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#44 - April 2018 Editorial

We Who Are About To…

MAP project, reviews and online publishing for Glasgow International 2018
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#44 - April 2018 Event

We Who Are About To… MAP for GLASGOW INTERNATIONAL 2018

Dates and times of all project events, including shop opening times
We Who Are About To
#44 - April 2018 Essay

We Who Are About To… Introduction

Project curator Deborah Jackson invites a reimagining of the future
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#43 - April 2018 Review

the problem that has no name

Victoria Horne on Lara Feigel’s Free Woman: Life, Liberation and Doris Lessing
A3 Houtzdale
#43 - April 2018

Prison Landscapes

An excerpt from Hatty Nestor’s forthcoming book on portraits of the incarcerated
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#43 - April 2018 Interview

the chapter with the bar and the boxing

An interview with writer and curator Jeanne Graff on Vzszhhzz, published by Semiotext(e)
1280Px Panopticon
#43 - March 2018 Essay

Eyes on the Street

New writing from Martin Cathcart Froden on carceral architecture, satellite mapping, knitting in prison, shark species and the correct spelling of ‘dyslexia’ 
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#43 - March 2018 Review

Deeper In The Pyramid

Laura O’Leary explores Melanie Jackson’s exhibition at Grand Union, Birmingham, 2 February - 21 April
Hannah Leighton Boyce More Energy Than Object More Force Than Form 2018Detail Photo © Drew Forsyth 1
#43 - March 2018 Review

Consequences of progress; remnants for the future

Jazmine Linklater on mutability in the works of Ruth Barker and Hannah Leighton-Boyce at Castlefield Gallery, Manchester, 9 March - 29 April
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#43 - March 2018 Review

a new thread, wayward

Rebecca Wilcox responds to Virginia Woolf: an exhibition inspired by her writings at Tate St Ives, 10 February - 29 April
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#43 - March 2018 Review

The you in us

Kylie Gilchrist reviews Lydia Ourahmane’s solo exhibition at Chisenhale Gallery, London, 26 January - 25 March
Wysing Arts Centre More Of An Avalanche 2018 Photo Wilf Speller033
#43 - March 2018 Review

more of an avalanche

Helena Haimes on the group show at Wysing Arts Centre, Cambridge, 11 February - 8 April
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#43 - March 2018 Review

Give Up Art

Rebecca O’Dwyer on Maria Fusco’s ‘exciting alongsidedness’ Give Up Art (2018), collected critical writings from 2002-2017, published by New Documents
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#43 - March 2018 Review

Infinite Resistance™

Eliel Jones on the healing potential of Interlocutor by Rachal Bradley, Gasworks, London, 25 January - 18 March
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#43 - March 2018 Editorial

a gray stone wall damming my stream

Editorial: a new season of reviews and features focusing on carcerality, limit and contained energies 
Edmund Clark My Shadow’S Reflection 2017 In Place Of Hate Ikon Gallery Courtesy Of The Artist And Ikon 2
#43 - March 2018 Review

In Place of Hate

Jessica Ramm considers the results of Edmund Clark’s three-year residency at HMP Grendon, the UK’s only therapeutic prison. Ikon Gallery, Birmingham, 6 December 2017 - 11 March 2018
#1 - February 2005

Studio: Jim Lambie

Ruth Hedges talks to artist Jim Lambie in his Glasgow studio 
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#16 Winter - November 2008 Review

Chaos, Territory, Art: Deleuze and the Framing of the Earth

Elizabeth Grosz, £13, ISBN: 978-0-231-14518-3, www.cup.columbia.edu
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#3 - August 2005 Review

Frida Kahlo

9 June–2 October, Tate Modern, London
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#31 - January 2014

‘Sick Sick Sick’ : The Books of Ornery Women

A reading project examining a radical or ‘bludgeoned’ subjectivity of female writers 
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#9 - March 2007 Review

Urs Fischer: Paris 1919

Essay Rein Wolfs JRP RINGIER, £20
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#5 - January 2006 Review

Her Noise

South London Gallery, London 10 November-18 December 2005 
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#39 - July 2017 Review

A Series of Utterly Improbable, Yet Extraordinary Renditions

Eliel Jones reviews Arthur Jafa’s exhibition at Serpentine Sackler Gallery, 8 June - 10 September
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#6 - June 2006

Ian Hamilton Finlay

In these extracts from his eulogy read at Greyfriars Kirk, Edinburgh, Alec Finlay remembers his father, the artist, poet, philosopher and gardener Ian Hamilton Finlay
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#1 - February 2005

