Introduction to the cold
Camara Taylor’s writing launches their curated series looking at ‘the cold’ in its various registers and realities
End of Residency Party: reading, viewing, and sharing
Join special guests hosted by resident Reviews and Project Editors Rosie Roberts and Alison Scott, 22 October 8 - 9.30pm on zoom
How to Act
That First Sensitive Stage of Becoming Acquainted: Christian Noelle Charles talks with Adam Benmakhlouf
And the tears came
Adjoa Armah reflects on her relationship to dreaming as a dreamer with aphantasia: a condition she experiences as having a blind mind’s eye and an inability to voluntarily recall basic sensorial information
Field Notes
Naomi Gessesse chooses highlights from Glasgow Short Film Festival online, August 2020
Letters for/against Wild Invention: Part 3
The final instalment of A+E Collective’s epistolary response to The Wild Book of Invention, Sternberg Press, 2020
Letters for/against Wild Invention: Part 2
Over three instalments, A+E Collective respond in epistolary form to The Wild Book of Invention, Sternberg Press, 2020
An Ode to Fear and Fire
A film and poem by Saoirse Amira Anis detailing the intricate web that links her experiences with movement, nature and heritage. An Ode to Fear and Fire touches on the ways in which these links can act as the spark which turns ‘the fear in her belly’ into ‘a fire in her belly’.
Letters for/against Wild Invention: Part 1
Over three instalments, A+E Collective respond in epistolary form to The Wild Book of Invention, Sternberg Press, 2020
WRITINGS BETWEEN
Vulnerability and Resistance: the third and final part of a series of correspondences between Caroline Gausden and Jen Clarke on the politics of hosting and hospitality
WRITINGS BETWEEN
Bodies of Knowledge: Part two of a series of correspondences between Caroline Gausden and Jen Clarke on the politics of hosting and hospitality
A Report on the Production of Jeffrey Charles Henry Peacock
For the past four years Richard Birkett has received JCHP cards, their stark design farming assertions and declarations about art and society. Here, he describes this exclusive postal practice
Permanently Temporary
Lotte L.S. visits A Postcard from Amsterdam, an exhibition by Charlott Weise and Franziska Schulz at LOWER.GREEN, a temporary gallery space in Norwich
Christopher Orr
24 May–1 August, 2009, IBID PROJECTS/Hoxton Square, London
The Breath From Fertile Grounds
Claire Walsh on Otobong Nkanga’s solo exhibition at Temple Bar Gallery and Studios, Dublin, 8 December 2017 - 10 February 2018
Esther Ferrer
Mónica Laiseca talks to the Spanish artist who has recently performed at Glasgow International 2018
Power Structures, Pantomimes and Parodies
The installations and performances of Paris-based artist Lili Reynaud-Dewar draw from a kaleidoscopic field of identities and histories—from Rastafarianism to Super Studio, from shorthand typists to burlesque entertainers. Here, in conversation with Joanna Fiduccia, she discusses the ambiguities, both sculptural and moral, behind her very particular Follies, and what it means to be the woman behind the curtain
Remarks: Collective Recipes
Palermo-based artist Aleksandra Mir discusses her new book project.
Residency: Nick Evans
Sarah Smith talks to Nick Evans about his work at home and away
Liverpool International 08: Made Up
20 September–30 November, 2008, Various venues, Liverpool
#21 Spring - March 2010
Emerging: Adrien Missika
Aoife Rosenmeyer examines the past and present modernities at work in Missika’s images
To Those in Search of Immunity
Last in a series of responses to Edinburgh Art Festival, Gordon Douglas takes the latest of Collective’s ‘Oberservers’ Walks’ by Patrick Staff, engaging with Calton Hill’s botanical, queer and historical entanglements 27 July - 27 August
Creature
by Siân Robinson Davies. ‘Living alone for the first time, a new side of herself emerges.’
The Residency: Part 2
James N. Hutchinson’s narrative continues. ‘I stand for a moment and glance around. I can’t see a car. Where could the third child be?’
Remarks: Scotland and Venice 2011
Fiona Bradley, director of the Fruitmarket Gallery, talks about Scotland’s representation at the 54th Venice Biennale.
Emerging: Ben and Holly
We introduce two pairs of artists who attracted attention at the Edinburgh Art Festival 2006; and two individual artists who are making a visible mark on the landscape of environmental art
Selected works from a private collection: Thomas Kinkade
3 July–11 July, 2009, Freymond-Guth & Co. Fine Arts, Zurich
‘Sick Sick Sick’ : The Books of Ornery Women
A reading project examining a radical or ‘bludgeoned’ subjectivity of female writers initiated by Emma Balkind and Laura Edbrook in association with MAP. The project’s tumblr account goes live on 14 November