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#42 - January 2018 Editorial

Fissile States

Editorial: introducing a new season of reviews—runs to beginning March 
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#42 - February 2018 Review

A world through Colorado Pink

William Kherbek reviews Ian Giles’ exhibition After BUTT at Chelsea Space, London, 24 January - 2 March
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#42 - February 2018 Review

Physical or Otherwise 

Gwendolen Dupré on the alchemy of Suggestions and Encounters: Physical or Otherwise by Leontios Toumpouris at The Telfer Gallery, Glasgow, 9 February - 4 March 
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#42 - February 2018 Event

The Body in Motion // In Motion, Glasgow Film Festival 2018

CCA Cinema, 1 March, 6.15pm. Screening includes work by Maya Deren, Anna Hoetjes, Aideen Doran and  Margaret Tait
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#42 - February 2018 Review

The Breath From Fertile Grounds

Claire Walsh on Otobong Nkanga’s solo exhibition at Temple Bar Gallery and Studios, Dublin, 8 December 2017 - 10 February 2018
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#42 - February 2018 Review

The Conversation

Kathryn Lloyd on Holly Davey’s archival restagings at g39, Cardiff, 11 November 2017 - 3 February 2018
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#42 - February 2018 Review

Civil Rites

Fiona Anderson on Andrea Luka Zimmerman’s film at Tyneside cinema, Newcastle, part of Freedom City festival, 8 December 2017 - 22 January 2018
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#42 - January 2018 Review

Making Our Way

Anna McLauchlan navigates Shelter Stone: The Artist and the Mountain, a year-long public art project in the form of a newspaper 
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#42 - January 2018 Review

‘A Murderous Fury’

Felix Bazalgette on the politics and protest behind Art and Space at the Guggenheim Bilbao, 5 December 2017 - 18 April 2018 
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#42 - January 2018 Review

Fatal Softness

Henry Broome reviews an exhibition by Pauline Batista and Madeleine Stack at The Koppel Project, London, 17 November 2017 – 6 January 2018
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#42 - January 2018 Review

You Know, Things Like That

Catherine Spencer reviews Helen de Main’s collaborative exhibition at Platform, Glasgow, 26 November 2017 - 11 February 2018
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#42 - January 2018 Essay

The Engagement Party

Aniela Piasecka and Paloma Proudfoot share a text from their recent performance at Edinburgh Sculpture Workshop
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#42 - January 2018 Review

Wake up and the world is different

Anna McLauchlan drinks in The Last Hour!, a project curated by Timothea Armour, the fifth and final commission in Collective’s Satellites programme
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#42 - January 2018 Review

Spectres of the Deep

Mother Tongue review John Akomfrah’s Vertigo Sea at Talbot Rice Gallery, 21 October 2017 - 27 January 2018
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#42 - January 2018 Review

Wanderlust

Dominik Czechowski reviews Wanderlust: Actions, Traces, Journeys 1967-2017 at UB Art Galleries, New York, 7 September - 31 December 2017, touring to the Des Moines Art Center, Iowa, 17 February - 13 May 2018
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#42 - January 2018 Review

Choreography Concept for Untrained Amateurs

Gordon Douglas responds to a work by performance group, contact Gonzo, at BUoY, Tokyo, 28 - 29 October 2017 
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#9 - March 2007

Emerging: Jamie Shovlin

Steven Cairns looks at the work of emerging artist Jamie Shovlin
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#8 - November 2006

Report: Art fair power and glamour is confirmed

Isla Leaver-Yap reports on art world activity.
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#24 - November 2010

In conversation: Tom Burr

American sculptor Tom Burr talks to Steven Cairns about ‘the persona of the artist’, being catagorised within genres, and the influence of great cities on his practice
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#14 Summer - June 2008

Paulina Olowska: And it is Time

Paulina Olowska’s painterly sense of history and fascination for collaboration is discussed by Isla Leaver-Yap
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#6 - April 2006 Review

Tropicalia: A Revolution in Brazilian Culture

Barbican, London, 16 February–21 May 2006 
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#37 - January 2016

AFTERWORD

Louise Briggs, curator of ‘The transparent tortoiseshell and the un-ripe umbrella’, provides an intimate insight into the thought process behind the show which takes place at Glasgow Sculpture Studios 23 January - 5 March 2016 and includes work by Eva Berendes, Stephanie Mann, Rallou Panagiotou, Vanessa Safavi and Samara Scott
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#39 - August 2017 Review

With the sun aglow, I have my pensive moods

Fourth in a series of responses to Edinburgh Art Festival, Jessica Ramm reflects on Shannon Te Ao’s installation in Gladstone Court, 27 July - 27 August
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#24 - November 2010

