Legsicon
#50 - June 2019 Review

PULPO MOTORINO:

pounding the pages of Laure Prouvost’s Legsicon (Book Works 2019) with Rosie Roberts
Cian Dayrit 2261
#50 - June 2019 Review

Beyond the God’s Eye, Cian Dayrit

NOME, Berlin, 27 APR- 12 JUN, 2019. Review by William Kherbek
Be More Peony 1
#50 - May 2019 Column

Gardenlust #7 Be More Peony

Isabella Streffen continues her garden adventure in summer time
Kathy Acker San Francisco 1991  Photo Kathy Brew 3
#50 - May 2019 Review

I, I, I, I, I, I, I, Kathy Acker

Institute of Contemporary Arts, London, 1 May–4 Aug. Review by Neil Cooper
It Is Composed Of Parts Image Hannah Nussbaum
#50 - May 2019 Short Story

It is Composed of Parts

A short story by Hannah Nussbaum
Jude And Am 2
#50 - May 2019 Interview

Jude Browning talks to Anne-Marie Copestake in bed

A video conversation inspired by Copestake’s series of interviews between artists and musicians, Trigger Tonic (1999-2004).
1  Cannibal O Copy
#50 - May 2019 Visual Essay

Cannibal O

An intimate evening of feminist cannibalism hosted by Catalina Barroso-Luque around a circular dining table and premiered at Intermedia Gallery, CCA, Glasgow on 17 April 2019. Twenty eight images by Isobel Lutz-Smith tell the story.
I Am The Daughter Of Dead Fathers
#50 - May 2019 Review

Spaces, Places

Alchemy Film and Moving Image Festival, Hawick, 2-6 May, 2019. Review by Ben Nicholson
Orghast Xenakis 800X1200
#50 - May 2019 Review

‘Persepolis Now?’

A Utopian Stage at SAVVY Contemporary, Berlin. Curated by Vali Mahlouji | Archeology of the Final Decade. Review by Sumugan Sivansan
2 Flamme
#50 - May 2019 Review

New Waves: Mohamed Melehi and the Casablanca Art School

The Mosaic Rooms 12/04/19–22/06/19. Review by Kylie Gilchrist
Emilio Bianchic Impractica Ii
#50 - April 2019 Interview

Alberta Whittle and Emilio Bianchic

Curators Diego Chocano and Ellie Dobbs interview the two artists brought together in Useless, Pig Rock Bothy, Scottish National Gallery of Modern Art, 13-21 April
Pedro Neves Marques1
#50 - April 2019 Review

It Bites Back

Gabriella Beckhurst reviews the viral solo show by Pedro Neves Marques at Gasworks, London, 11 Apr-16 June 2019
Shona Mac Naughton2
#50 - April 2019 Review

We Nurture

Gordon Douglas participates in Shona MacNaughton’s new performance on Calton Hill
Ñ Map Image
#50 - April 2019 Daily instalment

A typeface narrative on the Ñ and its infected tilde

In 22 parts, one episode was added to the story every weekday throughout April 2019. This narrative by Catalina Barroso-Luque has now concluded and can be read in full.
I Fell In Love With A Tree
#50 - March 2019 Column

Gardenlust #6: Cherry Blossom Girl

A monthly column by Isabella Streffen
Crow1
#49 - March 2019

P.S.

A postscript to mark the close of Issue #49: Couldn’t we just bee?
Ekcat2
#48 - November 2018 Letters

You, my dear beloved boy, Honza Vee, 8 February, 1985

The second in a series of letters written by Ester Krumbachová, published in conjunction with the exhibition and film programme of the Czech artist’s work at CCA Glasgow, 7 Dec 2018 to 27 January 2019
63 11
#7 - September 2006 Review

East Art Map: Contemporary Art and Eastern Europe

Edited by IRWIN AFTERALL BOOKS, 2006, £24.95
15 1 1
#15 Autumn - September 2008

Remark: New Aberdeen Space

A new space for contemporary visual art in Aberdeen is scheduled to open by 2011. Lindsay Gordon, director of Peacock Visual Arts, is confident of its potential impact on culture in the north. 
60 7
#11 Autumn - September 2007 Review

Books: Let Me Show You Some Things

Sarah Tripp www.thelighthouse.co.uk £10
50 2 3
#6 - April 2006 Review

Karla Black

Mary Mary, Glasgow, 15 April–19 May 2006 
#24 - November 2010 Review

Books: Katinka Bock

Sabeth Buchmann, Natascha Sadr Haghighian, Kim West, Paraguay Press, Paris, 2010, £22, ISBN 978-2-918252-03-0
#24 - November 2010 Review

The Duvet Brothers

5–19 November, Visual Research Centre, Dundee
11
#43 - March 2018 Review

The you in us

Kylie Gilchrist reviews Lydia Ourahmane’s solo exhibition at Chisenhale Gallery, London, 26 January - 25 March
78 1
#20 Winter - November 2009 Review

