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#49 - February 2019

Hated Sexuality and Pinochet Porn

Georgia Horgan discusses the work of the late Ellen Cantor and this uncompromising artist’s take on the role of the ‘straight’ woman
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#49 - February 2019 Review

The Elegance of the Octopus

Tom Jeffreys reviews Strange Foreign Bodies, a group show at The Hunterian, Glasgow, 28 September 2018 - 10 February 2019
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#49 - February 2019 Editorial

Couldn’t we just bee?

Editorial: an animal-themed season of reviews and features
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#48 - February 2019 Review

What moves you?

Rebecca O’Dwyer reports on Transmediale, Berlin, 31 Jan - 3 Feb
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#48 - February 2019 Event

Pinochet Porn — Ellen Cantor’s dark feature at Glasgow Film Festival 2019

A MAP screening curated by artist Georgia Horgan
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#48 - February 2019 Review

Crone Music

Philomena Epps reviews Beatrice Gibson at Camden Arts Centre, London, 18 January - 31 March
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#48 - January 2019 Review

The Ignorant Curator

Katy Bentham visits Festival of the Not by Giles Bailey & CIRCA Projects, Star and Shadow Cinema, Newcastle upon Tyne, 17 - 20 January
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#48 - January 2019 Column

Gardenlust #4: The Persephone Complex

A monthly column by Isabella Streffen
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#48 - January 2019 Review

Extreme times call for extreme heroines

Victoria Horne visits Keepin’ It Clean by Betye Saar at New-York Historical Society, 2 November 2018 - 27 May 2019
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#48 - January 2019 Review

Burning Ties

Harry Weeks reviews Rasheed Araeen: A Retrospective at Baltic, Gateshead, 19 October 2018 - 27 January 2019
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#48 - January 2019 Journal

The cheapest notebook purchased hastily and a pencil decorated with the newest generation of Pokemon

Last in a series of research texts by Gordon Douglas reporting on encounters with collaborative practice in Japan.
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#48 - January 2019 Journal

An upside down triangle with a two-headed arrow between the top two apexes. In the middle of this arrow, a dotted line with ‘SOCIAL’ written on one side and ‘SEXUAL’ on the other

Fourth in a series of research texts by Gordon Douglas reporting on encounters with collaborative practice in Japan
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#48 - January 2019 Journal

The word ‘Tradition’ with several circles around it indicating it’s been alluded to multiple times in a conversation

Third in a series of research texts by Gordon Douglas reporting on encounters with collaborative practice in Japan
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#48 - January 2019 Journal

Handwritten personal details on a deck of fluorescent green playing cards

Second in a series of research texts by Gordon Douglas reporting on encounters with collaborative practice in Japan
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#48 - January 2019 Journal

Folded multi-page travel itineraries with stage directions

The first in a series of research texts by Gordon Douglas reporting on encounters with collaborative practice in Japan
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#48 - January 2019 Interview

Unmasterable: an interview with James Bridle

William Kherbek interviews the artist, journalist, technologist and author of New Dark Age: Technology and the End of the Future
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#30 - November 2013

Polventon

A new collaborative video by Shana Moulton and Lucy Stein
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#2 - May 2005

Studio: Lotte Glob

In search of the working habits of Scottish artists, writer Ruth Hedges and photographer Luke Watson head north to meet sculptor Lotte Glob
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#11 Autumn - September 2007 Review

Three for Society

2 June–27 July 2007, 303 Gallery, New York
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#44 - April 2018 MAP projects

We Who Are About To… Introduction

Project curator Deborah Jackson invites a reimagining of the future
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#7 - September 2006 Review

East Art Map: Contemporary Art and Eastern Europe

Edited by IRWIN AFTERALL BOOKS, 2006, £24.95
#16 Winter - November 2008

Remarks: Katy Dove

Katy Dove discusses her two year residency at Platform, Glasgow, and how working with community groups has reflected on her practice. 
#23 Autumn - September 2010

Response: Bullshit and Art’s ‘Discursive Turn’

Sean Ashton responds to Joanna Fiduccia’s provocative report on bullshit in MAP #22    
#1 - February 2005

