A Year of Carte Blanche & Other Chimeras
Singing, Fading
Project editor Daniela Cascella writes after last month’s contributions by Snejanka Mihaylova and Jen/Eleana Hofer
Performance and Comfort & Discomfort: 3rd Invitation from Good on Paper
In their last of three invitations to Good on Paper, Gordon Douglas and Cicely Farrer reflect on comfort and discomfort in the encounters with and around performance art. Readers can attend a workshop on Sunday 21 August 2022
Airing Laundry
The first of a two part exploration by Rose Higham-Stainton into domestic laundry in art-making, from feminist protestations of the late seventies to contemporary art practice
A Year of Carte Blanche & Other Chimeras
Too Likeable (To the Side of Rosemary Mayer), Part 2
by Alice Butler
A Year of Carte Blanche & Other Chimeras
Too Likeable (To the Side of Rosemary Mayer), Part 1
by Alice Butler
Surface Tension
A review of Domestic Bliss, curated by Katie Bruce, by Rhian Williams
Forever
Appendix 4 of Good on Paper’s third invitation to readers to join a workshop on Performance & Comfort & Discomfort
Every 3 years
Appendix 3 of Good on Paper’s third invitation to readers to join a workshop on Performance & Comfort & Discomfort
Not at All
Appendix 2 of Good on Paper’s third invitation to readers to join a workshop on Performance & Comfort & Discomfort
Once
Appendix 1 of Good on Paper’s third invitation to readers to join a workshop on Performance & Comfort & Discomfort
Analogies
Enxhi Mandija responds to a speculative exhibition, sometime in Aberdeen. Works by Caitlin Dick and Phoebe McBride
Genealogy as a matter of tracking shots: Amie Siegel’s Bloodlines
by Dominic Paterson
Sickness In The Sacristy
Hayley Jane Dawson reviews recent work by Megan Rudden at Saltspace Gallery, Glasgow
Tender a response
Editorial for a newly commissioned series by reviews editor-in-residence Sara O’Brien
#28 - May 2013
In the Shadow of the Hand : Object 6a
‘Woman Crawling On Hands And Knees’ Virginia Hutchison responds to Sarah Forrest in the sixth segment of their project ‘In the Shadow of the Hand’. The collaboration can be witnessed on MAP as it unfolds
Healing Thoughts
William Kherbek reviews Honey-Suckle Company: Omnibus, ICA, London, 2 October 2019 to 12 January 2020
Remarks: Kim Coleman and Jenny Hogarth
The collaborators talk about their current fellowship and upcoming projects
Cecilia Vicuña: A Retrospective
Witte de With Center for Contemporary Art, Rotterdam, 26 May-10 Nov 2019. Review by William Kherbek
Part 4: The Self-Illuminating Pen
With. The penultimate letter in this series by Sarah Tripp. ‘I don’t play a person or a wooden bee.’
Gardenlust #7 Be More Peony
Isabella Streffen continues her garden adventure in summer time
Pundit & Poet
Rebecca Geldard peels back the layers of Raphael Danke’s collages and photographs to reveal surrealist connections and socio-political concerns
Do you really just want to be part of a band?
Notes from the 14th Berwick Film & Media Arts Festival, 20-23 September 2018, by Marcus Jack
Merlin James: Yes Yes Yes
Sherman Sam finds an uneasy longing, coupled with affirmative gesture, in the work of contemporary painter Merlin James
Re: [Video Positive] Archiving Video Positively
31 August–4 November 2007, FACT, Liverpool
a gray stone wall damming my stream
Editorial: a new season of reviews and features focusing on carcerality, limit and contained energies
Once you cut off your braid, where do you reattach it?
Tereza Hrušková reviews the exhibition ’33 – ’29 – ’36 at UM Gallery, Prague, until 25 February
Sarah Anne Johnson
4 July– 23 August, 2009, Art Gallery of Ontario, Toronto
Others got wings for flying: performance
Others got wings for flying, the MAP commission 2017, in collaboration with Megan Rooney, arrived at its conclusion with the premiere of Rooney’s eponymous performance at Tramway, Glasgow
Callum Innes
30 September–19 November 2006, The Fruitmarket Gallery, Edinburgh
Portfolio: Emerging artists from RSA exhibition
Alice Bain and Isla Leaver-Yap scanned the Royal Scottish Academy exhibition of student work in March and selected four new talents to celebrate the forthcoming summer degree shows
The Symptom and The Cure
Matthew Turner reviews The Anti Ecstatic Machines by Benedict Drew at Matt’s Gallery, London, 22–30 September
Remarks: Hanging Matters
Patrick Elliot, senior curator at the Scottish National Gallery of Modern Art, talks about a new re-hang to celebrate the gallery’s 50th anniversary.
you, there, are you there? | MAP at Glasgow Film Festival 2020
Event over. A programme of short film, artist moving image and performance curated by Rosie Roberts and including work by Rhea Storr, Jessica Higgins, Alex Culshaw and Alison Scott. Wednesday, 4 March, 6pm. CCA Cinema
Diary: Theatre of Dreams
Patrick Semple reports from the terraces at this year’s Art Cup in remote Huntly, Aberdeenshire
#31 - September 2014
‘A Feminist Chorus’ voices at 5 Blythswood Square
The sound work installed during Glasgow International 2014 is now online
Support Structures
Ed Céline Condorelli, Sternberg Press, 2009, £23, ISBN 978-1-933128-45-0,