We Who Are About To…
MAP project, reviews and online publishing for Glasgow International 2018
We Who Are About To… MAP for GLASGOW INTERNATIONAL 2018
Dates and times of all project events, including shop opening times
We Who Are About To… Introduction
Project curator Deborah Jackson invites a reimagining of the future
the problem that has no name
Victoria Horne on Lara Feigel’s Free Woman: Life, Liberation and Doris Lessing
Prison Landscapes
An excerpt from Hatty Nestor’s forthcoming book on portraits of the incarcerated
the chapter with the bar and the boxing
An interview with writer and curator Jeanne Graff on Vzszhhzz, published by Semiotext(e)
Eyes on the Street
New writing from Martin Cathcart Froden on carceral architecture, satellite mapping, knitting in prison, shark species and the correct spelling of ‘dyslexia’
Deeper In The Pyramid
Laura O’Leary explores Melanie Jackson’s exhibition at Grand Union, Birmingham, 2 February - 21 April
Consequences of progress; remnants for the future
Jazmine Linklater on mutability in the works of Ruth Barker and Hannah Leighton-Boyce at Castlefield Gallery, Manchester, 9 March - 29 April
a new thread, wayward
Rebecca Wilcox responds to Virginia Woolf: an exhibition inspired by her writings at Tate St Ives, 10 February - 29 April
The you in us
Kylie Gilchrist reviews Lydia Ourahmane’s solo exhibition at Chisenhale Gallery, London, 26 January - 25 March
more of an avalanche
Helena Haimes on the group show at Wysing Arts Centre, Cambridge, 11 February - 8 April
Give Up Art
Rebecca O’Dwyer on Maria Fusco’s ‘exciting alongsidedness’ Give Up Art (2018), collected critical writings from 2002-2017, published by New Documents
Infinite Resistance™
Eliel Jones on the healing potential of Interlocutor by Rachal Bradley, Gasworks, London, 25 January - 18 March
a gray stone wall damming my stream
Editorial: a new season of reviews and features focusing on carcerality, limit and contained energies
In Place of Hate
Jessica Ramm considers the results of Edmund Clark’s three-year residency at HMP Grendon, the UK’s only therapeutic prison. Ikon Gallery, Birmingham, 6 December 2017 - 11 March 2018
Chaos, Territory, Art: Deleuze and the Framing of the Earth
Elizabeth Grosz, £13, ISBN: 978-0-231-14518-3, www.cup.columbia.edu
‘Sick Sick Sick’ : The Books of Ornery Women
A reading project examining a radical or ‘bludgeoned’ subjectivity of female writers
A Series of Utterly Improbable, Yet Extraordinary Renditions
Eliel Jones reviews Arthur Jafa’s exhibition at Serpentine Sackler Gallery, 8 June - 10 September
Ian Hamilton Finlay
In these extracts from his eulogy read at Greyfriars Kirk, Edinburgh, Alec Finlay remembers his father, the artist, poet, philosopher and gardener Ian Hamilton Finlay
Off the Map: Duncan McLaren
Duncan McLaren strikes north in the first of a series of journeys that will take him along the high and low roads of the world in search of art
Notes on Contemporary Art and Anthropology
Part 2: Conjuring the State. An essay by Angela McClanahan
Remarks: Eastside Projects
Gavin Wade, curator of Eastside Projects, which opened in Birmingham end 2008, talks about collaborative work with artists.
Emerging: Alan Stanners
Darren Rhymes finds the work of this young Glasgow-based painter full of surreal intentions and growing towards abstract confidence
#21 Spring - March 2010
Dispatches from Ben Rivers on location for his forthcoming sci-fi project
Filmmaker Ben Rivers discusses his latest project, which has taken him to Lanzarote, Japan, New Zealand and Tuvalu
#16 Winter - November 2008
Review
On Knowledge Production: A Critical Reader in Contemporary Art
Maria Hlavajova, Jill Winder, Binna Choi (eds.) £20 www.bak-utrecht.nl
Studio: Ogilvie and Callender
Ruth Hedges and Luke Watson visit the giant studio of Elizabeth Ogilvie and Bob Callender, artists who live by the sea
Holbein to Hockney, Drawings from the Royal Collection
The Queen’s Gallery, Edinburgh, 25 Nov 2004-6 Nov 2005
Between Earth & Heaven: The Architecture of John Lautner
20 March—26 July, The Lighthouse, Glasgow
Kommando Friedrich Hölderlin
27 January–17 March 2007, Galerie Max Hetzler, Berlin
Martin Soto Climent: CHAPTER ONE
Dominic Paterson investigates the work of Mexican artist Martin Soto Climent as he begins a year-long international project
A Feminist Chorus: ‘Hen Run’ sound work at RIBA, London
Installed as part of Mackintosh Architecture, 18 February-23 May 2015.
Monika Sosnowska
Using unexpected perspectives, this Polish artist alters spaces with her sometimes monumental sculpture. Moira Jeffrey, who has long been interested in her work, talks to here post ‘1:1’
#13 Spring - March 2008
Wilhelm Sasnal: Deluxe Punk
‘You are telling me things, but what do you actually mean by that? Whats your point? Lukasz Ronduda digs deep into the work of Polish artist Wilhelm Sasnal
Circumstantial Evidence
Kirsty Hendry responds to ‘Every contact leaves a trace’ curated by Naomi Pearce, a LUX screening at Glasgow Film Theatre, 1 October
Roni Horn
Inverleith House, Edinburgh, 21 January–26 March and Museion, Bolzano 4 February–30 April 2006
Wake up and the world is different
Anna McLauchlan drinks in The Last Hour!, a project curated by Timothea Armour, the fifth and final commission in Collective’s Satellites programme
Thomas Zipp
16 November 2007–13 January 2008, South London Gallery, London
Back Page: Dawood/Deora
FROM: DAWOOD/DEORA SUBJECT: RE: MAP BACK PAGE DATE: THU OCT 23 18:24 TO: MAP