Jude And Am 2
#50 - May 2019 Interview

Jude Browning talks to Anne-Marie Copestake in bed

A video conversation inspired by Copestake’s series of interviews between artists and musicians, Trigger Tonic (1999-2004).
1  Cannibal O Copy
#50 - May 2019 Visual Essay

Cannibal O

An intimate evening of feminist cannibalism hosted by Catalina Barroso-Luque around a circular dining table and premiered at Intermedia Gallery, CCA, Glasgow on 17 April 2019. Twenty eight images by Isobel Lutz-Smith tell the story.
I Am The Daughter Of Dead Fathers
#50 - May 2019 Review

Spaces, Places

Alchemy Film and Moving Image Festival, Hawick, 2-6 May, 2019. Review by Ben Nicholson
Orghast Xenakis 800X1200
#50 - May 2019 Review

‘Persepolis Now?’

A Utopian Stage at SAVVY Contemporary, Berlin. Curated by Vali Mahlouji | Archeology of the Final Decade. Review by Sumugan Sivansan
2 Flamme
#50 - May 2019 Review

New Waves: Mohamed Melehi and the Casablanca Art School

The Mosaic Rooms 12/04/19–22/06/19. Review by Kylie Gilchrist
Emilio Bianchic Impractica Ii
#50 - April 2019 Interview

Alberta Whittle and Emilio Bianchic

Curators Diego Chocano and Ellie Dobbs interview the two artists brought together in Useless, Pig Rock Bothy, Scottish National Gallery of Modern Art, 13-21 April
Pedro Neves Marques1
#50 - April 2019 Review

It Bites Back

Gabriella Beckhurst reviews the viral solo show by Pedro Neves Marques at Gasworks, London, 11 Apr-16 June 2019
Shona Mac Naughton2
#50 - April 2019 Review

We Nurture

Gordon Douglas participates in Shona MacNaughton’s new performance on Calton Hill
Ñ Map Image
#50 - April 2019 Daily instalment

A typeface narrative on the Ñ and its infected tilde

In 22 parts, one episode was added to the story every weekday throughout April 2019. This narrative by Catalina Barroso-Luque has now concluded and can be read in full.
I Fell In Love With A Tree
#50 - March 2019 Column

Gardenlust #6: Cherry Blossom Girl

A monthly column by Isabella Streffen
Crow1
#49 - March 2019

P.S.

A postscript to mark the close of Issue #49: Couldn’t we just bee?
Dz5
#49 - March 2019 Essay

A golden interweaving link

Anna McLauchlan visits the D’Arcy Thompson Zoology Museum, Dundee
Alec Finlay If Nature Is An Arena 1080Pix
#49 - March 2019

I was a Humandwolf

Alec Finlay writes on Project Wolf - a performative ecological strategy in which human wolves reanimate the role of lost predators
Night Vision Gif
#49 - March 2019

Tone Poems

A series of vignettes on animals in cinema and moving image by Suzanne van der Lingen
Dorothea Tanning Family Portrait
#49 - March 2019 Review

Dorothea Tanning: A Canine State of Mind

Natalie Ferris on the artist’s retrospective at Tate Modern and communion with the animal world
Vii
#49 - March 2019 Short Story

Plastic Whale

New fiction from Camilla Grudova
Teen  Zombie Xx 0 01 31 12
#22 - June 2010 Review

Ryan Trecartin, Sharon Lockhart, Peter Campus, Joachim Koester

26 March–24 May, 2010, The Power Plant, Toronto
84
#20 Winter - November 2009 Review

Head-Wig (Portrait of an exhibition)

25 September–29 November, 2009, Camden Arts Centre, London
56 2 7
#6 - April 2006 Review

Roni Horn

Inverleith House, Edinburgh, 21 January–26 March and Museion, Bolzano 4 February–30 April 2006
#29 - August 2013

The Designated Area

A short story by Sean Ashton
#4 - December 2005 Review

British Art Show 6

Baltic, Gateshead 24 September 2005–8 January 2006 
Emilio Bianchic Impractica Ii
#50 - April 2019 Interview

Alberta Whittle and Emilio Bianchic

Curators Diego Chocano and Ellie Dobbs interview the two artists brought together in Useless, Pig Rock Bothy, Scottish National Gallery of Modern Art, 13-21 April
60 2 2
#3 - August 2005 Review

Graeme Todd

Andrew Mummery Gallery, London, 2 June-4 July, 2005 
62 1 3
#9 - March 2007 Review

Urs Fischer: Paris 1919

Essay Rein Wolfs JRP RINGIER, £20
Thumbnail
#44 - May 2018 Review

GI reviews and responses

Fourth in a series of reviews and responses to Glasgow International 2018 presentations, Gordon Douglas responds to iQhiya at Transmission and XSexcentenary at Glasgow Necropolis PLUS an intimate question for Hannah and Jenny are here 4 u
32 2
#22 - June 2010

