Impacts sts7crack
#59 - September 2020 Editorial

Collisions

Editorial: tying up cosmic symbolism
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#59 - September 2020 Review

Letters for/against Wild Invention

Over three instalments, A+E Collective respond in epistolary form to The Wild Book of Invention, Sternberg Press, 2020
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#59 - September 2020 Through Motion

Restorative Disembodiment

A photo essay by Saoirse Amira Anis
Buffer Hand tufted rug Russell 2019 Photo Suzanne Heffron
#58 - September 2020 Letters

WRITINGS BETWEEN

Vulnerability and Resistance: the third and final part of a series of correspondences between Caroline Gausden and Jen Clarke on the politics of hosting and hospitality
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#58 - September 2020 Letters

WRITINGS BETWEEN

Bodies of Knowledge: Part two of a series of correspondences between Caroline Gausden and Jen Clarke on the politics of hosting and hospitality
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#58 - September 2020 Short Story

BIG DOG DAYS

A short story by Hannah Nussbaum
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#58 - September 2020 Letters

Writings between

Taking Time: Part one of a series of correspondences between Caroline Gausden and Jen Clarke on the politics of hosting and hospitality
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#58 - September 2020 MAP Project

TENANCY: Killing Time

by Caitlín Doherty
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#58 - September 2020 MAP Project

TENANCY: Vessels

by Emilia Weber
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#58 - August 2020 Review

Minerva in Seven Pieces

Nina Hanz reads Johanna Hedva’s new book, Minerva the Miscarriage of the Brain, releasing 2 September, 2020 with Sming Sming and Wolfman Books.
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#58 - August 2020 Review

Chunky, alive things

Anna Danielewicz concludes a series of three artist responses to ‘Strangers’—a new book of essays by Rebecca Tamás, Makina Press, 2020
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#58 - August 2020 Essay

Poetry at Large: The poetic and archival practice of Paula Claire

Greg Thomas reviews the artist’s publications ‘Paula Claire, fromWORDtoART: Browsing the Paula Claire Archive; International PoetArtists’ and ‘WordsWorkWonders’
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#58 - August 2020 Review

THE OCEAN WILL ALWAYS REMEMBER

Natasha Thembiso Ruwona’s critical poetics respond to (Extra)Terrestrial Currents, an online programme of artist moving image, sound and text, presented by Obsidian Coast
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#58 - August 2020 Review

On Permeability and Companionship

Stephanie Mann writes in the second of a series of three artist responses to ‘Strangers’—a new book of essays by Rebecca Tamás, Makina Press, 2020
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#58 - August 2020 Essay

The desktop: a place where writing happens

Rebecca Gill scrolls through the desktop’s pleasantly tenuous invasive implications and the intimacy of the gaze
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#58 - August 2020 Through Motion

TOP LODGE

A new film by Debi Banerjee, accompanied by a response from her collaborator Morwenna Kearsley. ‘Top Lodge’ invites viewers to join an exuberant game of free movement and doubling, of time, creation, preservation and destruction.
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#58 - August 2020 Review

Shimmering Surface, Radical Depth

Rosalind Blake’s writing introduces a set of three responses to ‘Strangers’—a new book of essays by Rebecca Tamás, published by Makina Books, 2020
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#38 - April 2017

MULTIPLEXING II

A text by Mike Sperlinger in collaboration with MULTIPLEXING, a cinema event originally presented in south London in 2014 and restaged in Glasgow on 21 March 2017. The programme celebrates the legacy of artist, performer, curator and writer, Ian White (1971-2013) through his influential teaching position with LUX 
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#8 - November 2006 Review

Books: Arcade: Artists and Place-making

Edited by Rhona Warwick, Black Dog Publishing, £19.95
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#37 - June 2016

It is this it is this, it is this: Documentation

Documentation of event at Glasgow Sculpture Studios, 11 June 2016
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#42 - February 2018 Review

On Margate Sands

Philomena Epps explores Journeys with ‘The Waste Land’ at Turner Contemporary, Margate, 3 February - 7 May 2018
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#15 Autumn - September 2008

Remark: New Aberdeen Space

A new space for contemporary visual art in Aberdeen is scheduled to open by 2011. Lindsay Gordon, director of Peacock Visual Arts, is confident of its potential impact on culture in the north. 
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#15 Autumn - September 2008

Remarks: 2 Turin Triennial

Daniel Birnbaum, director of Portikus, Frankfurt, discusses the tasks of curating 2 Turin Triennial and the 53rd Venice Bienniale 
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#6 - April 2006 Review

Allen Ruppersberg

Dundee Contemporary Arts, Dundee, 8 April–28 May 2006 
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#5 - January 2006 Review

