship with logic, myth and the gaps between the two