Off the Map: Duncan McLaren

Duncan McLaren strikes north in the first of a series of journeys that will take him along the high and low roads of the world in search of art
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#30 - November 2013

Notes on Contemporary Art and Anthropology

Part 2: Conjuring the State. An essay by Angela McClanahan
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#19 Autumn - September 2009 Review

Rory Macbeth

26 June Standpoint Gallery, 2009, London
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#6 - April 2006 Review

Glasgow International 2006

Various venues, Glasgow, 19 April–1 May 2006 
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#18 Summer - June 2009

Remarks: Eastside Projects

Gavin Wade, curator of Eastside Projects, which opened in Birmingham end 2008, talks about collaborative work with artists. 
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#15 Autumn - September 2008

Emerging: Alan Stanners

Darren Rhymes finds the work of this young Glasgow-based painter full of surreal intentions and growing towards abstract confidence
#12 Winter - November 2007

Remarks: Pavel Althamer

#21 Spring - March 2010

Dispatches from Ben Rivers on location for his forthcoming sci-fi project

Filmmaker Ben Rivers discusses his latest project, which has taken him to Lanzarote, Japan, New Zealand and Tuvalu
#16 Winter - November 2008 Review

On Knowledge Production: A Critical Reader in Contemporary Art

Maria Hlavajova, Jill Winder, Binna Choi (eds.) £20 www.bak-utrecht.nl
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#5 - January 2006

Studio: Ogilvie and Callender

Ruth Hedges and Luke Watson visit the giant studio of Elizabeth Ogilvie and Bob Callender, artists who live by the sea
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#1 - February 2005 Review

Holbein to Hockney, Drawings from the Royal Collection

The Queen’s Gallery, Edinburgh, 25 Nov 2004-6 Nov 2005
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#18 Summer - June 2009 Review

Between Earth & Heaven: The Architecture of John Lautner

20 March—26 July, The Lighthouse, Glasgow 
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#10 - June 2007 Review

Kommando Friedrich Hölderlin

27 January–17 March 2007, Galerie Max Hetzler, Berlin
45 2
#22 - June 2010

Martin Soto Climent: CHAPTER ONE

Dominic Paterson investigates the work of Mexican artist Martin Soto Climent as he begins a year-long international project
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#18 Summer - June 2009 Review

Peter Coffin

11 Februar–10 May, Barbican Art Gallery, London
A  Feminist  Chorus Recording 21  March 2014
#33 - February 2015

A Feminist Chorus: ‘Hen Run’ sound work at RIBA, London

Installed as part of Mackintosh Architecture, 18 February-23 May 2015.
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#11 Autumn - September 2007

Monika Sosnowska

Using unexpected perspectives, this Polish artist alters spaces with her sometimes monumental sculpture. Moira Jeffrey, who has long been interested in her work, talks to here post ‘1:1’
#13 Spring - March 2008

Wilhelm Sasnal: Deluxe Punk

‘You are telling me things, but what do you actually mean by that? Whats your point? Lukasz Ronduda digs deep into the work of Polish artist Wilhelm Sasnal
#15 Autumn - September 2008

Commission: Dot Dot Dot

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#41 - October 2017 Review

Circumstantial Evidence

Kirsty Hendry responds to ‘Every contact leaves a trace’ curated by Naomi Pearce, a LUX screening at Glasgow Film Theatre, 1 October
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#6 - April 2006 Review

Roni Horn

Inverleith House, Edinburgh, 21 January–26 March and Museion, Bolzano 4 February–30 April 2006
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#42 - January 2018 Review

Wake up and the world is different

Anna McLauchlan drinks in The Last Hour!, a project curated by Timothea Armour, the fifth and final commission in Collective’s Satellites programme
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#13 Spring - March 2008 Review

Thomas Zipp

16 November 2007–13 January 2008, South London Gallery, London
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#16 Winter - November 2008

Back Page: Dawood/Deora

FROM: DAWOOD/DEORA SUBJECT: RE: MAP BACK PAGE DATE: THU OCT 23 18:24 TO: MAP 
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#19 Autumn - September 2009

Etienne Chambaud: The Hole of the Matter

Joanna Fiduccia discovers the work of Etienne Chambaud is punctured with an element of surprise
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#42 - January 2018 Review

You Know, Things Like That

Catherine Spencer reviews Helen de Main’s collaborative exhibition at Platform, Glasgow, 26 November 2017 - 11 February 2018
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#25 - July 2011 Review

Activity: Edited by Pedro Barateiro, Christoph Keller, Ricardo Valentim

JRP Ringier/Christoph Keller Editions, 2011, ISBN: 978-3-03764-161-3