Fig5
#48 - January 2019

The cheapest notebook purchased hastily and a pencil decorated with the newest generation of Pokemon

Last in a series of research texts by Gordon Douglas reporting on encounters with collaborative practice in Japan.
Fig4
#48 - January 2019

An upside down triangle with a two-headed arrow between the top two apexes. In the middle of this arrow, a dotted line with ‘SOCIAL’ written on one side and ‘SEXUAL’ on the other

Fourth in a series of research texts by Gordon Douglas reporting on encounters with collaborative practice in Japan
Fig3
#48 - January 2019

The word ‘Tradition’ with several circles around it indicating it’s been alluded to multiple times in a conversation

Third in a series of research texts by Gordon Douglas reporting on encounters with collaborative practice in Japan
Fig2
#48 - January 2019

Handwritten personal details on a deck of fluorescent green playing cards

Second in a series of research texts by Gordon Douglas reporting on encounters with collaborative practice in Japan
Fig1
#48 - January 2019

Folded multi-page travel itineraries with stage directions

The first in a series of research texts by Gordon Douglas reporting on encounters with collaborative practice in Japan
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#48 - January 2019 Interview

Unmasterable: an interview with James Bridle

William Kherbek interviews the artist, journalist, technologist and author of New Dark Age: Technology and the End of the Future
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#48 - December 2018 Essay

an almost obsolete species

Felix Bazalgette unpicks a major exhibition of Anni Albers’ work at Tate Modern, London, 11 October 2018 - 27 January 2019
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#48 - December 2018 Column

Gardenlust #3: Holly, Ivy, Hellebore, Pine

A monthly column by Isabella Streffen
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#48 - December 2018 Essay

Dark Chambers, Fever Dreams: Artists’ Moving Image and the Gothic Landscape

An essay by Marcus Jack
Pb2
#48 - December 2018 Review

Workers!

Lauren Houlton on a new film by Petra Bauer and sex-worker led charity SCOT-PEP, commissioned by Collective Gallery and first screened at Filmhouse, Edinburgh, 24 November
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#48 - December 2018 Review

Flying Fox

Calum Sutherland visits Louise Hopkins’ solo exhibition at CAMPLE LINE, Dumfriesshire, 8 September - 15 December
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#48 - December 2018 Short Story

One Great Love

Last in a series of dark fairy tales by Ester Krumbachová, published in conjunction with the exhibition and film programme of the Czech artist’s work at CCA Glasgow.
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#48 - December 2018 Short Story

The White Snake

Fifth in a series of dark fairy tales by Ester Krumbachová, published in conjunction with the exhibition and film programme of the Czech artist’s work at CCA Glasgow.
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#48 - December 2018 Short Story

The Swan

Fourth in a series of dark fairy tales by Ester Krumbachová, published in conjunction with the exhibition and film programme of the Czech artist’s work at CCA Glasgow.
Screen Shot 2018 12 02 At 17 59 44
#48 - December 2018 Short Story

The Gingerbread House

Third in a series of dark fairy tales by Ester Krumbachová, published in conjunction with the exhibition and film programme of the Czech artist’s work at CCA Glasgow.
Screen Shot 2018 12 02 At 17 58 24
#48 - December 2018 Short Story

The Clover Queen

Second in a series of dark fairy tales by Ester Krumbachová, published in conjunction with the exhibition and film programme of the Czech artist’s work at CCA Glasgow.
93 1
#18 Summer - June 2009 Review

On the Camera Arts and Consecutive Matters: The Writings of Hollis Frampton

£25.95, ISBN 978-0-262-06276-3 http://mitpress.mit.edu
#4 - December 2005 Review

Jim Lambie—Byrds

The Modern Institute, Glasgow 7 October-11 November, 2005 
18 1 2
#19 Autumn - September 2009

Remarks: Read-Out! Read-In!

Faith Wilding and Kate Davis are working towards a two-woman discursive exhibition project with CCA, Glasgow, entitled ‘The Long Loch: How Do We Go On From Here?’, commissioned for Glasgow international, April 2010 
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#36 - December 2015

The Hollow Mountain

Voice in the live performance of Maria Fusco’s, ‘Master Rock’, by Claire Walsh
63 7
#13 Spring - March 2008 Review

Music: Whispering In The Leaves

Neil Cooper interviews Chris Watson
84
#20 Winter - November 2009 Review

Head-Wig (Portrait of an exhibition)

25 September–29 November, 2009, Camden Arts Centre, London
50 7
#10 - June 2007 Review

Amsterdam

Morag Keil, 3 March–14 April, Grimm Fine Art 14 / Lucy Stein, 3 March–14 April, Galerie Martin van Zomeren / Sue Tompkins, 3 March–7 April, Galerie Diana Stigter
57 9
#8 - November 2006 Review

