Out of Office Auto-Reply
A collaborative serial fiction project following the exploits of Colin Clout—a sixteenth century persona of dissent, here reimagined as art critic
Out of Office Auto-Reply: Event and publication
Reading marathon and publication launch at David Dale Gallery
Chapter Ten
The tenth and final instalment of Out of Office Auto-Reply by Sophie Collins
Chapter Nine
The ninth instalment of Out of Office Auto-Reply by Alberta Whittle
Chapter Eight
The eighth instalment of Out of Office Auto-Reply by Jeremy Millar
Chapter Seven
The seventh instalment of Out of Office Auto-Reply by Khairani Barokka
Chapter Six
The sixth instalment of Out of Office Auto-Reply by Sarah Tripp & Simon Buckley
Chapter Five
The fifth instalment of Out of Office Auto-Reply by Suzanne van der Lingen
Chapter Four
The fourth instalment of Out of Office Auto-Reply by Susan Finlay
Chapter Three
The third instalment of Out of Office Auto-Reply by Eley Williams
Chapter Two
The second instalment of Out of Office Auto-Reply by William Kherbek
Chapter One
The first instalment of Out of Office Auto-Reply, a collaborative serial fiction project following the exploits of art critic Colin Clout
Do Not Make The
A new publication from MAP comprising 15 hybrid essays. Authors include Lisa Robertson, Joanna Walsh and Kate Briggs
We’re all strangers in someone’s pub
Nasser Hussain reviews Liberating the Canon: An Anthology of Innovative Literature edited by Isabel Waidner, published by Dostoyevsky Wannabe
GI reviews and responses
Last in a series of reviews and responses to Glasgow International 2018, Maria Howard writes on Nadia Myre at The Briggait, Cross-feed by Gary Zhexi Zhang & Aniara Omann and Self-Service by Kirsty Hendry & Ilona Sagar
#28 - May 2013
In the Shadow of the Hand : Object 6b
‘The Idea’ Sarah Forrest responds in writing to Virginia Hutchison. Their collaboration ‘In the Shadow of the Hand’ continues on MAP
Matthew Barney / Joseph Beuys
28 October 2006–12 January 2007, Deutsche Guggenheim, Berlin
Faces in the Crowd: Picturing Modern Life from Manet to Today
Whitechapel Art Gallery, London, 3 Dec 2004-6 Mar 2005
William Hunt
13 September–31 October, 2008, Witte de With Rotterdam, Rotterdam
a new thread, wayward
Rebecca Wilcox responds to Virginia Woolf: an exhibition inspired by her writings at Tate St Ives, 10 February - 29 April
Cathy Wilkes, Claire Barclay
Cathy Wilkes and Claire Barclay, both based in Scotland, both the same generation, are building international reputations around their enigmatic installation art. Jack Mottram appreciates the puzzling nature of Wilkes’ arrangements, while Fiona Bradley examines the precision and magic of Barclay’s code
Journey Five: The Thames
On the fifth leg of his intrepid wanderings, Duncan McLaren takes two wintery voyages up the Thames, and finds the spirit of the new haunted by the remembrance of things past
#36 - November 2015
‘Whose Gaelic is it anyway?’ Identity and perception
By Glasgow-based musician, Cassie Ezeji
Music: 17
Bill Drummond www.beautiful-books.co.uk ISBN 9781905636266
Emerging: Richard Robinson & Robert Bermingham
Ruth Beale finds explorations of masculine fantasies in Wales
Chapter Five
The fifth instalment of Out of Office Auto-Reply by Suzanne van der Lingen
#29 - August 2013
In the Shadow of the Hand : Object 7a
A witness statement in the form of a text and image, produced in response to Object 6a ‘Woman Crawling On Hands And Knees’. A collaborative project by Sarah Forrest and Virginia Hutchison
Andy Warhol: Self Portraits
Scottish National Gallery of Modern Art, Edinburgh, 12 Feb-2 May 2005
Books: The Sun, the Moon & Everything In Between
Emmett Walsh Hydra Press (edition of 50)
#39 - July 2017
Review
For Now / Six Propositions
Elizabeth Reeder responds to a series of performances by Siobhan Davies Dance company at Tramway
#28 - February 2013
Spaces between sound and vision
Neil Cooper investigates a growing interest in sound and art collaborations
Rosalind Nashashibi: Bachelor Machines
Part 1, Scotland and Venice, 10 June–2 November 2007, Palazzo Zenobio, Venice Part 2, Art Statements, 4–8 June 2007, Art Basel
John Latham: Incidental Person
Craig Richardson opens up an important legacy left by the late John Latham, the influential conceptual artist. The nature of West Lothian’s oil shale bings, whether art, monument or heritage, are a reminder of his continuing, pothumous role in current environmental and aesthetic debates
Cities of Joy
Anna Tudos reviews OFF Biennale, Budapest, 29 September – 5 November, 2017