Commission: Jimmie Durham

Kw Lucy Skaer Chasse 580X435
#42 - December 2017 Review

AVAILABLE FONTS

Phoebe Blatton reviews Lucy Skaer at KW, Berlin, 13 October 2017 - 7 January 2018
#4 - December 2005 Review

Jim Lambie—Byrds

The Modern Institute, Glasgow 7 October-11 November, 2005 
67 9
#14 Summer - June 2008 Review

Whitney Biennial 2008 / Judy Chicago

6 March–1 June 2008, Whitney Museum of American Art / Long-term installation, Brooklyn Museum, New York
Image1
#45 - June 2018 Review

Chapter Four

The fourth instalment of Out of Office Auto-Reply by Susan Finlay
20 9
#6 - June 2006

Studio: Toby Paterson

Photographer Luke Watson visits painter Toby Paterson, well known for his postmodern architectural abstract works, in his Glasgow city centre studio
50 16
#41 - October 2017 Review

This Drove My Mother Up The Wall

Susan Finlay reviews Katharina Grosse at South London Gallery, 28 September - 3 December 
82 1
#19 Autumn - September 2009 Review

Aurélien Froment

9 July–16 August, 2009, Gasworks, London
#4 - December 2005 Review

James Lumsden and Andrew MacKenzie

Sarah Myerscough, London 30 September-29 October 2005 
84 2 2
#25 - July 2011 Review

Around Gallery Weekend Berlin

29 April–1 May, Berlin galleries
9 T6 A7706
#41 - October 2017 Review

Turner Prize 2017

Jay Drinkall visits this year’s Turner Prize exhibition at the Ferens Art Gallery, Hull, 26 September 2017 – 7 January 2018
56 1 2
#2 - May 2005 Review

Briony Anderson

Ivy Buchanan’s, Banff, 14–28 March  
16
#1 - February 2005

Certain of Nothing: Francis Alÿs

Francis McKee traces the path of Belgian artist Francis Alÿs as he explores the boundaries between politics, poetry and art
Vg  Quayr 00034 1
#22 - June 2010 Review

The Inhabitants

14 March–25 April, 2010, Vilma Gold, London
Ok
#43 - March 2018 Review

Give Up Art

Rebecca O’Dwyer on Maria Fusco’s ‘exciting alongsidedness’ Give Up Art (2018), collected critical writings from 2002-2017, published by New Documents
#24 - November 2010 Review

Adrian Piper

23 October–11 December, Elizabeth Dee, New York
46 12
#5 - January 2006

A Strategic History of Art

Richard Demarco looks back at the long and inspirational road he has travelled, which has led him to operate today under the shadow of a nuclear power station
56 2 3
#5 - January 2006 Review

Clare Stephenson

Dicksmith Gallery, London, 10 November–18 December 2005
57 8
#9 - March 2007 Review

St Mungo and Me

2 December 2006–20 January 2007, Lightbox, Los Angeles
84 1
#19 Autumn - September 2009 Review

Christopher Orr

24 May–1 August, 2009, IBID PROJECTS/Hoxton Square, London
9781635900156
#43 - April 2018 Interview

the chapter with the bar and the boxing

An interview with writer and curator Jeanne Graff on Vzszhhzz, published by Semiotext(e)
You Are Prouvost
#33 - February 2015

MAP Screen | READING IN THE DARK

Curated by Suzanne van der Lingen | Instalment 2: Gerard Byrne, Sarah Forrest, Laure Prouvost, Peter Rose | Readings by Laura Edbrook & Sarah Forrest and Suzanne van der Lingen | Screened 25 February. Event images online  
Lucy  Reynolds
#31 - February 2014

Lucy Reynolds: Talks

Glasgow School of Art, Friday Event at the Glasgow Film Theatre, 11am—12:30pm, 14 February 2014 | Edinburgh College of Art, Friday Talk, Main Lecture Theatre, 11.30am—1pm, 28 March 2014 
61 11
#1 - February 2005 Review

Faces in the Crowd: Picturing Modern Life from Manet to Today

Whitechapel Art Gallery, London, 3 Dec 2004-6 Mar 2005
69 5
#15 Autumn - September 2008 Review

Seth Price

2 June–17 August 2008, Kunsthalle Zürich, Zürich
30 1
#14 Summer - June 2008

Emerging: Ann Bowman

Hollywood to Glasgow, this young American artist explores fantasy and glamour with a sharp film-maker’s eye
51 1 3
#24 - November 2010

In conversation: Tom Burr

American sculptor Tom Burr talks to Steven Cairns about ‘the persona of the artist’, being catagorised within genres, and the influence of great cities on his practice