OH MY GOD, I DIDN’T SEE YOU
Thinking about air, fire, smoke, volcanoes and immateriality with The Enquiry
Sunday Fantasy, an exhibition and film by Zoe Williams
Mimosa House, London, 25 May–27 Jul. Review by Ari Níelsson
Cecilia Vicuña: A Retrospective
Witte de With Center for Contemporary Art, Rotterdam, 26 May-10 Nov 2019. Review by William Kherbek
PULPO MOTORINO:
pounding the pages of Laure Prouvost’s Legsicon (Book Works 2019) with Rosie Roberts
Beyond the God’s Eye, Cian Dayrit
NOME, Berlin, 27 Apr-12 Jun, 2019. Review by William Kherbek
Gardenlust #7 Be More Peony
Isabella Streffen continues her garden adventure in summer time
I, I, I, I, I, I, I, Kathy Acker
Institute of Contemporary Arts, London, 1 May–4 Aug. Review by Neil Cooper
Jude Browning talks to Anne-Marie Copestake in bed
A video conversation inspired by Copestake’s series of interviews between artists and musicians, Trigger Tonic (1999-2004).
Cannibal O
An intimate evening of feminist cannibalism hosted by Catalina Barroso-Luque around a circular dining table and premiered at Intermedia Gallery, CCA, Glasgow on 17 April 2019. Twenty eight images by Isobel Lutz-Smith tell the story.
Spaces, Places
Alchemy Film and Moving Image Festival, Hawick, 2-6 May, 2019. Review by Ben Nicholson
‘Persepolis Now?’
A Utopian Stage at SAVVY Contemporary, Berlin. Curated by Vali Mahlouji | Archeology of the Final Decade. Review by Sumugan Sivansan
New Waves: Mohamed Melehi and the Casablanca Art School
The Mosaic Rooms 12/04/19–22/06/19. Review by Kylie Gilchrist
Alberta Whittle and Emilio Bianchic
Curators Diego Chocano and Ellie Dobbs interview the two artists brought together in Useless, Pig Rock Bothy, Scottish National Gallery of Modern Art, 13-21 April
It Bites Back
Gabriella Beckhurst reviews the viral solo show by Pedro Neves Marques at Gasworks, London, 11 Apr-16 June 2019
Emerging: In the Fields
We introduce two pairs of artists who attracted attention at the Edinburgh Art Festival 2006; and two individual artists who are making a visible mark on the landscape of environmental art
Wake up and the world is different
Anna McLauchlan drinks in The Last Hour!, a project curated by Timothea Armour, the fifth and final commission in Collective’s Satellites programme
Lorna Macintyre, Clare Stephenson and Jane Topping
Generator Projects, Dundee, 24 April-8 May
The Elegance of the Octopus
Tom Jeffreys reviews Strange Foreign Bodies, a group show at The Hunterian, Glasgow, 28 September 2018 - 10 February 2019
Boys’ Club
Dada is back… or perhaps it never went away. As a major retrospective transfers from Paris to New York, an exhibition in Edinburgh explores the influence of the ‘anti-art’ movement on today’s British practitioners. So is it all dirty jokes and Oedipal angst, or should our hearts belong to Dada?
#1 - February 2005
Collecting for the Future
Kirstie Skinner examines the Contemporary Art Society distribution scheme which is set to undergo transformation later this year
Studio: Toby Paterson
Photographer Luke Watson visits painter Toby Paterson, well known for his postmodern architectural abstract works, in his Glasgow city centre studio
Report: What is ‘Public’ in Public Art?
Christophe Gallois on the Site-Specific
Langlands & Bell
25 October–13 December, Talbot Rice Gallery, Edinburgh
Kenny Hunter
29 July–5 November 2006, Longside Gallery, Yorkshire Sculpture Park, Wakefield
Books: The Sun, the Moon & Everything In Between
Emmett Walsh Hydra Press (edition of 50)
Books: Ron Mueck
By Robert Rosenblum, published by Fondation Cartier Pour L’Art Contemporain, 2006
MAP Screen | Dancing With Myself
Miranda Pennell’s ‘Human Radio’ was the first film shown in a programme curated by Debi Banerjee for MAP Screen. Its run is now over but a text remains to view here.
Ashes and broken brickwork of a logical theory
Susanne Kriemann, Roma Publications, 2010, £14, ISBN: 978-90-77459-44-7
GI reviews and responses
Fifth in a series of reviews and responses to Glasgow International 2018 presentations, Calum Sutherland reviews Ross Birrell at CCA, Mark Leckey at Tramway and Michael White at Oxford House
Report: Internet Art in the Present Tense
Karen Archey examines the rise, fall and rise of art and information technologies
Unknown Outcomes
Debi Banerjee and Kirsty Hendry introduce ‘Unknown Outcomes’ - a website assembling the material collected and produced throughout their collaboration with Ted Odling’s archival material. Developed by designer Neil McGuire, ‘Unknown Outcomes’ is a meditation on the role of systems in structuring and legitimising information and knowledge.
INTERSTICES
Rachael Finney reviews ‘Interstices’ by Terre Thaemlitz at Auto Italia, 3 October - 3 December
Abstract Capitalist Realism
Alastair MacKinven reflects on his current practice
Country Grammar
Ruth Barker reviews ‘Country Grammar’ by Sue Tompkins (featuring work by Luke Fowler) at The Modern Institute Aird’s Lane, Glasgow, 30 September - 4 November
Eva Hesse: Present Tense
Isla Leaver-Yap assesses the work of Eva Hesse, finding a sophisticated legacy with fresh resonance
Chris Burden
15 September–5 November 2006, South London Gallery and Chelsea College of Art and Design, London