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#47 - November 2018 Review

Pastoral Drama

Eliel Jones visits Jamie Crewe’s recent exhibition at Tramway, Glasgow, 16 September - 28 October
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#47 - November 2018 Review

Blaze on, picture

William Kherbek reviews The Ballad of Saint Jerome by Jesse Darling, Tate Britain, London, 22 September - 24 February
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#47 - November 2018

Gardenlust #2: The Firework Border

A monthly column by Isabella Streffen 
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#47 - October 2018 Review

Make Me Up

Victoria Horne reviews the new feature-length film by Rachel Maclean 
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#47 - October 2018 Review

A SHELL, A HOUSE, A HOME, A FACE, A FAÇADE, A FRONTISPIECE

Hussein Mitha responds to COCO!NUTS! by Rabiya Choudhry at Transmission Gallery, Glasgow, 15 September - 20 October
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#47 - October 2018 Review

Permanently Temporary

Lotte Lewis visits A Postcard from Amsterdam, an exhibition by Charlott Weise and Franziska Schulz at LOWER.GREEN, a temporary gallery space in Norwich
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#47 - October 2018 Review

Electric Speech

Emma Balkind reviews Telephone by Ariana Reines, published by Wonder
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#47 - October 2018

Gardenlust #1: The Hellmouth

On the art of garden renovation: a new monthly column by Isabella Streffen 
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#47 - October 2018 Review

The Big Sneeze

Philomena Epps reviews Mika Rottenberg at Goldsmiths CCA, London, 6 September - 4 November 2018
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#47 - October 2018

Giving Over While

A text by Rebecca Wilcox 
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#47 - October 2018 Review

Do you really just want to be part of a band?

Notes from the 14th Berwick Film & Media Arts Festival, 20-23 September 2018, by Marcus Jack
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#47 - September 2018 Essay

Mostly No

Sarah Bernstein reflects on solitary women in the fiction of Muriel Spark
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#47 - September 2018 Review

The Symptom and The Cure

Matthew Turner reviews The Anti Ecstatic Machines by Benedict Drew at Matt’s Gallery, London, 22–30 September
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#47 - September 2018 Essay

Survival Kit

An essay by Olivia Scott-Berry in response to The Land+The People, reflecting on deep time, eerie geology and methods of bearing witness
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#47 - September 2018 Essay

Reader’s Digest

Kirsty Hendry on the gut-brain axis
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#47 - September 2018 Review

Beneath the Platform

William Kherbek reflects on the 10th Berlin Biennale, We Don’t Need Another Hero, 9 June - 9 September 
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#7 - September 2006 Review

Marcel Dzama: Tree With Roots

IKON GALLERY, BIRMINGHAM 24 MAY–16 JUL; CENTRE FOR CONTEMPORARY ART, GLASGOW, 5 AUG–16 SEP, 2006
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#17 Spring - March 2009

Remarks: Tree

Tania Kovats discusses TREE, the project which won her the Natural History Museum’s Darwin Canopy Commission. 
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#16 Winter - November 2008 Review

Sterling Ruby

9 October–15 November, 2008, Monika Sprüth Philomene Magers, London  
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#11 Autumn - September 2007

Interview: Simon Fisher Turner

This composer/musician recently performed at Tramway, Glasgow, inside a life-size recreation of Elvis Presley’s former home, Gracelands. Nominated for an Oscar (Anna Campion’s feature, Loaded), his most recent album, Lana Lara Lata, is out on Mute Records
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#20 Winter - November 2009 Review

Scorpio’s Garden

12 October–15 November, Temporäre Kunsthalle, Berlin
#21 Spring - March 2010 Review

Darren Banks and Oonagh Hegarty

17 January–28 February 2010, Sierra Metro, Edinburgh
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#17 Spring - March 2009 Review

Expanded Cinema: The Live Record

6 December 2008, BFI Southbank, London
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#43 - March 2018 Review

a new thread, wayward

Rebecca Wilcox responds to Virginia Woolf: an exhibition inspired by her writings at Tate St Ives, 10 February - 29 April
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#38 - January 2017

Listen up! The best art & philosophy is on YouTube 4shure

MAP presented Gillian Wylde’s ‘Will internets eat brain’ for Glasgow Film Festival 2017, Friday 24 February, 6-7.30, CCA cinema, Glasgow
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#15 Autumn - September 2008 Review

