Issues / #37 Footnoting the Archive

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#37 - December 2016

It is this it is this, it is this

A Portrait of Margaret Tait. Transcript of ‘It is this it is this, it is this’, a performative video-essay by Laura Edbrook & Sarah Forrest
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#37 - December 2016

The bits of ourselves we leave behind

An essay in fragments by Sarah Neely, with extracts from the archive of Margaret Tait
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#37 - December 2016

Unknown Outcomes

Debi Banerjee and Kirsty Hendry introduce ‘Unknown Outcomes’ - a website assembling the material collected and produced throughout their collaboration with Ted Odling’s archival material. Developed by designer Neil McGuire, ‘Unknown Outcomes’ is a meditation on the role of systems in structuring and legitimising information and knowledge.
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#37 - November 2016

Quiet Heat: an Introduction

Dave Young introduces ‘Quiet Heat: Archive Machines and War Fever’. Commissioned as part of ‘Footnoting the Archive’, and produced using research conducted during a remote residency at the Artist Run Data Center, run by Servus in Linz, Austria, in late 2015. The extended text is hosted by the Artist Run Data Centre and accessible at quietheat.dvyng.com
#37 - November 2016

Ellipsis

a footnote by Suzanne van der Lingen
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#37 - November 2016

DROSTE

A new film by Mairi Lafferty made on residency at no.w.here, London was made available as part of ‘Footnoting the Archive’. 
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#37 - November 2016

Tomorrow is a Season: Search-Play-See

The third instalment of a series of ‘magical correspondences’ with MAP’s archive by Holly Pester
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#37 - November 2016

Making People Up

Interview with Sarah Tripp about her AMIF 2016 programme, ‘Making People Up’, taking place on 5 November 2016 at Tramway 1, Glasgow. 
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#37 - October 2016

Choral

The second instalment of a series of ‘magical correspondences’ with MAP’s archive by Holly Pester
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#37 - October 2016

The confessional reading group

The first instalment of a series of ‘magical correspondences’ with MAP’s archive by Holly Pester
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#37 - October 2016

Geomancing Digital Material / Reading the MAP Archive Oracularly

Holly Pester introduces a series of ‘magical correspondences’ with MAP’s archive of past issues and content. Each instalment will be a projection that stories imagined potential from the archive data
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#37 - October 2016

…where the art is: the interwoven spaces of Radiophrenia…

Anna McLauchlan channels ‘Radiophrenia’, a fortnight of live broadcast sound and transmission arts
#37 - September 2016

TIME IS NOT A LINE

A footnote by Suzanne van der Lingen
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#37 - August 2016

Rondello

Jasper Coppes contemplates Alexander Grant’s rondello in this extract from the publication ‘rondello’ produced by Dorian Jose Braun as part of Platform: 2016 at Edinburgh Art Festival. ‘Rondello’ is available from the Edinburgh Art Festival Kiosk until 28 August, and the Project Café in Glasgow
#37 - July 2016

a childish tune plays a keyboard anthem

A footnote by Aniela Piasecka to ‘Made to be Broken’, a collaboration with Paloma Proudfoot presented as part of Platform: 2016 at Edinburgh Art Festival
#37 - July 2016

Endnotes: On Social Reproduction

Endnotes to Victoria Horne’s essay ‘The Weight of History’ published as part of ‘Footnoting the Archive: Endnotes’
#37 - July 2016

Notes on The Miraculous at Edinburgh Sculpture Workshop [1]

Peter Amoore expands on ‘The Miraculous’ at Edinburgh Sculpture Workshop. Essay published as part of ‘Footnoting the Archive: Endnotes’. Includes comments by Raphael Rubinstein.
#37 - July 2016

Digital Marginalia

An essay by Annet Dekker exploring digital archival projects. Published as part of ‘Footnoting the Archive: Endnotes’
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#37 - July 2016

The Weight of History

Victoria Horne considers ‘Weight’, a video work by Kate Davis. Essay published as part of ‘Footnoting the Archive: Endnotes’
#37 - July 2016

Possiplex*

Aideen Doran reflects upon Ted Nelson’s Project Xanadu, a lost information future. Published as part of ‘Footnoting the Archive: Endnotes’
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#37 - July 2016

Endnotes

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#37 - July 2016

Speaking Nearby

Daisy Lafarge delves into MAP’s digital archive to question links between geological and creative production
#37 - June 2016

Living with the Promises of Appearances

Performance and Broadcast by Sarah Rose and Rebecca Wilcox | 9.45 - 10.45pm, 21 June 2016
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#37 - June 2016

It is this it is this, it is this: Documentation

Documentation of event at Glasgow Sculpture Studios, 11 June 2016
#37 - June 2016

‘Difficult Mothers’ | new solo exhibition by Sarah Rose

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#37 - May 2016

Footnoting the Archive at Glasgow Sculpture Studios

MAP presents an event as part of Footnoting the Archive | 2-4pm, 11 June 2016
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#37 - May 2016

GMA A40/2/20/23 A Ford advert. Fainted notes written on it. Illegible. (c1970s)

Neil Ogg responds to the idea of ‘footnoting the archive’ in relation to his recent role as Archivist at the Scottish National Gallery of Modern Art
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#37 - May 2016

Challenge to Fascism: Glasgow’s May Day (1938)

Jenny Brownrigg and Shona Main write about Helen Biggar’s final film
#37 - April 2016

Vulpecula

A footnote by Suzanne van der Lingen
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#37 - April 2016

Voicing the Archive

An installation of readings from MAP’s archive at Edinburgh Sculpture Workshop and Centre for Contemporary Arts, Glasgow
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#37 - April 2016

Voicing the Archive: Recording Session

Documentation of a recording session for the Voicing the Archive installation
#37 - February 2016

In Parting Glass

#37 - February 2016

K’s Turn

Video by Rallou Panagiotou
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#37 - February 2016

Say-so

Lyndsay Mann
#37 - February 2016

A conglomerate of voices rise up like hidden steam: Video

A video by Stephanie Mann
#37 - February 2016

A conglomerate of voices rise up like hidden steam.

Stephanie Mann presents a footnote to Glasgow Sculpture Studios’ exhibition, ‘The transparent tortoiseshell and the un-ripe umbrella’ (23 January – 05 March 2016).
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#37 - January 2016

AFTERWORD

Louise Briggs, curator of ‘The transparent tortoiseshell and the un-ripe umbrella’, provides an intimate insight into the thought process behind the show which takes place at Glasgow Sculpture Studios 23 January - 5 March 2016 and includes work by Eva Berendes, Stephanie Mann, Rallou Panagiotou, Vanessa Safavi and Samara Scott
#37 - January 2016

In Conversation: Alice Bain, Laura Edbrook, Julia Wylie

Discussing MAP’s history, its identity as a publishing platform and digitised archive.
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#37 - January 2016

PREFACE

Suzanne van der Lingen & Claire Walsh introduce their 2016 MAP editorial project
#37 - January 2016

edits-while-u-wait: Video Documentation

Video documentation of the second session of edits-while-u-wait, April 2015, ESW
#37 - January 2016

edits-while-u-wait

57 texts from ‘edits-while-u-wait’: the free editing service for artists’ writings aimed at exploring the role of the editor in contemporary art. Introduction by Claire Walsh
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#37 - January 2016

‘The transparent tortoiseshell and the un-ripe umbrella’: FOOTNOTES

The beginning of a series of footnotes to Glasgow Sculpture Studios’ new exhibition. Text by Louise Briggs