Kenny Hunter

29 July–5 November 2006, Longside Gallery, Yorkshire Sculpture Park, Wakefield
89 1
#20 Winter - November 2009 Review

Mathilde ter Heijne

20 September–8 November, 2009, SMBA, Amsterdam
#37 - February 2016

K’s Turn

Video by Rallou Panagiotou
27 3
#16 Winter - November 2008

Residency: Abraham Cruzvillegas

Mexican artist Abraham Cruzvillegas spent six months at Cove Park this summer shaping an exhibition for Glasgow’s CCA. The result is Autoconstrucción
44 7
#15 Autumn - September 2008

Jordan Wolfson: In Search of the Whale

Hans Ulrich Obrist and Jordan Wolfson take a taxi to the Museum of Natural History, New York, to visit the whale. Time, travel, and time-travel come into their sights
Chapter 2
#45 - May 2018 Review

Chapter Two

The second instalment of Out of Office Auto-Reply by William Kherbek
61 11
#1 - February 2005 Review

Faces in the Crowd: Picturing Modern Life from Manet to Today

Whitechapel Art Gallery, London, 3 Dec 2004-6 Mar 2005
134 Galerías El Arte Y El Espacio
#42 - January 2018 Review

‘A Murderous Fury’

Felix Bazalgette on the politics and protest behind Art and Space at the Guggenheim Bilbao, 5 December 2017 - 18 April 2018 
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#22 - June 2010 Review

Moving Images from the Attic Archive

19 March–18 April, 2010, Cooper Gallery, Dundee
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#48 - November 2018 Essay

a weakness for raisins

Ahead of an exhibition of Ester Krumbachová’s films and archive at CCA, Francis Mckee introduces the life and work of this key figure in Czech New Wave cinema
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#23 Autumn - September 2010

Andrea Büttner: The Shame of Culture

Richard Birkett discusses the sensitive work of an enquiring artist
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#21 Spring - March 2010 Review

Danièle Huillet and Jean-Marie Straub

13 November–20 December, 2009, Extra City, Antwerp
66 6
#14 Summer - June 2008 Review

Always Begins By Degrees

1–29 March 2008, The Common Guild, Glasgow
30
#16 Winter - November 2008

Emerging: Alex Gross

An element of failure is crucial to the development of this young artist’s strategy. John Calcutt gets to grips with his liberating style
74 2 1
#15 Autumn - September 2008 Review

The Great Transformation—Art and Tactical Magic

7 June–7 September 2008, Frankfurter Kunstverein, Frankfurt
46 1
#18 Summer - June 2009

Who Wants a Pope?

Coline Milliard explores the pop world of the late Ray Johnson, founder of mail art & an artist currently receiving critical reappraisal
75 1
#16 Winter - November 2008

Merlin James: Yes Yes Yes

Sherman Sam finds an uneasy longing, coupled with affirmative gesture, in the work of contemporary painter Merlin James
20 4
#13 Spring - March 2008

Emerging: Katie Orton

Ruth Hedges discusses the work of Katie Orton
#1 - February 2005

Collecting for the Future

Kirstie Skinner examines the Contemporary Art Society distribution scheme which is set to undergo transformation later this year
45
#1 - February 2005

Map Commission: Goya Vs Yoko Ono

‘Goya Vs Yoko Ono’, by Glasgow-based artist Alex Hetherington, is the first MAP commission
27 6
#6 - June 2006

Ian Hamilton Finlay

In these extracts from his eulogy read at Greyfriars Kirk, Edinburgh, Alec Finlay remembers his father, the artist, poet, philosopher and gardener Ian Hamilton Finlay
18 1 5
#5 - January 2006

Portfolio: Florence Durante and Paul Chiappe

MAP introduces up-and-coming artists Florencia Durante and Paul Chiappe with writing by newcomer Rosamund West and assistant editor Isla Leaver-Yap 
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#48 - November 2018 Letters

Letter to my cats, Prague, 5 July, 1985

The third in a series of letters written by Ester Krumbachová, published in conjunction with the exhibition and film programme of the Czech artist’s work at CCA Glasgow, 7 Dec 2018 to 27 January 2019
Pathetica
#38 - January 2017

Listen up! The best art & philosophy is on YouTube 4shure

MAP presented Gillian Wylde’s ‘Will internets eat brain’ for Glasgow Film Festival 2017, Friday 24 February, 6-7.30, CCA cinema, Glasgow
52 10
#6 - April 2006 Review

Martin Kippenberger

Tate Modern, London, 8 February–7 May 2006 
62 2 3
#12 Winter - November 2007 Review

Music: EXTRACT: Portraits Of Sound Artists

www.nonvisualobjects.com £21
61 14
#5 - January 2006 Review

Ossian then and now

Uuniversité Paris 7-19 November, 2006
58 1 2
#11 Autumn - September 2007 Review

Tender Scene

6 July–11 August 2007, The Changing Room, Stirling
#15 Autumn - September 2008

Commission: Dot Dot Dot