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#42 - January 2018 Editorial

Fissile States

Editorial: introducing a new season of reviews—runs to beginning March 
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#42 - February 2018 Review

A world through Colorado Pink

William Kherbek reviews Ian Giles’ exhibition After BUTT at Chelsea Space, London, 24 January - 2 March
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#42 - February 2018 Review

Physical or Otherwise 

Gwendolen Dupré on the alchemy of Suggestions and Encounters: Physical or Otherwise by Leontios Toumpouris at The Telfer Gallery, Glasgow, 9 February - 4 March 
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#42 - February 2018 Event

The Body in Motion // In Motion, Glasgow Film Festival 2018

CCA Cinema, 1 March, 6.15pm. Screening includes work by Maya Deren, Anna Hoetjes, Aideen Doran and  Margaret Tait
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#42 - February 2018 Review

The Breath From Fertile Grounds

Claire Walsh on Otobong Nkanga’s solo exhibition at Temple Bar Gallery and Studios, Dublin, 8 December 2017 - 10 February 2018
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#42 - February 2018 Review

The Conversation

Kathryn Lloyd on Holly Davey’s archival restagings at g39, Cardiff, 11 November 2017 - 3 February 2018
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#42 - February 2018 Review

Civil Rites

Fiona Anderson on Andrea Luka Zimmerman’s film at Tyneside cinema, Newcastle, part of Freedom City festival, 8 December 2017 - 22 January 2018
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#42 - January 2018 Review

Making Our Way

Anna McLauchlan navigates Shelter Stone: The Artist and the Mountain, a year-long public art project in the form of a newspaper 
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#42 - January 2018 Review

‘A Murderous Fury’

Felix Bazalgette on the politics and protest behind Art and Space at the Guggenheim Bilbao, 5 December 2017 - 18 April 2018 
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#42 - January 2018 Review

Fatal Softness

Henry Broome reviews an exhibition by Pauline Batista and Madeleine Stack at The Koppel Project, London, 17 November 2017 – 6 January 2018
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#42 - January 2018 Review

You Know, Things Like That

Catherine Spencer reviews Helen de Main’s collaborative exhibition at Platform, Glasgow, 26 November 2017 - 11 February 2018
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#42 - January 2018 Essay

The Engagement Party

Aniela Piasecka and Paloma Proudfoot share a text from their recent performance at Edinburgh Sculpture Workshop
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#42 - January 2018 Review

Wake up and the world is different

Anna McLauchlan drinks in The Last Hour!, a project curated by Timothea Armour, the fifth and final commission in Collective’s Satellites programme
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#42 - January 2018 Review

Spectres of the Deep

Mother Tongue review John Akomfrah’s Vertigo Sea at Talbot Rice Gallery, 21 October 2017 - 27 January 2018
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#42 - January 2018 Review

Wanderlust

Dominik Czechowski reviews Wanderlust: Actions, Traces, Journeys 1967-2017 at UB Art Galleries, New York, 7 September - 31 December 2017, touring to the Des Moines Art Center, Iowa, 17 February - 13 May 2018
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#42 - January 2018 Review

Choreography Concept for Untrained Amateurs

Gordon Douglas responds to a work by performance group, contact Gonzo, at BUoY, Tokyo, 28 - 29 October 2017 
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#22 - June 2010 Review

Cosey Complex

27 March, 2010, ICA, London 
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#1 - February 2005 Review

Torsten Lauschmann

Transmission Gallery, Glasgow, 6 Nov-4 Dec 2004
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#33 - February 2015

MAP Screen | READING IN THE DARK

Curated by Suzanne van der Lingen | Instalment 2: Gerard Byrne, Sarah Forrest, Laure Prouvost, Peter Rose | Readings by Laura Edbrook & Sarah Forrest and Suzanne van der Lingen | Screened 25 February. Event images online  
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#7 - September 2006 Review

Douglas Gordon: Timeline

11 JUN–2 OCT, 2006, MOMA, New York
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#1 - February 2005

Diary: Beagles and Ramsay from New York

Beagles and Ramsay (Glasgow-based duo, John Beagles and Graham Ramsay) were commissioned to make new work for PS1, MOMA, New York in October, 2004. They decided to make a new self-portrait for the show, a batch of black puddings with their own blood as the key ingredient
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#37 - January 2016

PREFACE

Suzanne van der Lingen & Claire Walsh introduce their 2016 MAP editorial project
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#15 Autumn - September 2008

JG Ballard: Atrocity Exhibition

Sean Ashton explores the disjunction of art and aesthetics using the signposts provided by Zodiac 3000 and the metafictional writings of JG Ballard
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#8 - November 2006 Review

