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#59 - September 2020 Editorial

Collisions

Editorial: tying up cosmic symbolism
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#59 - October 2020 Camara Taylor X SBWN

Introduction to the cold

Camara Taylor’s writing launches their curated series looking at ‘the cold’ in its various registers and realities
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#59 - October 2020 Event

End of Residency Party: reading, viewing, and sharing

Join special guests hosted by resident Reviews and Project Editors Rosie Roberts and Alison Scott, 22 October 8 - 9.30pm on zoom
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#59 - October 2020 Through Motion

How to Act

That First Sensitive Stage of Becoming Acquainted: Christian Noelle Charles talks with Adam Benmakhlouf
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#59 - October 2020 Poetry

And the tears came

Adjoa Armah reflects on her relationship to dreaming as a dreamer with aphantasia: a condition she experiences as having a blind mind’s eye and an inability to voluntarily recall basic sensorial information
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#59 - October 2020 Review

Field Notes

Naomi Gessesse chooses highlights from Glasgow Short Film Festival online, August 2020
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#59 - October 2020 Review

Letters for/against Wild Invention: Part 3

The final instalment of A+E Collective’s epistolary response to The Wild Book of Invention, Sternberg Press, 2020
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#59 - October 2020 MAP Project

TENANCY Part 7: Make it Safe

by No Matter
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#59 - September 2020 Review

Letters for/against Wild Invention: Part 2

Over three instalments, A+E Collective respond in epistolary form to The Wild Book of Invention, Sternberg Press, 2020
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#59 - September 2020 Through Motion

An Ode to Fear and Fire

A film and poem by Saoirse Amira Anis detailing the intricate web that links her experiences with movement, nature and heritage. An Ode to Fear and Fire touches on the ways in which these links can act as the spark which turns ‘the fear in her belly’ into ‘a fire in her belly’.
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#59 - September 2020 Review

Letters for/against Wild Invention: Part 1

Over three instalments, A+E Collective respond in epistolary form to The Wild Book of Invention, Sternberg Press, 2020
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#59 - September 2020 Through Motion

Restorative Disembodiment

A photo essay by Saoirse Amira Anis
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#58 - September 2020 Letters

WRITINGS BETWEEN

Vulnerability and Resistance: the third and final part of a series of correspondences between Caroline Gausden and Jen Clarke on the politics of hosting and hospitality
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#58 - September 2020 Letters

WRITINGS BETWEEN

Bodies of Knowledge: Part two of a series of correspondences between Caroline Gausden and Jen Clarke on the politics of hosting and hospitality
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#58 - September 2020 Short Story

BIG DOG DAYS

A short story by Hannah Nussbaum
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#58 - September 2020 Letters

Writings between

Taking Time: Part one of a series of correspondences between Caroline Gausden and Jen Clarke on the politics of hosting and hospitality
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#58 - September 2020 MAP Project

TENANCY Part 6: Killing Time

by Caitlín Doherty
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#45 - July 2018 Review

Chapter Nine

The ninth instalment of Out of Office Auto-Reply by Alberta Whittle
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#16 Winter - November 2008

Remarks: 53rd Venice Biennale

Judith Winter and Graeme Domke, Dundee Contemporary Arts, discuss their selection for Scotland and Venice at the 53rd Venice Biennale. 
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#51 - August 2019 Interview series

Part 12: ‘Matter as a Hope of Finding Some Answers’ SERBIA

‘I am a European in a Brexit country, who curated a pavilion of a nation that is in the process of entering the EU but is not yet part of it.’ Response from curator Nicoletta Lambertucci continues our 15 part series.
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#12 Winter - November 2007 Review

Jock McFadyen

10 August–2 September 2007, The Grey Gallery, Edinburgh
#37 - February 2016

A conglomerate of voices rise up like hidden steam: Video

A video by Stephanie Mann
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#46 - July 2018 Review

The fact that we do

Joanna Peace writes on EVA International in Limerick in the context of the Irish Referendum
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#15 Autumn - September 2008 Review

Manifesta 7

19 July–2 November 2008, Trentino-South Tyrol, Italy
Byrne Accent
#23 Autumn - September 2010 Review

The Long Dark

17 July–19 September 2010, Kettle’s Yard, Cambridge
#3 - August 2005

Editorial

#39 - July 2017 Review

For Now / Six Propositions

Elizabeth Reeder responds to a series of performances by Siobhan Davies Dance company at Tramway
#37 - February 2016

