Issues / #58 SHIFTING HOSTS, ORBITAL MOONS

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#58 - June 2020 Editorial

SHIFTING HOSTS, ORBITAL MOONS

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#58 - September 2020 Letters

WRITINGS BETWEEN

Vulnerability and Resistance: the third and final part of a series of correspondences between Caroline Gausden and Jen Clarke on the politics of hosting and hospitality
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#58 - September 2020 Letters

WRITINGS BETWEEN

Bodies of Knowledge: Part two of a series of correspondences between Caroline Gausden and Jen Clarke on the politics of hosting and hospitality
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#58 - September 2020 Short Story

BIG DOG DAYS

A short story by Hannah Nussbaum
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#58 - September 2020 Letters

Writings between

Taking Time: Part one of a series of correspondences between Caroline Gausden and Jen Clarke on the politics of hosting and hospitality
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#58 - September 2020 MAP Project

TENANCY Part 6: Killing Time

by Caitlín Doherty
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#58 - September 2020 MAP Project

TENANCY Part 6: Vessels

by Emilia Weber
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#58 - August 2020 Review

Minerva in Seven Pieces

Nina Hanz reads Johanna Hedva’s new book, Minerva the Miscarriage of the Brain, releasing 2 September, 2020 with Sming Sming and Wolfman Books.
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#58 - August 2020 Review

Chunky, alive things

Anna Danielewicz concludes a series of three artist responses to ‘Strangers’—a new book of essays by Rebecca Tamás, Makina Press, 2020
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#58 - August 2020 Essay

Poetry at Large: The poetic and archival practice of Paula Claire

Greg Thomas reviews the artist’s publications ‘Paula Claire, fromWORDtoART: Browsing the Paula Claire Archive; International PoetArtists’ and ‘WordsWorkWonders’
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#58 - August 2020 Review

THE OCEAN WILL ALWAYS REMEMBER

Natasha Thembiso Ruwona’s critical poetics respond to (Extra)Terrestrial Currents, an online programme of artist moving image, sound and text, presented by Obsidian Coast
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#58 - August 2020 Review

On Permeability and Companionship

Stephanie Mann writes in the second of a series of three artist responses to ‘Strangers’—a new book of essays by Rebecca Tamás, Makina Press, 2020
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#58 - August 2020 Essay

The desktop: a place where writing happens

Rebecca Gill scrolls through the desktop’s pleasantly tenuous invasive implications and the intimacy of the gaze
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#58 - August 2020 Through Motion

TOP LODGE

A new film by Debi Banerjee, accompanied by a response from her collaborator Morwenna Kearsley. ‘Top Lodge’ invites viewers to join an exuberant game of free movement and doubling, of time, creation, preservation and destruction.
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#58 - August 2020 Review

Shimmering Surface, Radical Depth

Rosalind Blake’s writing introduces a set of three responses to ‘Strangers’—a new book of essays by Rebecca Tamás, published by Makina Books, 2020
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#58 - August 2020 MAP Project

Part 5: The Self-Illuminating Pen

Sarah Tripp concludes her letter series with: Dear Alice. ‘This is a story about what I let go of and what I took hold of.’
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#58 - August 2020 Essay

Demystification Through Participation

Theo Carnegy-Tan considers Ruth Beale’s call to engage, belong, and re-common the commons
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#58 - August 2020 Review

Curatorial Bondage

A lack of faith in the solo show leaves The Making of Husbands: Christina Ramberg In Dialogue bound and tied, writes Jamie Limond
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#58 - August 2020 MAP Project

Part 4: The Self-Illuminating Pen

With. The penultimate letter in this series by Sarah Tripp. ‘I don’t play a person or a wooden bee.’
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#58 - August 2020 MAP Project

TENANCY Part 5: on recipes i

a project in two parts from Rebecca May Johnson
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#58 - August 2020 MAP Project

TENANCY Part 5: on recipes ii

orchestrated by Rebecca May Johnson, Edwina Attlee, Jen Calleja, Huw Lemmey, Nina Mingya Powles and Rebecca Tamás make Reiz Kugel
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#58 - July 2020 Poetry

YOU KNOW IT BUT IT DON’T KNOW YOU

After TAKO TAAL: a 5 poem series by Alycia Pirmohamed
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#58 - July 2020 Review

‘Some things–by which I mean everything’

Timothea Armour takes a look at Heather Phillipson’s first monograph, published by Prestel, July 2020
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#58 - July 2020 MAP Project

Part 3: The Self-Illuminating Pen

Sarah Tripp’s letter series continues with The Glue Ear. ‘For a long time my ears were nobody’s concern.’
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#58 - July 2020 Through Motion

Revisiting ‘Dancing With Myself’

Ahead of presenting new work by Debi Banerjee as part of the current programming strand ‘Through Motion’, we take a moment to look back at Debi’s project ‘Dancing With Myself’ in the MAP archive
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#58 - July 2020 MAP Project

Part 2: The Self-Illuminating Pen

The-Here-and-Now-Word. ‘What turns out to be astonishing is the way this pen illuminates one word at a time.’ Sarah Tripp continues to write deep into the dark.
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#58 - July 2020 Women Painting: Scottish Art 1940-1980

A PLACE FOR 4 WOMEN, #4 COLD MOON

The final part of a four part poetic response by Valerie Norris to ‘The Bitter Cup’ by Joanne Tatham and Tom O’Sullivan
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#58 - July 2020 Conversation

BELLA

Hannah James responds to a year in conversation with artist Rosie O’Grady
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#58 - July 2020 MAP Project

Part 1: The Self-Illuminating Pen by Sarah Tripp

Guitar and Balloon is the first in a 5 part series. Sarah Tripp shines light on words past midnight in her ‘letters to the editor’ alongside video representations in collaboration with Isobel Lutz-Smith. Free pamphlet available
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#58 - July 2020 Review

farewell, Art: Imagining a Hospitable Planetary Future

Angeliki Roussou reflects on ‘farewell, Art’, a project by Bureau d’études commissioned by Rhubaba, Edinburgh
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#58 - July 2020 Women Painting: Scottish Art 1940-1980

A PLACE FOR 4 WOMEN, #3 HARVEST MOON

The third in a four part poetic response by Valerie Norris to ‘The Bitter Cup’ by Joanne Tatham and Tom O’Sullivan
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#58 - July 2020 Through Motion

Compositional Insurgencies

Sarah Messerschmidt shares thoughts on Shade Théret’s choreographic practice
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#58 - July 2020 Women Painting: Scottish Art 1940-1980

A PLACE FOR 4 WOMEN, #2 STRAWBERRY MOON

The second in a four part poetic response by Valerie Norris to ‘The Bitter Cup’ by Joanne Tatham and Tom O’Sullivan
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#58 - June 2020 MAP Project

TENANCY Part 4: Asylum Archive

a conversation between Vukašin Nedeljković and Lily Ní Dhomhnaill
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#58 - June 2020 Through Motion

Solastalgic Soliloquy

MAP screens a new film by Ayla Dmyterko, with an accompanying text by Ranjana Thapalyal