PULPO MOTORINO:
pounding the pages of Laure Prouvost’s Legsicon (Book Works 2019) with Rosie Roberts
Beyond the God’s Eye, Cian Dayrit
NOME, Berlin, 27 APR- 12 JUN, 2019. Review by William Kherbek
Gardenlust #7 Be More Peony
Isabella Streffen continues her garden adventure in summer time
I, I, I, I, I, I, I, Kathy Acker
Institute of Contemporary Arts, London, 1 May–4 Aug. Review by Neil Cooper
Jude Browning talks to Anne-Marie Copestake in bed
A video conversation inspired by Copestake’s series of interviews between artists and musicians, Trigger Tonic (1999-2004).
Cannibal O
An intimate evening of feminist cannibalism hosted by Catalina Barroso-Luque around a circular dining table and premiered at Intermedia Gallery, CCA, Glasgow on 17 April 2019. Twenty eight images by Isobel Lutz-Smith tell the story.
Spaces, Places
Alchemy Film and Moving Image Festival, Hawick, 2-6 May, 2019. Review by Ben Nicholson
‘Persepolis Now?’
A Utopian Stage at SAVVY Contemporary, Berlin. Curated by Vali Mahlouji | Archeology of the Final Decade. Review by Sumugan Sivansan
New Waves: Mohamed Melehi and the Casablanca Art School
The Mosaic Rooms 12/04/19–22/06/19. Review by Kylie Gilchrist
Alberta Whittle and Emilio Bianchic
Curators Diego Chocano and Ellie Dobbs interview the two artists brought together in Useless, Pig Rock Bothy, Scottish National Gallery of Modern Art, 13-21 April
It Bites Back
Gabriella Beckhurst reviews the viral solo show by Pedro Neves Marques at Gasworks, London, 11 Apr-16 June 2019
We Nurture
Gordon Douglas participates in Shona MacNaughton’s new performance on Calton Hill
A typeface narrative on the Ñ and its infected tilde
In 22 parts, one episode was added to the story every weekday throughout April 2019. This narrative by Catalina Barroso-Luque has now concluded and can be read in full.
You, my dear beloved boy, Honza Vee, 8 February, 1985
The second in a series of letters written by Ester Krumbachová, published in conjunction with the exhibition and film programme of the Czech artist’s work at CCA Glasgow, 7 Dec 2018 to 27 January 2019
East Art Map: Contemporary Art and Eastern Europe
Edited by IRWIN AFTERALL BOOKS, 2006, £24.95
Remark: New Aberdeen Space
A new space for contemporary visual art in Aberdeen is scheduled to open by 2011. Lindsay Gordon, director of Peacock Visual Arts, is confident of its potential impact on culture in the north.
Books: Let Me Show You Some Things
Sarah Tripp www.thelighthouse.co.uk £10
#24 - November 2010
Review
Books: Katinka Bock
Sabeth Buchmann, Natascha Sadr Haghighian, Kim West, Paraguay Press, Paris, 2010, £22, ISBN 978-2-918252-03-0
The you in us
Kylie Gilchrist reviews Lydia Ourahmane’s solo exhibition at Chisenhale Gallery, London, 26 January - 25 March
The Weather Makers
Calum Sutherland reviews ‘The Weather Makers’ by Kelly Richardson at Dundee Contemporary Arts, 23 September - 26 November
May all of your dreams come true
Anna McLauchlan experiences Ross Little’s ‘The Heavy of Your Body Parts and The Cool Air of the Air Condition’, the fourth commission in Collective’s Satellites programme
Kate Davis: Could we? I am asking
John Calcutt finds the work of Kate Davis complex, subtle, powerful and bravely questioning of gender perspectives. Born in New Zeland, and now resident in Glasgow, Davis is attracting increasing international recognition
The bits of ourselves we leave behind
An essay in fragments by Sarah Neely, with extracts from the archive of Margaret Tait
#24 - November 2010
Review
Show and Tell—A Chronicle of Group Material
Edited by Julie Ault, Four Corners, 2010, £22.50, ISBN-13: 978-0956192813
#24 - November 2010
Review
Marc Camille Chaimowicz
31 October–6 February, Inverleith House, Edinburgh
GI reviews and responses
Second in a series of reviews and responses to Glasgow International 2018 presentations, Samar Ziadat writes on sorryyoufeeluncomfortable’s group show at Many Studios
Remarks: Pavilion Unicredit
Eugen Radescu is co-director of Bucharest’s latest contemporary art venue, PAVILION UNICREDIT.
Still Life on Face
Stephanie Mann compresses self-portrait into still-life in her examination of stability
Diango Hernández
6 September–25 October, 2008, Barbara Thumm, Berlin
‘tomorrow maybe they will kill us’
Edinburgh Art Festival: Katy Hastie writes in response to Shilpa Gupta’s For, in your tongue I cannot hide at The Fire Station, Edinburgh College of Art, 26 July - 26 August
Luke Fowler & Charlie Hammond
19–24 January 2008, Buccleuch Street, Glasgow
Report: Arms, Art & Automobiles (Sean Ashton, War on Culture)
Sean Ashton goes to ExCel ‘Defence Systems & Equipment International 07’, and Frieze Art Fair, to confront the material and political effects of artworks and arms at point-of-sale
Give Up Art
Rebecca O’Dwyer on Maria Fusco’s ‘exciting alongsidedness’ Give Up Art (2018), collected critical writings from 2002-2017, published by New Documents
#5 - January 2006
Commission: Clara Ursitti
Clara Ursitti is an artist based Glasgow who has recently exhibited at Tramway, Glasgow and Galleri 54, Gothenburg, Sweden. She has an upcoming exhibition at CB Studios, New York. (This entry will be completed online by July 2016).