Issues / #59 COLLISIONS

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#59 - October 2020 Camara Taylor X SBWN

Introduction to the cold

Camara Taylor’s writing launches their curated series looking at ‘the cold’ in its various registers and realities
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#59 - October 2020 Event

End of Residency Party: reading, viewing, and sharing

Join special guests hosted by resident Reviews and Project Editors Rosie Roberts and Alison Scott, 22 October 8 - 9.30pm on zoom
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#59 - October 2020 Through Motion

How to Act

That First Sensitive Stage of Becoming Acquainted: Christian Noelle Charles talks with Adam Benmakhlouf
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#59 - October 2020 Poetry

And the tears came

Adjoa Armah reflects on her relationship to dreaming as a dreamer with aphantasia: a condition she experiences as having a blind mind’s eye and an inability to voluntarily recall basic sensorial information
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#59 - October 2020 Review

Field Notes

Naomi Gessesse chooses highlights from Glasgow Short Film Festival online, August 2020
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#59 - October 2020 Review

Letters for/against Wild Invention: Part 3

The final instalment of A+E Collective’s epistolary response to The Wild Book of Invention, Sternberg Press, 2020
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#59 - October 2020 MAP Project

TENANCY Part 7: Make it Safe

by No Matter
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#59 - September 2020 Review

Letters for/against Wild Invention: Part 2

Over three instalments, A+E Collective respond in epistolary form to The Wild Book of Invention, Sternberg Press, 2020
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#59 - September 2020 Through Motion

An Ode to Fear and Fire

A film and poem by Saoirse Amira Anis detailing the intricate web that links her experiences with movement, nature and heritage. An Ode to Fear and Fire touches on the ways in which these links can act as the spark which turns ‘the fear in her belly’ into ‘a fire in her belly’.
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#59 - September 2020 Review

Letters for/against Wild Invention: Part 1

Over three instalments, A+E Collective respond in epistolary form to The Wild Book of Invention, Sternberg Press, 2020
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#59 - September 2020 Editorial

Collisions

Editorial: tying up cosmic symbolism
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#59 - September 2020 Through Motion

Restorative Disembodiment

A photo essay by Saoirse Amira Anis