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#65 - April 2022
A Year of Carte Blanche & Other Chimeras

Critical, Criminal, Cri-de-cœur-ish

Continuing her project A Year of Carte Blanche and Other Chimeras, MAP editor Daniela Cascella responds to last month’s contribution by Sharon Kivland
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#65 - May 2022 Project Series

Performance & Energy: 2nd Invitation from Good on Paper

Over six months, Gordon Douglas & Cicely Farrer share a series of invitations looking into the futures of performance art making in Scotland. The second letter invites readers to attend an online workshop Sunday 29 May 2022 from 11am-1pm
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#65 - May 2022 Proximity

With Life So Ordinary

By Anna Walsh
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#65 - May 2022 Project Series

Thermal

Appendix 4 of Good on Paper’s second invitation to join a workshop on Performance & Energy
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#65 - May 2022 Project Series

Spiritual

Appendix 3 of Good on Paper’s second invitation to join a workshop on Performance & Energy
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#65 - May 2022 Project Series

Potential

Appendix 2 of Good on Paper’s second invitation to join a workshop on Performance & Energy
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#65 - May 2022 Project Series

Kinetic

Appendix 1 of Good on Paper’s second invitation to join a workshop on Performance & Energy
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#65 - April 2022
A Year of Carte Blanche & Other Chimeras

The Librarian of the World, Part 2

by Jessica Sequeira
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#65 - April 2022
A Year of Carte Blanche & Other Chimeras

The Librarian of the World, Part 1

by Jessica Sequeira
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#65 - April 2022 Review

Time: A Single Basic Fact

Sarah Long visits Ailbhe Ní Bhriain’s An Experiment with Time at CCA, Glasgow
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#65 - April 2022
A Year of Carte Blanche & Other Chimeras

ENVOIS V

by Sharon Kivland
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#65 - April 2022
A Year of Carte Blanche & Other Chimeras

Unremembering

by Jen/Eleana Hofer
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#65 - March 2022
A Year of Carte Blanche & Other Chimeras

Writing that Walks Across the Tops of the Trees

Continuing her project A Year of Carte Blanche, MAP editor Daniela Cascella responds to last month’s contributions by Saudamini Deo
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#65 - March 2022 Review

Bite The Hand That Feeds You

Rose Higham-Stainton considers​ forms of domestication and care as control in the work of Yalda Afsah at Kunstverein München
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#65 - March 2022 Review

Fluid Systems

Alice Hill-Woods reviews a collection of poems that ‘understand the quiet, polychromatic force of being seen’
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#64 - March 2022

Room for Folds

Sara O’Brien engages with the At Practise programme hosted by David Dale Gallery, Glasgow
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#65 - March 2022 Project Series

To Entertain

Appendix 4 of Good on Paper’s first invitation to readers to join the Performance & Language workshop
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#65 - March 2022 Project Series

To Compose

Appendix 3 of Good on Paper’s first invitation to readers to join the Performance & Language workshop
#3 - August 2005

Bulletin

Artists’ journeys, events and spaces compiled by Isla Leaver-Yap 
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#49 - March 2019 Essay

A golden interweaving link

Anna McLauchlan visits the D’Arcy Thompson Zoology Museum, Dundee
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#46 - August 2018 Review

CRYSTALLINE CHRYSALIS CRISIS

David Upton reports on a dissident takeover of Summerhall’s basement by artist and musician Fritz Welch
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#2 - May 2005

Journey Two: Tours

Continuing his series of artistic wanderings especially for MAP, Duncan McLaren takes off to France to climb a mountain of the imagination—despite the language barrier
Taking back the legistature
#60 - March 2021 Review

We Leave Together

Matt Turner views two films by Hong Kong Documentary Filmmakers
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#6 - April 2006 Review

Books: Ron Mueck

By Robert Rosenblum, published by Fondation Cartier Pour L’Art Contemporain, 2006 
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#28 - April 2013

In the Shadow of the Hand : Object 5a

‘Object Removed’ A collaborative project by Sarah Forrest and Virginia Hutchison
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#11 Autumn - September 2007

Emerging: Laura Aldridge

Francis McKee looks at the work of Laura Aldridge
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#5 - January 2006

Report

Tim Abrahams investigates art world activity and goes head to head with the national collectors of art
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#8 - November 2006 Review