K’s Turn

Video by Rallou Panagiotou
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#56 - May 2020 Women Painting: Scottish Art 1940-1980

she didn’t paint the sea, after Joan Eardley

by Daisy Lafarge
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#48 - November 2018 Letters

Letter to my cats, Prague, 5 July, 1985

The third in a series of letters written by Ester Krumbachová, published in conjunction with the exhibition and film programme of the Czech artist’s work at CCA Glasgow, 7 Dec 2018 to 27 January 2019
#10 - June 2007

Gustav Metzger: Revolutionary Constructions

Gustav Metzger in conversation with international curator Hans Ulrich Obrist reveals a visionary spirit active both politically and artistically across nearly seven decades. With a busy year ahead, Metzger is preparing to show at skulptur projecte munster
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#42 - January 2018 Review

Wake up and the world is different

Anna McLauchlan drinks in The Last Hour!, a project curated by Timothea Armour, the fifth and final commission in Collective’s Satellites programme
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#3 - August 2005

Green Dot

Glasgow-based artist Shauna McMullan travelled across countries to exhibit in ‘Crossovers’, part of Japan’s 2005 Aichi Expo. Mapped by a big green dot, the resulting work ‘Via’, has its first UK showing in MAP
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#5 - January 2006 Review

Kaye Donachie

Maureen Paley, London, 15 November 2005–15 January 2006
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#21 Spring - March 2010 Review

Non-solo show, Non-group show

28 November 2009–31 January 2010, Kunsthalle Zürich, Zurich
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#31 - March 2014

‘A Feminist Chorus’ by Lucy Reynolds | Recording, March 2014

Recording for A Feminist Chorus at Glasgow Kelvin College, 21 March, 2014
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#54 - December 2019

Untitled

A new text by Dolores Dorantes. Translated by Catalina Barroso-Luque
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#21 Spring - March 2010 Review

Live Film! Jack Smith! Five Flaming Days in a Rented World

28 October–1 November, various venues, Berlin
Timeliness
#25 - July 2011

Timeliness

Karen Archey questions art in the present tense
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#18 Summer - June 2009

Counterpart

TJ Carlin talks to Leigh Ledare about personal subjectivity and its reception
#5 - January 2006

Bulletin

Artists’ journeys, events and spaces compiled by Isla Leaver-Yap
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#43 - March 2018 Review

The you in us

Kylie Gilchrist reviews Lydia Ourahmane’s solo exhibition at Chisenhale Gallery, London, 26 January - 25 March
#1 - February 2005

State in the Art

Art for art’s sake or social improvement? Catriona Black investigates
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#55 - January 2020 Review

12 Hour Non-State Parade

Angeliki Roussou attended the Cooper Gallery’s marathon symposium in Dundee at the end of last year and found it ‘…surgically curated, perfectly executed, homely and inclusive’. Read more of her report here
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#16 Winter - November 2008

Commission: Ruth Ewan

A set of four postcards by Ruth Ewan have been commissioned for this issue of MAP
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#24 - November 2010

NVA

Angus Farquhar, creative director of Glasgow-based public art agency NVA, looks to secure the future of the abandoned, yet inspirational, St Peter’s Seminary
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#48 - December 2018 Short Story

The Swan

Fourth in a series of dark fairy tales by Ester Krumbachová, published in conjunction with the exhibition and film programme of the Czech artist’s work at CCA Glasgow.
#4 - December 2005 Review

Dana Schutz

Contemporary Fine Arts, Berlin 2 September-1 October, 2005 
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#14 Summer - June 2008 Review

Wilhelm Sasnal: The Other Church

11–27 April 2008, 66-68 Osborne Street, Glasgow
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#22 - June 2010

Pablo Helguera: The Unanswerable

Karen Archey interviews New York-based artist & writer Pablo Helguera Pablo Helguera, ‘The School of Panamerican Unrest’, 2003-ongoing
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#14 Summer - June 2008 Review

Always Begins By Degrees

1–29 March 2008, The Common Guild, Glasgow
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#11 Autumn - September 2007 Review

Wrong Place, Wrong Time

25 May–1 July 2007, Tent, Rotterdam