Out of Office Auto-Reply
Editorial: a collaborative serial fiction project following the exploits of Colin Clout—a sixteenth century persona of dissent, here reimagined as art critic
Do Not Make The
A new publication from MAP comprising 15 hybrid essays. Authors include Lisa Robertson, Joanna Walsh and Kate Briggs
Chapter Six
The sixth instalment of Out of Office Auto-Reply by Sarah Tripp & Simon Buckley
Chapter Five
The fifth instalment of Out of Office Auto-Reply by Suzanne van der Lingen
Chapter Four
The fourth instalment of Out of Office Auto-Reply by Susan Finlay
Chapter Three
The third instalment of Out of Office Auto-Reply by Eley Williams
Chapter Two
The second instalment of Out of Office Auto-Reply by William Kherbek
Chapter One
The first instalment of Out of Office Auto-Reply, a collaborative serial fiction project following the exploits of art critic Colin Clout
We’re all strangers in someone’s pub
Nasser Hussain reviews Liberating the Canon: An Anthology of Innovative Literature edited by Isabel Waidner, published by Dostoyevsky Wannabe
GI reviews and responses
Last in a series of reviews and responses to Glasgow International 2018, Maria Howard writes on Nadia Myre at The Briggait, Cross-feed by Gary Zhexi Zhang & Aniara Omann and Self-Service by Kirsty Hendry & Ilona Sagar
GI reviews and responses
Sixth in a series of reviews and responses to Glasgow International 2018, Ari Nielsson writes on Torsten Lauschmann at GSA, ‘i’ The Opera at The Art School and Cabinet Interventions at Pollok House
The Tear in the Work Shop, and Post-Office Performance, and the Peel Eezy Review
By The Critic: proudly ghost-written by Andy Grace Hayes. Commissioned by Peel Eezy. All persons fictitious
GI reviews and responses
Fifth in a series of reviews and responses to Glasgow International 2018 presentations, Calum Sutherland reviews Ross Birrell at CCA, Mark Leckey at Tramway and Michael White at Oxford House
Xenofeminist Ecologies
(Re)producing Futures Without Reproductive Futurity by Helen Hester (Laboria Cuboniks) philosopher
GI reviews and responses
Fourth in a series of reviews and responses to Glasgow International 2018 presentations, Gordon Douglas responds to iQhiya at Transmission and XSexcentenary at Glasgow Necropolis PLUS an intimate question for Hannah and Jenny are here 4 u
Remarks: Collective Recipes
Palermo-based artist Aleksandra Mir discusses her new book project.
a new thread, wayward
Rebecca Wilcox responds to Virginia Woolf: an exhibition inspired by her writings at Tate St Ives, 10 February - 29 April
MAP Screen | READING IN THE DARK
Curated by Suzanne van der Lingen | Instalment 2: Gerard Byrne, Sarah Forrest, Laure Prouvost, Peter Rose | Readings by Laura Edbrook & Sarah Forrest and Suzanne van der Lingen | Screened 25 February. Event images online
Hayley Tompkins: Hypothetically Seeing
Joanna Fiduccia visits Glasgow to meet Hayley Tompkins, in whose work she discovers abstraction of an extended, visionary nature
#21 Spring - March 2010
Response: Temporary Experts
Joanna Fiduccia reassesses the form of the artist’s lecture in the light of Karen Archey’s feature ‘All Talk, Some Action’ in MAP 20
Chapter One
The first instalment of Out of Office Auto-Reply, a collaborative serial fiction project following the exploits of art critic Colin Clout
Music: Sound Art: Beyond Music, Between Categories
Alan Licht www.rizzoliusa.com ISBN: 978-0847829699 £25
Journey Three: By Loch Eriboll
Duncan McLaren camps out in the Scottish Highlands on a search for land art and ‘globulites’
The Breath From Fertile Grounds
Claire Walsh on Otobong Nkanga’s solo exhibition at Temple Bar Gallery and Studios, Dublin, 8 December 2017 - 10 February 2018
#4 - December 2005
Review
Jim Lambie—Byrds
The Modern Institute, Glasgow 7 October-11 November, 2005
The Function of Objects
Steven Cairns considers the idea of containment in the spatially connected installation work of Phillip Lai
Nests
Mike Saunders on ‘Natural Selection’ by Andy Holden and Peter Holden, at Former Newington Library, London 10 September - 5 November
#2 - May 2005
Judgement Day: Plants, Politics and Art
Francis McKee digs into the politics of seeds, GM and ownership, uncovering the evolving open source software of Simon Yuill and Chad McCail which seeks to challenge the state we’re in
Carol Rhodes
1 December 2007–24 February 2008, Scottish National Gallery of Modern Art, Edinburgh
ANNIE LENNOX
The Eurythmics singer, who was recently honoured by both Edinburgh College of Art and the Royal Scottish Academy of Music & Drama, reveals her artistic passions
Fort! Da! notes toward an editorial
Daisy Lafarge introduces a new season of reviews
Absent without leave—Second Young Artists Biennial
12 October–16 November 2006, Bratianu Palace, Bucharest
The bits of ourselves we leave behind
An essay in fragments by Sarah Neely, with extracts from the archive of Margaret Tait
Berlin & Bucharest
25 March–5 June 2006, 4th Berlin Biennale 26 May–27 June 2006, 2nd Bucharest Biennale
May all of your dreams come true
Anna McLauchlan experiences Ross Little’s ‘The Heavy of Your Body Parts and The Cool Air of the Air Condition’, the fourth commission in Collective’s Satellites programme
New Work Scotland
Collective Gallery director Kate Gray announces the gallery’s dynamic annual programme. Jacob Kerray / Shelly Nadashi 16 October–28 November. Nicolas Party / Catherine Payton 11 December 2010–30 January 2011
The Monarch of the Glen: Landseer in the Highlands
Royal Scottish Academy Building, Edinburgh, 14 April-10 July
#8 - November 2006
Ice Station Isis
The Canadian duo Fastwürms post their Map Commission from the twin norths of Ontario and Aberdeenshire.
In & Out of Amsterdam: Travels in Conceptual Art, 1960-1976
19 July–5 October, MoMA, 2009, New York
Artists with PhDs
Edited by James Elkins, New Academia Press, 2009, £17, ISBN 978-0-98 18654-5-4
Remarks: Berlin’s New Space
Thomas Eller discusses the new Temporäre Kunsthalle Berlin and its significance to the city