Issues / #65 body pieces
A Year of Carte Blanche & Other Chimeras
Rhythm: the Subtle Noise of Prose, that Road of Many Songs
Project editor Daniela Cascella writes after last month’s commissions by Ella Finer & James Wilkes and Dan Beachy-Quick & Kylan Rice
Man Hating Psycho by Iphgenia Baal
A review by Kirsty Dunlop
A celebration
Caitlin Merrett King reviews the exhibition I will have my cake and eat it too, Ragini Chawla at Goethe-Institut, Glasgow
The Virgin and The Flame
An imagining of Anne Serre’s The Beginners (translated by Mark Hutchinson), by Tomoé Hill
A Year of Carte Blanche & Other Chimeras
By night, tidal city
Ella Finer and James Wilkes
A Year of Carte Blanche & Other Chimeras
Upreference (from the urn-taciturn)
Project Editor Daniela Cascella responds to last month’s contribution by Jessica Sequeira
A Luminous Decay
On ‘A Moving X-Ray’, seven films by Sandra Lahire on Another Screen. By Caitlin Merrett King
Bodies Proximity and Place
A summer project comissioned by editor-in-residence Hatty Nestor
Performance & Energy: 2nd Invitation from Good on Paper
Over six months, Gordon Douglas & Cicely Farrer share a series of invitations looking into the futures of performance art making in Scotland. The second letter invites readers to attend an online workshop Sunday 29 May 2022 from 11am-1pm
Thermal
Appendix 4 of Good on Paper’s second invitation to join a workshop on Performance & Energy
Spiritual
Appendix 3 of Good on Paper’s second invitation to join a workshop on Performance & Energy
Potential
Appendix 2 of Good on Paper’s second invitation to join a workshop on Performance & Energy
Kinetic
Appendix 1 of Good on Paper’s second invitation to join a workshop on Performance & Energy
A Year of Carte Blanche & Other Chimeras
The Librarian of the World, Part 2
by Jessica Sequeira
A Year of Carte Blanche & Other Chimeras
The Librarian of the World, Part 1
by Jessica Sequeira
A Year of Carte Blanche & Other Chimeras
Critical, Criminal, Cri-de-cœur-ish
Continuing her project A Year of Carte Blanche and Other Chimeras, MAP editor Daniela Cascella responds to last month’s contribution by Sharon Kivland
Time: A Single Basic Fact
Sarah Long visits Ailbhe Ní Bhriain’s An Experiment with Time at CCA, Glasgow
A Year of Carte Blanche & Other Chimeras
Writing that Walks Across the Tops of the Trees
Continuing her project A Year of Carte Blanche, MAP editor Daniela Cascella responds to last month’s contributions by Saudamini Deo
Bite The Hand That Feeds You
Rose Higham-Stainton considers forms of domestication and care as control in the work of Yalda Afsah at Kunstverein München
Fluid Systems
Alice Hill-Woods reviews a collection of poems that ‘understand the quiet, polychromatic force of being seen’
To Entertain
Appendix 4 of Good on Paper’s first invitation to readers to join the Performance & Language workshop
To Compose
Appendix 3 of Good on Paper’s first invitation to readers to join the Performance & Language workshop
To Maintain
Appendix 2 of Good on Paper’s first invitation to readers to join the Performance & Language workshop
To Revolt
Appendix 1 of Good on Paper’s first invitation to readers to join the Performance & Language workshop