Editorial7
#65 - May 2022
A Year of Carte Blanche & Other Chimeras

Upreference (from the urn-taciturn)

Project Editor Daniela Cascella responds to last month’s contribution by Jessica Sequeira
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#65 - May 2022 Bodies, Proximity and Place

Bodies Proximity and Place

A summer project comissioned by editor-in-residence Hatty Nestor
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#65 - July 2022 Review

Man Hating Psycho by Iphgenia Baal

A review by Kirsty Dunlop
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#65 - July 2022 Bodies, Proximity and Place

COIL

By Wes Knowler
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#65 - June 2022 Review

A celebration

Caitlin Merrett King reviews the exhibition I will have my cake and eat it too, Ragini Chawla at Goethe-Institut, Glasgow
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#65 - June 2022 Bodies, Proximity and Place

The Last Ceremony

By Bryony White
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#65 - June 2022 Reflection

The Virgin and The Flame

An imagining of Anne Serre’s The Beginners (translated by Mark Hutchinson), by Tomoé Hill
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#65 - June 2022 Bodies, Proximity and Place

A Granular Exchange

By Theo Hynan-Ratcliffe
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#65 - June 2022
A Year of Carte Blanche & Other Chimeras

Object-Urn

Dan Beachy-Quick and Kylan Rice
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#65 - June 2022
A Year of Carte Blanche & Other Chimeras

By night, tidal city

Ella Finer and James Wilkes
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#65 - May 2022 Review

A Luminous Decay

On ‘A Moving X-Ray’, seven films by Sandra Lahire on Another Screen By Caitlin Merrett King
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#65 - May 2022 Review

Night Milk

By Bryony Bodimeade
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#65 - May 2022 Bodies, Proximity and Place

THREE BIRTHS

A poem by K. Patrick
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#65 - May 2022 Bodies, Proximity and Place

With Life So Ordinary

By Anna Walsh
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#65 - May 2022 Project Series

Performance & Energy: 2nd Invitation from Good on Paper

Over six months, Gordon Douglas & Cicely Farrer share a series of invitations looking into the futures of performance art making in Scotland. The second letter invites readers to attend an online workshop Sunday 29 May 2022 from 11am-1pm
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#65 - May 2022 Project Series

Thermal

Appendix 4 of Good on Paper’s second invitation to join a workshop on Performance & Energy
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#65 - May 2022 Project Series

Spiritual

Appendix 3 of Good on Paper’s second invitation to join a workshop on Performance & Energy
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#65 - May 2022 Project Series

Potential

Appendix 2 of Good on Paper’s second invitation to join a workshop on Performance & Energy
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#31 - February 2014

MAP Screen | The Anthropology Effect

Karen Cunningham makes her final selection for MAP Screen with work by Canadian artist Duane Linklater, and Wael Shawky’s ‘The Cave’, both counterpointing her video work, ‘Writing Culture’
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#55 - January 2020 Review

12 Hour Non-State Parade

Angeliki Roussou attended the Cooper Gallery’s marathon symposium in Dundee at the end of last year and found it ‘…surgically curated, perfectly executed, homely and inclusive’. Read more of her report here
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#25 - July 2011 Review

How to Work

27 March–22 May Kunsthalle Basel
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#41 - November 2017

Event over. Premier of Others got wings for flying by Megan Rooney

Megan Rooney’s new performance, created for the MAP commission 2017, was presented at Tramway, 7.30-8.30, 7 December.
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#24 - November 2010 Review

Keith Farquhar

1 October–4 December, Studio Voltaire, London
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#58 - August 2020 MAP Project

TENANCY Part 5: on recipes ii

orchestrated by Rebecca May Johnson, Edwina Attlee, Jen Calleja, Huw Lemmey, Nina Mingya Powles and Rebecca Tamás make Reiz Kugel
#4 - December 2005 Review

James Lumsden and Andrew MacKenzie

Sarah Myerscough, London 30 September-29 October 2005 
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#46 - August 2018 Review