Utopics

30 August–25 October 2009, Various locations, Biel/Bienne
#24 - November 2010 Review

Paul Thek

21 October–9 January, Whitney Museum, New York
Orion Tide
#41 - October 2017 Review

The Weather Makers

Calum Sutherland reviews ‘The Weather Makers’ by Kelly Richardson at Dundee Contemporary Arts, 23 September - 26 November
56 1 1
#11 Autumn - September 2007 Review

Armen Eloyan

1 June–20 July 2007, Parasol Unit, London
Picture1
#39 - August 2017 Review

May all of your dreams come true

Anna McLauchlan experiences Ross Little’s ‘The Heavy of Your Body Parts and The Cool Air of the Air Condition’, the fourth commission in Collective’s Satellites programme
41 5
#10 - June 2007

Kate Davis: Could we? I am asking

John Calcutt finds the work of Kate Davis complex, subtle, powerful and bravely questioning of gender perspectives. Born in New Zeland, and now resident in Glasgow, Davis is attracting increasing international recognition
Maia 4
#37 - December 2016

The bits of ourselves we leave behind

An essay in fragments by Sarah Neely, with extracts from the archive of Margaret Tait
#24 - November 2010 Review

Show and Tell—A Chronicle of Group Material

Edited by Julie Ault, Four Corners, 2010, £22.50, ISBN-13: 978-0956192813
87 1
#25 - July 2011 Review

Hayley Tompkins

2 April–7 May, Modern Institute, Glasgow
#24 - November 2010 Review

Marc Camille Chaimowicz

31 October–6 February, Inverleith House, Edinburgh
Butwhatare Youdoingaboutwhitesupremacy2
#44 - April 2018 Review

GI reviews and responses

Second in a series of reviews and responses to Glasgow International 2018 presentations, Samar Ziadat writes on sorryyoufeeluncomfortable’s group show at Many Studios
10 2
#17 Spring - March 2009

Remarks: Pavilion Unicredit

Eugen Radescu is co-director of Bucharest’s latest contemporary art venue, PAVILION UNICREDIT. 
247035 119776821557826 2069061217 N
#28 - May 2013

Still Life on Face

Stephanie Mann compresses self-portrait into still-life in her examination of stability
89 1
#16 Winter - November 2008 Review

Diango Hernández

6 September–25 October, 2008, Barbara Thumm, Berlin
20 Shilpa Gupta For In Your Tongue I Cannot Hide  Commissioned By Edinburgh Art Festival And Yarat Art Space Baku  Installation View Courtesy Edinburgh Art Festival  Photo Johnny Barrington
#46 - August 2018 Review

‘tomorrow maybe they will kill us’

Edinburgh Art Festival: Katy Hastie writes in response to Shilpa Gupta’s For, in your tongue I cannot hide at The Fire Station, Edinburgh College of Art, 26 July - 26 August 
57 2 1
#13 Spring - March 2008 Review

Luke Fowler & Charlie Hammond

19–24 January 2008, Buccleuch Street, Glasgow
48 10
#6 - April 2006 Review

Glasgow International 2006

Various venues, Glasgow, 19 April–1 May 2006 
6 3
#12 Winter - November 2007

Report: Arms, Art & Automobiles (Sean Ashton, War on Culture)

Sean Ashton goes to ExCel ‘Defence Systems & Equipment International 07’, and Frieze Art Fair, to confront the material and political effects of artworks and arms at point-of-sale
Ok
#43 - March 2018 Review

Give Up Art

Rebecca O’Dwyer on Maria Fusco’s ‘exciting alongsidedness’ Give Up Art (2018), collected critical writings from 2002-2017, published by New Documents
Vii
#49 - March 2019 Short Story

Plastic Whale

New fiction from Camilla Grudova
#5 - January 2006

Commission: Clara Ursitti

Clara Ursitti is an artist based Glasgow who has recently exhibited at Tramway, Glasgow and Galleri 54, Gothenburg, Sweden. She has an upcoming exhibition at CB Studios, New York. (This entry will be completed online by July 2016).
Jatalbot Rice 24Th Oct 2017 09
#42 - January 2018 Review

Spectres of the Deep

Mother Tongue review John Akomfrah’s Vertigo Sea at Talbot Rice Gallery, 21 October 2017 - 27 January 2018
11 5
#8 - November 2006

Diary: Theatre of Dreams

Matt Baker on the 24 hours when art took over Inverness
61 1 4
#10 - June 2007 Review

Books: Kara Walker: My Compliment, My Enemy, My Oppressor, My Love

Edited by Michelle Piranio www.Hatjecantze.com ISBN 978-3-7757-1932-239
56 9
#1 - February 2005 Review

Dan Flavin

National Gallery of Art, Washington DC, 3 Oct 2004-9 Jan 2005
60 2 2
#3 - August 2005 Review

Graeme Todd

Andrew Mummery Gallery, London, 2 June-4 July, 2005 
58 2 6
#7 - September 2006 Review

If Not Now

BROADWAY 1602 30 JUN–31 AUG, New York
7 2
#11 Autumn - September 2007

Report: What is ‘Public’ in Public Art?

Christophe Gallois on the Site-Specific