The Great Transformation—Art and Tactical Magic

7 June–7 September 2008, Frankfurter Kunstverein, Frankfurt
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#25 - July 2011 Review

Laure Prouvost

9 April–21 May, MOT International, London
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#10 - June 2007 Review

Marc Bijl, Gerard Byrne, Valerie Jouve

21 April–23 June 2007, Aliceday, Brussels
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#17 Spring - March 2009

But to Go Back

Jenny Brownrigg looks at the meaning of monuments and memory in the work of Croatian artist David Maljkovic
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#15 Autumn - September 2008

JG Ballard: Atrocity Exhibition

Sean Ashton explores the disjunction of art and aesthetics using the signposts provided by Zodiac 3000 and the metafictional writings of JG Ballard
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#24 - November 2010

NVA

Angus Farquhar, creative director of Glasgow-based public art agency NVA, looks to secure the future of the abandoned, yet inspirational, St Peter’s Seminary
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#38 - January 2017 Review

Style Lines

Tiffany Boyle reviews the The Inventors of Tradition II
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#25 - July 2011 Review

Józef Robakowski

8 April–15 May, 2011, Ludlow 38, New York
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#21 Spring - March 2010

Arbitrating Space

Steven Cairns considers the function of the gallery through 1960s minimalist concepts
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#20 Winter - November 2009

Remarks: Performa 09

Roselee Goldberg, founder and director of Performa, maps out the origins, current programme, and future of the biennial of performance in New York City
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#23 Autumn - September 2010

Andrea Büttner: The Shame of Culture

Richard Birkett discusses the sensitive work of an enquiring artist
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#17 Spring - March 2009 Review

Ding Dong

12 December 2008–22 February 2009, FACT, Liverpool
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#12 Winter - November 2007 Review

A North Light ~ Cynosure, Pier Arts Center

7 July–10 November 2007, Pier Art Centre, Orkney
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#17 Spring - March 2009 Review

Reduced Construction

28 November 20081–8 January 2009, Karma International, Zürich
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#20 Winter - November 2009

End Note: Lorna Macintyre

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#7 - September 2006

Diary: Theatre of Dreams

Patrick Semple reports from the terraces at this year’s Art Cup in remote Huntly, Aberdeenshire
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#2 - May 2005

Bear Compound

Artist Mark Dion describes his brush with the little known bears of Dundee and his scheme to build new vistas for them and for those on the human side of their enclosure. Bear Broch opened to the public in the winter of 2005
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#10 - June 2007 Review

Music: Bauhaus: Reviewed 1919–1933

Reviewed 1919–1933 LTM £10
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#11 Autumn - September 2007 Review

Books: Taking The Matter Into Common Hands: Contemporary Art and Collaborative Practices

Edited by Johanna Billing, Maria Lind and Lars Nilsson www.blackdogonline.com £19.95
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#9 - March 2007 Review

Brice Marden

29 October 2006–15 January 2007, Museum of Modern Art, New York
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#10 - June 2007 Review

George Condo

7 February–21 April 2007, Simon Lee, London
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#1 - February 2005

Certain of Nothing: Francis Alÿs

Francis McKee traces the path of Belgian artist Francis Alÿs as he explores the boundaries between politics, poetry and art
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#18 Summer - June 2009

Remarks: New Commissioning Award

Director Paul Hobson reveals the Contemporary Art Society’s key objectives for its ambitious new award. 
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#37 - November 2016

DROSTE

A new film by Mairi Lafferty made on residency at no.w.here, London was made available as part of ‘Footnoting the Archive’. 
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#38 - May 2017 Review

Conflict Materials

Tom White reviews Conflict Minerals: Lise Autogena & Joshua Portway / Nabil Ahmed, at Arts Catalyst Centre for Art, Science and Technology, 24 March-22 April, 2017
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#43 - March 2018 Review

Consequences of progress; remnants for the future

Jazmine Linklater on mutability in the works of Ruth Barker and Hannah Leighton-Boyce at Castlefield Gallery, Manchester, 9 March - 29 April
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#33 - February 2015

A Feminist Chorus: ‘Hen Run’ sound work at RIBA, London

Installed as part of Mackintosh Architecture, 18 February-23 May 2015.