Books: Free Association

Edited by Malcolm Dickson £10
#5 - January 2006

Commission: Clara Ursitti

Clara Ursitti is an artist based Glasgow who has recently exhibited at Tramway, Glasgow and Galleri 54, Gothenburg, Sweden. She has an upcoming exhibition at CB Studios, New York. (This entry will be completed online by July 2016).
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#25 - July 2011

Timeliness

Karen Archey questions art in the present tense
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#16 Winter - November 2008

Cyprien Gaillard: Recycling the Ruins

Cyprien Gaillard recently witnessed the destruction of high rise buildings in Glasgow: acute observations of this are the subject of his new work. Joanna Fiduccia talks to him about his practice and the death and decay of modernism in urban architecture
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#50 - June 2019 Review

Beyond the God’s Eye, Cian Dayrit

NOME, Berlin, 27 Apr-12 Jun, 2019. Review by William Kherbek
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#19 Autumn - September 2009

Emerging: Lynn Hynd

Colin Perry enjoys the ‘pleasure of not knowing’ in the sculptural collage of this Glasgow-based artist
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#20 Winter - November 2009

End Note: Lorna Macintyre

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#18 Summer - June 2009

Who Wants a Pope?

Coline Milliard explores the pop world of the late Ray Johnson, founder of mail art & an artist currently receiving critical reappraisal
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#6 - June 2006

Ian Hamilton Finlay

In these extracts from his eulogy read at Greyfriars Kirk, Edinburgh, Alec Finlay remembers his father, the artist, poet, philosopher and gardener Ian Hamilton Finlay
#13 Spring - March 2008

Wilhelm Sasnal: Deluxe Punk

‘You are telling me things, but what do you actually mean by that? Whats your point? Lukasz Ronduda digs deep into the work of Polish artist Wilhelm Sasnal
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#58 - September 2020 Short Story

BIG DOG DAYS

A short story by Hannah Nussbaum
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#57 - May 2020 Review

ALCHEMY FILM FESTIVAL, LIVE

Alexander Storey-Gordon tuned into (and out of) the digital programme, 1-3 May 2020
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#12 Winter - November 2007

Remarks: One Mile

Dm  Retired  Forms
#21 Spring - March 2010

Remarks

Katrina Brown on Glasgow International Festival of Visual Art,Kathrin Rhomberg on the 6th Berlin Biennale,Josh Brand on the Whitney Biennial, New York,Polly Staple on 21st Century at Chisenhale Gallery, London,Deirdre MacKenna on Stills residencies in Edinburgh  
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#54 - December 2019 MAP Reading Group

Can Loneliness Perform a Politics?

‘To be alone. Together. To not brush the feeling of loneliness off. To not console. To not ask to be consoled. To not mask our difference… To not try to make the other one of us.’ Catalina Barroso-Luque reflects on her project Penetrate: Translate—an exercise in the political practice of being lonely together. Four texts celebrate the conclusion of the eponymous five session reading group
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#63 - September 2021 Review

Hobbyhorses: On Maggie Nelson

Christopher Law considers On Freedom: Four Songs of Care and Constraint (2021)
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#16 Winter - November 2008

Emerging: Phoebe Unwin

Rebecca Geldard discovers a savvy painter whose clever balance of good and bad taste is propelling her towards success
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#16 Winter - November 2008

Emerging: Alex Gross

An element of failure is crucial to the development of this young artist’s strategy. John Calcutt gets to grips with his liberating style
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#9 - March 2007 Review

Ettie Spencer

November 2006–January 2007, Taigh Chearsabhagh, North Uist
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#12 Winter - November 2007 Review

Jock McFadyen

10 August–2 September 2007, The Grey Gallery, Edinburgh
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#13 Spring - March 2008 Review

Pablo Bronstein

19 January–24 February 2008, Herald St, London
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#6 - April 2006 Review

Allen Ruppersberg

Dundee Contemporary Arts, Dundee, 8 April–28 May 2006 
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#37 - January 2016

‘The transparent tortoiseshell and the un-ripe umbrella’: FOOTNOTES

The beginning of a series of footnotes to Glasgow Sculpture Studios’ new exhibition. Text by Louise Briggs
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#19 Autumn - September 2009

Eva Hesse: Present Tense

Isla Leaver-Yap assesses the work of Eva Hesse, finding a sophisticated legacy with fresh resonance
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#17 Spring - March 2009 Review

Ding Dong

12 December 2008–22 February 2009, FACT, Liverpool