Books: Journey to the Lower World

By Marcus Coates, edited by Alec Finlay, published by Platform Projects and Morning Star, 2005, ISBN 0 9546831 6 1
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#51 - August 2019 Interview series

Part 10: ‘Matter as a Hope of Finding Some Answers’ CROATIA

‘Traces of Disappearing, the project I am presenting in Venice, has been in progress for thirteen years…’ Response from artist Igor Grubić.
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#7 - September 2006 Review

The Poets Still Throwing Up Their Hands

THE CHANGING ROOM 29 APR–10 JUN, 2006, Stirling
#24 - November 2010 Review

Focus: Manifesta 8

9 October–9 January, Region of Murcia, Spain
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#18 Summer - June 2009 Review

Peter Coffin

11 Februar–10 May, Barbican Art Gallery, London
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#16 Winter - November 2008 Review

Liverpool International 08: Made Up

20 September–30 November, 2008, Various venues, Liverpool
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#25 - July 2011

Ed Atkins

Q&A by Richard Whitby
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#34 - March 2015 Review

O.K. Rick [Review]

Jenny Brownrigg responds to the Florrie James work screened in February at the Glasgow Film Festival.
#22 - June 2010

Emerging: Alice Guareschi

Michael Polsinelli uncovers the games and slippery metaphors in the work of this Italian artist
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#23 Autumn - September 2010 Review

Dynasty

11 June–5 September 2010, Musée d’Art Moderne de la Ville de Paris / Palais de Tokyo, Paris
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#13 Spring - March 2008

Remarks: New Biennial

Francis McKee on his last Glasgow International
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#11 Autumn - September 2007 Review

Music: Shadowed Spaces

6–15 July 2007, various venues around Scotland
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#8 - November 2006

Diary: Theatre of Dreams

Matt Baker on the 24 hours when art took over Inverness
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#49 - March 2019

The Microbiota

A speculative bacterial glossary from A+E Collective
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#55 - February 2020 MAP Event

you, there, are you there? | MAP at Glasgow Film Festival 2020

Event over. A programme of short film, artist moving image and performance curated by Rosie Roberts and including work by Rhea Storr, Jessica Higgins, Alex Culshaw and Alison Scott. Wednesday, 4 March, 6pm. CCA Cinema
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#11 Autumn - September 2007 Review

Books: between two deaths

Edited by Ellen Blumenstein and Felix Ensslin www.hatjecantz.de English Edition ISBN 978-3-775-2003-8 £24.99
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#2 - May 2005 Review

Moyna Flannigan

Sara Meltzer Gallery, New York, 7 April–14 May 
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#3 - August 2005

Commission: Art After Love’s Philosophy

From 28 June to 9 July 2005, David Michael Clarke cycled the 1124 km from rue d’Angleterre (Nantes) to La Promenade des Anglais (Nice). He used the voyage to collect images, thoughts and texts for this new work.
#24 - November 2010

In Production: Christine Borland

Dominic Paterson finds the artist in production at Glasgow Sculpture Studios
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#20 Winter - November 2009

Emerging: Anna Molska

Malgorzata Mleczko finds the unexpected at the heart of Anna Molska’s practice
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#40 - September 2017 Review

Dear We Have Been

Anthony Autumn responds to ‘Barricadia’ by Sahej Rahal at CCA, 16 September - 29 October
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#5 - January 2006 Review

Clare Stephenson

Dicksmith Gallery, London, 10 November–18 December 2005
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#16 Winter - November 2008

Remarks: 53rd Venice Biennale

Judith Winter and Graeme Domke, Dundee Contemporary Arts, discuss their selection for Scotland and Venice at the 53rd Venice Biennale. 
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#16 Winter - November 2008 Review

David Bellingham

13 September–14 October, 2008, The Changing Room, Stirling
#31 - April 2014 MAP Reading Group

‘Sick Sick Sick’ : The Books of Ornery Women

A reading project examining a radical or ‘bludgeoned’ subjectivity of female writers | Session Five, Travis Jeppeson, The Suiciders, CCA Clubroom, Thursday 29 May, 6.30pm
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#17 Spring - March 2009 Review

Gest: Laboratory of Synthesis #1

Edited by Robert Garnett and Andrew Hunt, 2008
#22 - June 2010

Fiona Mackay, Morag Keil and Manuela Gernedel: 84 Paintings

Barry Schwabsky talks to Fiona Mackay, Morag Keil and Manuela Gernedel about their unique collaboration
Tornado
#23 Autumn - September 2010 Review

Francis Alÿs

15 June–5 September 2010. Tate Modern, London