Hemispheric Phases
Edinburgh Art Festival: Tom Jeffreys visits a group exhibition at Edinburgh Sculpture Workshop, including work by Birthe Jorgensen, Scott Rogers and Santiago Poggio, 28 July - 26 August
AMENABLE ARCHIVE
Edinburgh Art Festival: Calum Sutherland considers The Green Man by Lucy Skaer and others at Talbot Rice Gallery, 26 July - 6 October
New Order, Other Spaces
Lucy Weir writes on an exhibition by Jo Longhurst exploring the personal and professional in competitive gymnastics. Kelvin Hall, Glasgow, 2 - 12 August
The skin is an organ
Sam Playford-Greenwell on ECZEMA!, written and directed by Maria Fusco as part of The National Theatre of Wales’ NHS70 Festival
Something for the Boys
Eliel Jones reviews a new film work by Hannah Quinlan and Rosie Hastings at Two Queens, Leicester, 30 June - 1 September
Naked and Practical
Amy Todman reviews a new collection of short stories, scenes and fragments by Siân Robinson Davies, published by tenletters
Wannabe: notes toward a performance
Aniela Piasecka of Stasis on research, girl gangs and residency ambivalence
The fact that we do
Joanna Peace writes on EVA International in Limerick in the context of the Irish Referendum
Out of Office Auto-Reply: Event and publication
Reading marathon and publication launch at David Dale Gallery
Chapter Ten
The tenth and final instalment of Out of Office Auto-Reply by Sophie Collins
Chapter Nine
The ninth instalment of Out of Office Auto-Reply by Alberta Whittle
Chapter Eight
The eighth instalment of Out of Office Auto-Reply by Jeremy Millar
Chapter Seven
The seventh instalment of Out of Office Auto-Reply by Khairani Barokka
Chapter Six
The sixth instalment of Out of Office Auto-Reply by Sarah Tripp & Simon Buckley
Chapter Five
The fifth instalment of Out of Office Auto-Reply by Suzanne van der Lingen
the problem that has no name
Victoria Horne on Lara Feigel’s Free Woman: Life, Liberation and Doris Lessing
In Conversation: Jonathan Horowitz
Steven Cairns talks to the artist about why he is drawn to reckless personalities, vegetarianism, the Holocaust and how art writes history
Pulling Strings
Alessandro Rabottini falls for the work of Portuguese collaborators João Maria Gusmão and Pedro Paiva
GI reviews and responses
Second in a series of reviews and responses to Glasgow International 2018 presentations, Samar Ziadat writes on sorryyoufeeluncomfortable’s group show at Many Studios
‘Sick Sick Sick’ : The Books of Ornery Women
A reading project examining a radical or ‘bludgeoned’ subjectivity of female writers
Thank you for writing to me so often, you are revealing yourself to me in the only way you can
Laura Edbrook reflects on the reading and discussion group ‘Sick Sick Sick: The Books of Ornery Women’ co-run with Emma Balkind and presented by MAP between autumn 2013 and autumn 2014. ‘Sick Sick Sick’ was an open reading project based online and at the CCA, Glasgow and examined a radical or ‘bludgeoned’ subjectivity of female writers
Martin Creed
4 May–29 July 2007, Hauser & Wirth, Coppermill, London
Kate Zambreno
As part of the ‘Sick Sick Sick’ project, author Kate Zambreno reads from her book Heroines, published by Semiotext(e)
#21 Spring - March 2010
Response: Temporary Experts
Joanna Fiduccia reassesses the form of the artist’s lecture in the light of Karen Archey’s feature ‘All Talk, Some Action’ in MAP 20
#2 - May 2005
Commission: Walk the Walk Draw the Draw
Romanian artist Dan Perjovschi responds to the word ‘map’ with a clear outline of his world. The MAP Commission publishes new work by an artist each issue
Remarks: Pavilion Unicredit
Eugen Radescu is co-director of Bucharest’s latest contemporary art venue, PAVILION UNICREDIT.
Remarks: Performa 09
Roselee Goldberg, founder and director of Performa, maps out the origins, current programme, and future of the biennial of performance in New York City
MAP Screen | The Anthropology Effect
Karen Cunningham makes her final selection for MAP Screen with work by Canadian artist Duane Linklater, and Wael Shawky’s ‘The Cave’, both counterpointing her video work, ‘Writing Culture’
NVA
Angus Farquhar, creative director of Glasgow-based public art agency NVA, looks to secure the future of the abandoned, yet inspirational, St Peter’s Seminary
On Margate Sands
Philomena Epps explores Journeys with ‘The Waste Land’ at Turner Contemporary, Margate, 3 February - 7 May 2018
Residency: Simon Fujiwara
Oliver Basciano meets Simon Fujiwara to discuss his work and recent residency in LA
Journey Eight: Nürnberg
In his latest voyage for MAP, Duncan McLaren follows artist Nicola Atkinson-Davidson to Germany, where she spent the long, hot summer holding up a mirror to the west of Scotland
Lisa Yuskavage
18 October–18 November 2006, David Zwirner/Zwirner & Wirth, New York
New Order, Other Spaces
Lucy Weir writes on an exhibition by Jo Longhurst exploring the personal and professional in competitive gymnastics. Kelvin Hall, Glasgow, 2 - 12 August
#6 - April 2006
Commission: X-REX
Kenny Hunter’s first foray into film—the latest in the MAP commission series. Kate Cowcher introduces the work here.
Emerging: Florian Germann
Aoife Rosenmeyer enters the associative network of the Swiss artist’s alchemical practice
Generosity is the New Political
5 September–1 November, 2009, Wysing Arts Centre, Cambridge
Back Page: Barbara Kruger
American artist, writer and winner of 51st Venice Biennale Lifetime Achievement Award, talks about music
New Work Scotland
Collective Gallery director Kate Gray announces the gallery’s dynamic annual programme. Jacob Kerray / Shelly Nadashi 16 October–28 November. Nicolas Party / Catherine Payton 11 December 2010–30 January 2011
Art of the Public
Ken Neil investigates the work of Eva Merz and Dalziel + Scullion—artists taking a political view in the north
Country Grammar
Ruth Barker reviews ‘Country Grammar’ by Sue Tompkins (featuring work by Luke Fowler) at The Modern Institute Aird’s Lane, Glasgow, 30 September - 4 November