Issues / #44 We Who Are About To
GI reviews and responses
Last in a series of reviews and responses to Glasgow International 2018, Maria Howard writes on Nadia Myre at The Briggait, Cross-feed by Gary Zhexi Zhang & Aniara Omann and Self-Service by Kirsty Hendry & Ilona Sagar
GI reviews and responses
Sixth in a series of reviews and responses to Glasgow International 2018, Ari Nielsson writes on Torsten Lauschmann at GSA, ‘i’ The Opera at The Art School and Cabinet Interventions at Pollok House
The Tear in the Work Shop, and Post-Office Performance, and the Peel Eezy Review
By The Critic: proudly ghost-written by Andy Grace Hayes. Commissioned by Peel Eezy. All persons fictitious
GI reviews and responses
Fifth in a series of reviews and responses to Glasgow International 2018 presentations, Calum Sutherland reviews Ross Birrell at CCA, Mark Leckey at Tramway and Michael White at Oxford House
Xenofeminist Ecologies
(Re)producing Futures Without Reproductive Futurity by Helen Hester (Laboria Cuboniks) philosopher
GI reviews and responses
Fourth in a series of reviews and responses to Glasgow International 2018 presentations, Gordon Douglas responds to iQhiya at Transmission and XSexcentenary at Glasgow Necropolis PLUS an intimate question for Hannah and Jenny are here 4 u
GI reviews and responses
Third in a series of reviews and responses to Glasgow International 2018 presentations, Neil Cooper reviews Katinka Bock at the Common Guild, Corin Sworn at Koppe Astner and Scott Caruth at House for an Art Lover
GI reviews and responses
Second in a series of reviews and responses to Glasgow International 2018 presentations, Samar Ziadat writes on sorryyoufeeluncomfortable’s group show at Many Studios
Esther Ferrer
Mónica Laiseca talks to the Spanish artist who has recently performed at Glasgow International 2018
“More generous and more suspicious”
Anna Bunting Branch examines Feminist SF as a worldbuilding practice
GI reviews and responses
First in a series of reviews and responses to Glasgow International 2018 presentations, Ruth Barker writes on Linder at Glasgow Women’s Library, Celluar World group show at GoMA, and Michelle Hannah’s Keener at The Savings Bank