State in the Art

Art for art’s sake or social improvement? Catriona Black investigates
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#19 Autumn - September 2009

Commission: Clunie Reid

Contemporary images expose the future in this new commission
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#18 Summer - June 2009

Remarks: Eastside Projects

Gavin Wade, curator of Eastside Projects, which opened in Birmingham end 2008, talks about collaborative work with artists. 
#24 - November 2010 Review

Focus: 29th São Paulo Biennial

“There is always a cup of sea to sail in” 25 September–12 December, various venues
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#8 - November 2006

Report: Art fair power and glamour is confirmed

Isla Leaver-Yap reports on art world activity.
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#48 - December 2018 Short Story

BAD LUCK

First in a series of dark fairy tales by Ester Krumbachová, published in conjunction with the exhibition and film programme of the Czech artist’s work at CCA Glasgow, 7 December 2018 - 27 January 2019
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#18 Summer - June 2009 Review

Peter Coffin

11 Februar–10 May, Barbican Art Gallery, London
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#34 - March 2015

Interview: Dominic Paterson talks to Georgina Starr

Bubbles, brains and what led to I, Cave, a new solo show opening at mima on 7 April 2015.
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#17 Spring - March 2009 Review

The International Necronautical Society (INS) 17 January

17 January, Tate Britain, London
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#25 - July 2011 Review

Simon Denny

20 March–1 May, Neuer Aachener Kunstverein, Aachen
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#9 - March 2007 Review

Urs Fischer: Paris 1919

Essay Rein Wolfs JRP RINGIER, £20
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#43 - March 2018 Review

In Place of Hate

Jessica Ramm considers the results of Edmund Clark’s three-year residency at HMP Grendon, the UK’s only therapeutic prison. Ikon Gallery, Birmingham, 6 December 2017 - 11 March 2018
#24 - November 2010

Editorial MAP 24

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#23 Autumn - September 2010 Review

Jack Pierson

24 June–7 August 2010, Bortolami, New York
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#43 - March 2018 Review

Consequences of progress; remnants for the future

Jazmine Linklater on mutability in the works of Ruth Barker and Hannah Leighton-Boyce at Castlefield Gallery, Manchester, 9 March - 29 April
#24 - November 2010 Review

Adrian Piper

23 October–11 December, Elizabeth Dee, New York
Hellebores
#48 - January 2019 Column

Gardenlust #4: The Persephone Complex

A monthly column by Isabella Streffen
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#34 - March 2015

MAP Screen | Reading in the Dark

Images from Glasgow Film Festival event curated by Suzanne van der Lingen.
#11 Autumn - September 2007

Commission: Donald Urquhart

The artist known for his party attitude and black and white style, Donald Urquhart brings FOUR WOMEN out of his personal archive and creates a set of drawings, with accompanying text, especially for this issue of MAP
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#22 - June 2010 Review

James Welling: Glass House

New York 24 March–24 April, 2010, David Zwirner
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#28 - February 2013

Alex Impey

Dominic Paterson in conversation with Alex Impey
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#22 - June 2010 Review

Kaye Donachie

27 February–11 April, 2010, Maureen Paley, London
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#15 Autumn - September 2008 Review

Manifesta 7

19 July–2 November 2008, Trentino-South Tyrol, Italy
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#16 Winter - November 2008 Review

Liverpool International 08: Made Up

20 September–30 November, 2008, Various venues, Liverpool
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#3 - August 2005 Review

Our Surroundings

DCA, Dundee 14 May-17 July
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#17 Spring - March 2009

Emerging: Dan Rees

John Quin vs Dan Rees
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#20 Winter - November 2009

Residency: Bik van der Pol

John Calcutt talks to Rotterdam duo Bik Van der Pol about taking the collaborative route during their stay at Cove Park near Glasgow
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#19 Autumn - September 2009 Review

Matthew Monahan

22 May–27 June, 2009, Modern Art, London
#5 - January 2006

Bulletin

Artists’ journeys, events and spaces compiled by Isla Leaver-Yap