Issues / #58 SHIFTING HOSTS, ORBITAL MOONS

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#58 - June 2020 Editorial

SHIFTING HOSTS, ORBITAL MOONS

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#58 - August 2020 Review

Shimmering Surface, Radical Depth

Rosalind Blake’s writing introduces a set of three responses to ‘Strangers’—a new book of essays by Rebecca Tamás, published by Makina Books, 2020
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#58 - August 2020 MAP Project

Part 5: The Self-Illuminating Pen

Sarah Tripp concludes her letter series with: Dear Alice. ‘This is a story about what I let go of and what I took hold of.’
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#58 - August 2020 Essay

Demystification Through Participation

Theo Carnegy-Tan considers Ruth Beale’s call to engage, belong, and re-common the commons
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#58 - August 2020 Review

Curatorial Bondage

A lack of faith in the solo show leaves The Making of Husbands: Christina Ramberg In Dialogue bound and tied, writes Jamie Limond
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#58 - August 2020 MAP Project

Part 4: The Self-Illuminating Pen

With. The penultimate letter in this series by Sarah Tripp. ‘I don’t play a person or a wooden bee.’
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#58 - August 2020 MAP Project

TENANCY: on recipes, part i

a project in two parts from Rebecca May Johnson
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#58 - August 2020 MAP Project

TENANCY: on recipes, part ii

orchestrated by Rebecca May Johnson, Edwina Attlee, Jen Calleja, Huw Lemmey, Nina Mingya Powles and Rebecca Tamás make Reiz Kugel
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#58 - July 2020 Poetry

YOU KNOW IT BUT IT DON’T KNOW YOU

After TAKO TAAL: a 5 poem series by Alycia Pirmohamed
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#58 - July 2020 Review

‘Some things–by which I mean everything’

Timothea Armour takes a look at Heather Phillipson’s first monograph, published by Prestel, July 2020
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#58 - July 2020 MAP Project

Part 3: The Self-Illuminating Pen

Sarah Tripp’s letter series continues with The Glue Ear. ‘For a long time my ears were nobody’s concern.’
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#58 - July 2020 Through Motion

Revisiting ‘Dancing With Myself’

Ahead of presenting new work by Debi Banerjee as part of the current programming strand ‘Through Motion’, we take a moment to look back at Debi’s project ‘Dancing With Myself’ in the MAP archive
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#58 - July 2020 MAP Project

Part 2: The Self-Illuminating Pen

The-Here-And-Now-Word. ‘What turns out to be astonishing is the way this pen illuminates one word at a time.’ Sarah Tripp continues to write deep into the dark.
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#58 - July 2020 Women Painting: Scottish Art 1940-1980

A PLACE FOR 4 WOMEN, #4 COLD MOON

The final part of a four part poetic response by Valerie Norris to ‘The Bitter Cup’ by Joanne Tatham and Tom O’Sullivan
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#58 - July 2020 Conversation

BELLA

Hannah James responds to a year in conversation with artist Rosie O’Grady
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#58 - July 2020 MAP Project

Part 1: The Self-Illuminating Pen by Sarah Tripp

Part 1 of a 5 part series. Sarah Tripp shines light on words past midnight in her ‘letters to the editor’ alongside video representations in collaboration with Isobel Lutz-Smith. Free pamphlet available
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#58 - July 2020 Review

farewell, Art: Imagining a Hospitable Planetary Future

Angeliki Roussou reflects on ‘farewell, Art’, a project by Bureau d’études commissioned by Rhubaba, Edinburgh
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#58 - July 2020 Women Painting: Scottish Art 1940-1980

A PLACE FOR 4 WOMEN, #3 HARVEST MOON

The third in a four part poetic response by Valerie Norris to ‘The Bitter Cup’ by Joanne Tatham and Tom O’Sullivan
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#58 - July 2020 Through Motion

Compositional Insurgencies

Sarah Messerschmidt shares thoughts on Shade Théret’s choreographic practice
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#58 - July 2020 Women Painting: Scottish Art 1940-1980

A PLACE FOR 4 WOMEN, #2 STRAWBERRY MOON

The second in a four part poetic response by Valerie Norris to ‘The Bitter Cup’ by Joanne Tatham and Tom O’Sullivan
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#58 - June 2020 MAP Project

TENANCY: Asylum Archive

a conversation between Vukašin Nedeljković and Lily Ní Dhomhnaill
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#58 - June 2020 Through Motion

Solastalgic Soliloquy

MAP screens a new film by Ayla Dmyterko, with an accompanying text by Ranjana Thapalyal