Issues / #60 Real Estate
Contemporary art can be whatever it wants to be
Delimiting the politics of contemporary art (in relation to a three year long project at the Cooper Gallery, Dundee) by Colm Guo-Lin Peare
We Leave Together
Matt Turner views two films by Hong Kong Documentary Filmmakers
Drilling Through Hard Boards
Andrew Key reviews Frederick Wiseman’s City Hall (2020) at Glasgow Film Festival
CAST by Jamie Donald
A response to Sharon Hayes’ ‘Fingernails on a blackboard: Bella’ which was screened at the launch of the year long GIVE BIRTH TO ME TOMORROW—Artist Moving Image Festival 2021
Cinema of resistance
Anahit Behrooz reviews Mohammad Rasoulof’s ‘There is No Evil’ at this year’s Glasgow Film Festival
Ocean time
Rhian Williams reviews Minna Dufton’s Big vs. Small at this year’s Glasgow Film Festival
TENANCY Part 12: Public Transports
a conversation between So Mayer and Sarah Turner
Mountain Water
April Yee reviews Minari and Mekong 2030, two films from this year’s Glasgow Film Festival
Blue Monday, Part 3
A duo of poems, Border Control 1 & 2, completes this MAP selection from Blue Monday by Zara Joan Miller
Blue Monday, Part 2
The second group of 3 poems from Zara Joan Miller’s Blue Monday series
Blue Monday, Part 1
The first 3 in a suite of poems by Zara Joan Miller, published by MAP across 3 days. These form part of a larger collection by Miller, written over the past 3 years. The ‘Blue Monday’ phenomenon claims that the third Monday in January is the most depressing day of the year