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/ #42 Fissile States
#42 - January 2018
Review
Fissile States
Editorial: Daisy Lafarge introduces this issue
#42 - February 2018
MAP Event
The Body in Motion // In Motion, Glasgow Film Festival 2018
Glasgow Film Theatre, 10 June (rescheduled from 1 March), 7.45pm. Screening includes work by Maya Deren, Anna Hoetjes, Aideen Doran and Margaret Tait
#42 - February 2018
Review
On Margate Sands
Philomena Epps explores
Journeys with ‘The Waste Land’
at Turner Contemporary, Margate, 3 February - 7 May 2018
#42 - February 2018
Review
A world through Colorado Pink
William Kherbek reviews Ian Giles’ exhibition
After BUTT
at Chelsea Space, London, 24 January - 2 March
#42 - February 2018
Review
Physical or Otherwise
Gwendolen Dupré on the alchemy of
Suggestions and Encounters: Physical or Otherwise
by Leontios Toumpouris at The Telfer Gallery, Glasgow, 9 February - 4 March
#42 - February 2018
Review
The Breath From Fertile Grounds
Claire Walsh on Otobong Nkanga’s solo exhibition at Temple Bar Gallery and Studios, Dublin, 8 December 2017 - 10 February 2018
#42 - February 2018
Review
The Conversation
Kathryn Lloyd on Holly Davey’s archival restagings at g39, Cardiff, 11 November 2017 - 3 February 2018
#42 - February 2018
Review
Civil Rites
Fiona Anderson on Andrea Luka Zimmerman’s film at Tyneside cinema, Newcastle, part of
Freedom City
festival, 8 December 2017 - 22 January 2018
#42 - January 2018
Review
Making Our Way
Anna McLauchlan navigates
Shelter Stone: The Artist and the Mountain
, a year-long public art project in the form of a newspaper
#42 - January 2018
Review
‘A Murderous Fury’
Felix Bazalgette on the politics and protest behind
Art and Space
at the Guggenheim Bilbao, 5 December 2017 - 18 April 2018
#42 - January 2018
Review
Fatal Softness
Henry Broome reviews an exhibition by Pauline Batista and Madeleine Stack at The Koppel Project, London, 17 November 2017 – 6 January 2018
#42 - January 2018
Review
You Know, Things Like That
Catherine Spencer reviews Helen de Main’s collaborative exhibition at Platform, Glasgow, 26 November 2017 - 11 February 2018
#42 - January 2018
Essay
The Engagement Party
Aniela Piasecka and Paloma Proudfoot share a text from their recent performance at Edinburgh Sculpture Workshop
#42 - January 2018
Review
Wake up and the world is different
Anna McLauchlan drinks in
The Last Hour!
, a project curated by Timothea Armour, the fifth and final commission in Collective’s Satellites programme
#42 - January 2018
Review
Spectres of the Deep
Mother Tongue review John Akomfrah’s
Vertigo Sea
at Talbot Rice Gallery, 21 October 2017 - 27 January 2018
#42 - January 2018
Review
Wanderlust
Dominik Czechowski reviews
Wanderlust: Actions, Traces, Journeys 1967-2017
at UB Art Galleries, New York, 7 September - 31 December 2017, touring to the Des Moines Art Center, Iowa, 17 February - 13 May 2018
#42 - January 2018
Review
Choreography Concept for Untrained Amateurs
Gordon Douglas responds to a work by performance group, contact Gonzo, at BUoY, Tokyo, 28 - 29 October 2017
#42 - December 2017
Review
AVAILABLE FONTS
Phoebe Blatton reviews Lucy Skaer at KW, Berlin, 13 October 2017 - 7 January 2018
#42 - December 2017
MAP Event
Others got wings for flying: performance
Others got wings for flying,
the
MAP commission 2017, in collaboration with Megan Rooney, arrived at its conclusion with the premiere of Rooney’s eponymous performance at Tramway, Glasgow
#42 - December 2017
MAP Event
Posters take off in Glasgow
A set of 10 posters by Megan Rooney populated the city of Glasgow before and during her solo exhibition and performance at Tramway. Part of the MAP commission 2017.
#42 - December 2017
Review
so you see me
Lucy Weir reviews
Ulay: so you see me
, a solo exhibition at Cooper Gallery, Dundee, 27 October - 16 December
#42 - December 2017
Review
Cities of Joy
Anna Tudos reviews OFF Biennale, Budapest, 29 September – 5 November, 2017
#42 - December 2017
Review
Lilt, Twang, Tremor
Ruth Barker reviews Sarah Rose, Susannah Stark and Hanna Tuulikki at CCA, 18 November 2017 - 14 January 2018
#42 - December 2017
Review
You Are Not Alone
Calum Sutherland reviews
NOW
featuring Susan Philipsz, Michael Armitage, Yto Barrada, Kate Davis, Hiwa K and Sarah Rose, Scottish National Gallery of Modern Art, 28 October 2017 - 18 February 2018