Books: Free Association

Edited by Malcolm Dickson £10
#31 - April 2014

‘Sick Sick Sick’ : The Books of Ornery Women

A reading project examining a radical or ‘bludgeoned’ subjectivity of female writers | Session Four
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#18 Summer - June 2009

Remarks: Collective Recipes

Palermo-based artist Aleksandra Mir discusses her new book project. 
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#9 - March 2007 Review

John Cage

24 November 2006–7 January 2007, La Casa Encendida, Madrid
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#8 - November 2006 Review

Books: Bread / Take Me With You

Bread, Kate Davis, Sorcha Dallas, Take Me With You, Gary Rough, Sorcha Dallas
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#1 - February 2005

Off the Map: Duncan McLaren

Duncan McLaren strikes north in the first of a series of journeys that will take him along the high and low roads of the world in search of art
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#23 Autumn - September 2010

Goat in the Basment

Artist Stephan Dillemuth talks to MAP about his month-long residency at Transmission Gallery in Glasgow Transmission Gallery, Glasgow, 27 September–9 October
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#28 - February 2013

With a Certain Manner of Looking

Laura Edbrook—instructions for artwriting from the essays of Virginia Woolf
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#17 Spring - March 2009

Belief Systems

Alessandro Rabottini connects with the complex installations of Pietro Roccasalva, taking a mind-boggling journey through the many narratives of this artist’s work
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#15 Autumn - September 2008 Review

Books: All of a Sudden: Things that Matter in Contemporary Art

Jörg Heiser www.sternbergpress.com ISBN 978-1-933128-39-9
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#11 Autumn - September 2007 Review

Music: Mount Vernon Arts Lab - The Seance At Hobs Lane

www.ghostbox.co.uk £10.95
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#19 Autumn - September 2009

Production: Anja Kirschner & David Panos

Steven Cairns gets to the bottom of ‘The Last Days of Jack Sheppard’, a film based on inferred prison encounters between the eponomous 18th century criminal and Daniel Defoe, ghostwriter of Sheppard’s ‘autobiography’
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#25 - July 2011 Review

Laure Prouvost

9 April–21 May, MOT International, London
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#16 Winter - November 2008 Review

Sterling Ruby

9 October–15 November, 2008, Monika Sprüth Philomene Magers, London  
#15 Autumn - September 2008

Commission: Dot Dot Dot

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#16 Winter - November 2008 Review

Karla Black: Mistakes Made Away From Home

£17 ISBN: 978-0-9560400-0-8 www.marymarygallery.co.uk
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#20 Winter - November 2009

Remarks: Face to Face

Collector, founder and president of the eponymous foundation in Turin, Patrizia Sandretto Re Rebaudengo talks about FACE.
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#3 - August 2005 Review

Our Surroundings

DCA, Dundee 14 May-17 July
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#12 Winter - November 2007

Karla Black: Mother Sculpture

Karla Black, a young Glasgow sculptor makes work which is at once fragile and powerful beyond its materials. Barry Schwabsky uncovers the detail
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#3 - August 2005

Back Page: Barbara Kruger

American artist, writer and winner of 51st Venice Biennale Lifetime Achievement Award, talks about music 
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#13 Spring - March 2008

Commission: Alasdair Gray

As he prepares for his Glasgow International solo exhibition at Sorcha Dallas, artist and celebrated author of Lanark, Alasdair Gray publishes for the first time his Prologue to The Tragedy of Faust
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#16 Winter - November 2008 Review

Ryoji Ikeda, Nuit Blanche 4/5 October, Tour Montparnasse

11 October 2008–12 January 2009 Le Laboratoire, Paris  
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#12 Winter - November 2007 Review

David Lamelas

6–29 September 2007, Monika Spruth Philomene Magers, London
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#3 - August 2005

Studio: Paula Rego

Hannah McGill and Luke Watson visit the London studio of painter Paula Rego and find it a ‘repository for thrilling objects’
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#20 Winter - November 2009

Remarks: Hanging Matters

Patrick Elliot, senior curator at the Scottish National Gallery of Modern Art, talks about a new re-hang to celebrate the gallery’s 50th anniversary.
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#41 - October 2017 Review

Country Grammar

Ruth Barker reviews ‘Country Grammar’ by Sue Tompkins (featuring work by Luke Fowler) at The Modern Institute Aird’s Lane, Glasgow, 30 September - 4 November
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#6 - April 2006 Review

Books: Lost in Space

By Andrew Dodds and published by Book Works Chap Series, 2006
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#29 - August 2013

MAP Screen | The Anthropology Effect

This new season of film and video selected by Karen Cunningham opens with Ravi Govender, ‘Localized’, 2013 and Adam Chodzko, ‘The Pickers’, 2009