The Lighter Side of Psychedelia, Pareidolia and Stroboscopy

John Calcutt navigates through the films and recent sound works of Glasgow-based artist Stuart Gurden
#4 - December 2005 Review

Books: Kate Davis: Partners and Hanneline Visnes: Afterwards, in the blank wood

Published respectively by Sorcha Dallas, October 2005 and Centre for Contemporary Arts, October 2005 
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#20 Winter - November 2009 Review

Mathilde ter Heijne

20 September–8 November, 2009, SMBA, Amsterdam
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#7 - September 2006 Review

Erica Eyres

ROKEBY 17 MAY–20 JUN, 2006, London
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#42 - January 2018 Review

You Know, Things Like That

Catherine Spencer reviews Helen de Main’s collaborative exhibition at Platform, Glasgow, 26 November 2017 - 11 February 2018
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#8 - November 2006

Studio: Alison Watt

Writer Diana Hope travels with photographer Luke Watson to the National Gallery in London to find painter Alison Watt in a studio under that hallowed roof
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#10 - June 2007

Lucy Skaer: Drawing Close

Glasgow-based artist Lucy Skaer is interested in fictions and histories. Highly articulate in the medium of drawing, she also makes films and installation and installations with charged imagination. Here, she is in conversation with Isla Leaver-Yap
#3 - August 2005

Editorial

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#37 - July 2016

The Weight of History

Victoria Horne considers ‘Weight’, a video work by Kate Davis. Essay published as part of ‘Footnoting the Archive: Endnotes’
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#25 - July 2011

Mladen Stilinović Bookmaker and Sign Painter

Mary Rinebold re-examines the socio-political contexts of the pioneering bookmaker and artist  
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#41 - November 2017 Review

Asymmetrical Response

Philomena Epps reviews a collaborative exhibition by Cory Arcangel and Olia Lialina at Art Projects Ibiza, 20 June - 16 December 2017
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#3 - August 2005

Studio: Paula Rego

Hannah McGill and Luke Watson visit the London studio of painter Paula Rego and find it a ‘repository for thrilling objects’
#31 - September 2014

‘A Feminist Chorus’ voices at 5 Blythswood Square

The sound work installed during Glasgow International 2014 is now online
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#14 Summer - June 2008 Review

Cathy Wilkes

16 April–8 June 2008, Milton Keynes Gallery, Milton Keynes
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#31 - February 2014

MAP Screen | The Anthropology Effect

Karen Cunningham makes her final selection for MAP Screen with work by Canadian artist Duane Linklater, and Wael Shawky’s ‘The Cave’, both counterpointing her video work, ‘Writing Culture’
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#37 - December 2016

Unknown Outcomes

Debi Banerjee and Kirsty Hendry introduce ‘Unknown Outcomes’ - a website assembling the material collected and produced throughout their collaboration with Ted Odling’s archival material. Developed by designer Neil McGuire, ‘Unknown Outcomes’ is a meditation on the role of systems in structuring and legitimising information and knowledge.
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#6 - April 2006 Review

Books: STUDIOFILMCLUB

By Peter Doig, published by Verlag Walther Konig, 2005
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#7 - September 2006 Review

Siren

Chris Watson BOOKSCAPES, 2006, £9.95 dp003: converse without leaving home Various contributors DISCPARC, DCA, 2006, £4
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#21 Spring - March 2010 Review

Stephen Willats

14 November 2009–16 January 2010, Balice Hertling, Paris
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#36 - November 2015

SEEING SCOTLAND: Gazes and Articulations

Essay by Tiffany Boyle, writing for Mother Tongue
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#24 - November 2010

Guy de Cointet

Giles Bailey meets Marie de Brugerolle to talk about the renewed interest in the avant-garde artist’s surreal performances
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#16 Winter - November 2008

Charles Avery: Mythologies

Charles Avery’s entire practice is built on the creation of a new world, an island place where cults and gulls and islanders all play their part. Anthony Spira explores its boundaries
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#25 - July 2011

Remarks: Lucy Skaer

Using the site of an abandoned cinema for display, the artist outlines her forthcoming project in Leeds
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#16 Winter - November 2008 Review

Matthieu Laurette

1 January–31 December, 2008 Blow de la Barra, London
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#21 Spring - March 2010 Review

Ruth Buchanan

2 December 2009–23 January 2010, The Showroom, London
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#21 Spring - March 2010

Residency Silberkuppe

MAP talks to Berlin art space Silberkuppe about space and strategy
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#36 - December 2015

The Hollow Mountain

Voice in the live performance of Maria Fusco’s, ‘Master Rock’, by Claire Walsh
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#18 Summer - June 2009

Images in Search of Lost Time

Haris Epaminonda’s recent series of Polaroids dovetail reality and imagination. Isla Leaver-Yap investigates