CRYSTALLINE CHRYSALIS CRISIS

David Upton reports on a dissident takeover of Summerhall’s basement by artist and musician Fritz Welch
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#13 Spring - March 2008 Review

Luke Fowler & Charlie Hammond

19–24 January 2008, Buccleuch Street, Glasgow
#4 - December 2005 Review

Roderick Buchanan

Camden Arts Centre, London 23 September-13 November, 2005 
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#39 - August 2017 Review

Every contact leaves a trace

Anna McLauchlan encourages Adam Lewis Jacob’s ‘Emotional Need’, featuring works by anarchist Donald Rooum, the third commission in Collective’s Satellites programme  
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#34 - March 2015

Interview: Dominic Paterson talks to Georgina Starr

Bubbles, brains and what led to I, Cave, a new solo show opening at mima on 7 April 2015.
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#20 Winter - November 2009

Remarks: Pawel Althamer

Suzanne Cotter, curator at Modern Art Oxford, describes Pawel Althamer’s ongoing project Common Task.
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#47 - November 2018 Column

Gardenlust #2: The Firework Border

A monthly column by Isabella Streffen
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#48 - December 2018 Review

Workers!

Lauren Houlton on a new film by Petra Bauer and sex-worker led charity SCOT-PEP, commissioned by Collective Gallery and first screened at Filmhouse, Edinburgh, 24 November
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#37 - May 2016

Challenge to Fascism: Glasgow’s May Day (1938)

Jenny Brownrigg and Shona Main write about Helen Biggar’s final film
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#14 Summer - June 2008 Review

Always Begins By Degrees

1–29 March 2008, The Common Guild, Glasgow
#6 - April 2006

Commission: X-REX

Kenny Hunter’s first foray into film—the latest in the MAP commission series. Kate Cowcher introduces the work here.
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#13 Spring - March 2008 Review

Gabriel Kuri

17 November 2007–26 January 2008, Esther Schipper, Berlin
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#48 - December 2018 Short Story

The Clover Queen

Second in a series of dark fairy tales by Ester Krumbachová, published in conjunction with the exhibition and film programme of the Czech artist’s work at CCA Glasgow.
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#50 - April 2019 Interview

Alberta Whittle and Emilio Bianchic

Curators Diego Chocano and Ellie Dobbs interview the two artists brought together in Useless, Pig Rock Bothy, Scottish National Gallery of Modern Art, 13-21 April
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#20 Winter - November 2009

End Note: Lorna Macintyre

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#19 Autumn - September 2009 Review

Matthew Monahan

22 May–27 June, 2009, Modern Art, London
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#57 - June 2020 Recollections

Within Four Walls

Myriam Mouflih re-watches Jumana Manna’s A Magical Substance Flows Into Me, 2016
Chris  Kraus

‘Never recant, never apologise, never explain’

Chris Kraus in conversation with Laura Edbrook
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#20 Winter - November 2009 Review

Alejandro Jodorowsky’s ‘Dune’: An exhibition of a film of a book that never was

17 September–25 October, 2009, The Drawing Room, London
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#21 Spring - March 2010 Review

Stephen Willats

14 November 2009–16 January 2010, Balice Hertling, Paris
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#10 - June 2007 Review

Kommando Friedrich Hölderlin

27 January–17 March 2007, Galerie Max Hetzler, Berlin
#24 - November 2010

Editorial MAP 24

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#19 Autumn - September 2009 Review

EASTinternational

13 July–22 August, 2009, Various Venues, Norwich
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#15 Autumn - September 2008 Review

Chantal Akerman

11 July–14 September 2008, Camden Arts Centre, London
#1 - February 2005

Studio: Jim Lambie

Ruth Hedges talks to artist Jim Lambie in his Glasgow studio 
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#46 - September 2018 MAP Editions

is it lovely yet?

an essay by Hannah Van Hove
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#16 Winter - November 2008

Remarks: 53rd Venice Biennale

Judith Winter and Graeme Domke, Dundee Contemporary Arts, discuss their selection for Scotland and Venice at the 53rd Venice Biennale.