Issues / #65 body pieces

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#65 - July 2022
A Year of Carte Blanche & Other Chimeras

Unremembering

by Jen/Eleana Hofer
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#65 - July 2022
A Year of Carte Blanche & Other Chimeras

On Repentance

by Snejanka Mihaylova
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#65 - July 2022
A Year of Carte Blanche & Other Chimeras

Rhythm: the Subtle Noise of Prose, that Road of Many Songs

Project editor Daniela Cascella writes after last month’s commissions by Ella Finer & James Wilkes and Dan Beachy-Quick & Kylan Rice
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#65 - July 2022 Review

Man Hating Psycho by Iphgenia Baal

A review by Kirsty Dunlop
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#65 - July 2022 Bodies, Proximity and Place

COIL

By Wes Knowler
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#65 - June 2022 Review

A celebration

Caitlin Merrett King reviews the exhibition I will have my cake and eat it too, Ragini Chawla at Goethe-Institut, Glasgow
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#65 - June 2022 Bodies, Proximity and Place

The Last Ceremony

By Bryony White
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#65 - June 2022 Reflection

The Virgin and The Flame

An imagining of Anne Serre’s The Beginners (translated by Mark Hutchinson), by Tomoé Hill
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#65 - June 2022 Bodies, Proximity and Place

A Granular Exchange

By Theo Hynan-Ratcliffe
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#65 - June 2022
A Year of Carte Blanche & Other Chimeras

Object-Urn

Dan Beachy-Quick and Kylan Rice
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#65 - June 2022
A Year of Carte Blanche & Other Chimeras

By night, tidal city

Ella Finer and James Wilkes
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#65 - May 2022
A Year of Carte Blanche & Other Chimeras

Upreference (from the urn-taciturn)

Project Editor Daniela Cascella responds to last month’s contribution by Jessica Sequeira
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#65 - May 2022 Review

A Luminous Decay

On ‘A Moving X-Ray’, seven films by Sandra Lahire on Another Screen By Caitlin Merrett King
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#65 - May 2022 Review

Night Milk

By Bryony Bodimeade
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#65 - May 2022 Bodies, Proximity and Place

THREE BIRTHS

A poem by K. Patrick
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#65 - May 2022 Bodies, Proximity and Place

Bodies Proximity and Place

A summer project comissioned by editor-in-residence Hatty Nestor
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#65 - May 2022 Bodies, Proximity and Place

With Life So Ordinary

By Anna Walsh
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#65 - May 2022 Project Series

Performance & Energy: 2nd Invitation from Good on Paper

Over six months, Gordon Douglas & Cicely Farrer share a series of invitations looking into the futures of performance art making in Scotland. The second letter invites readers to attend an online workshop Sunday 29 May 2022 from 11am-1pm
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#65 - May 2022 Project Series

Thermal

Appendix 4 of Good on Paper’s second invitation to join a workshop on Performance & Energy
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#65 - May 2022 Project Series

Spiritual

Appendix 3 of Good on Paper’s second invitation to join a workshop on Performance & Energy
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#65 - May 2022 Project Series

Potential

Appendix 2 of Good on Paper’s second invitation to join a workshop on Performance & Energy
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#65 - May 2022 Project Series

Kinetic

Appendix 1 of Good on Paper’s second invitation to join a workshop on Performance & Energy
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#65 - April 2022
A Year of Carte Blanche & Other Chimeras

The Librarian of the World, Part 2

by Jessica Sequeira
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#65 - April 2022
A Year of Carte Blanche & Other Chimeras

The Librarian of the World, Part 1

by Jessica Sequeira
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#65 - April 2022
A Year of Carte Blanche & Other Chimeras

Critical, Criminal, Cri-de-cœur-ish

Continuing her project A Year of Carte Blanche and Other Chimeras, MAP editor Daniela Cascella responds to last month’s contribution by Sharon Kivland
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#65 - April 2022 Review

Time: A Single Basic Fact

Sarah Long visits Ailbhe Ní Bhriain’s An Experiment with Time at CCA, Glasgow
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#65 - April 2022
A Year of Carte Blanche & Other Chimeras

ENVOIS V

by Sharon Kivland
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#65 - April 2022
A Year of Carte Blanche & Other Chimeras

Unremembering

by Jen/Eleana Hofer
Daniela Editorial5
#65 - March 2022
A Year of Carte Blanche & Other Chimeras

Writing that Walks Across the Tops of the Trees

Continuing her project A Year of Carte Blanche, MAP editor Daniela Cascella responds to last month’s contributions by Saudamini Deo
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#65 - March 2022 Review

Bite The Hand That Feeds You

Rose Higham-Stainton considers​ forms of domestication and care as control in the work of Yalda Afsah at Kunstverein München
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#65 - March 2022 Review

Fluid Systems

Alice Hill-Woods reviews a collection of poems that ‘understand the quiet, polychromatic force of being seen’
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#65 - March 2022 Project Series

To Entertain

Appendix 4 of Good on Paper’s first invitation to readers to join the Performance & Language workshop
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#65 - March 2022 Project Series

To Compose

Appendix 3 of Good on Paper’s first invitation to readers to join the Performance & Language workshop
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#65 - March 2022 Project Series

To Maintain

Appendix 2 of Good on Paper’s first invitation to readers to join the Performance & Language workshop
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#65 - March 2022 Project Series

To Revolt

Appendix 1 of Good on Paper’s first invitation to readers to join the Performance & Language workshop
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#65 - March 2022 Project Series

Performance & Language: 1st invitation from Good on Paper

Over six months, Gordon Douglas and Cicely Farrer share a series of invitations that look into the futures of performance art making in Scotland. The first invites readers to attend a workshop on 27 March 2022