Issues / #37 Footnoting the Archive
PREFACE
Suzanne van der Lingen & Claire Walsh introduce their 2016 MAP editorial project
#37 - January 2016
In Conversation: Alice Bain, Laura Edbrook, Julia Wylie
Discussing MAP’s history, its identity as a publishing platform and digitised archive.
It is this it is this, it is this
A Portrait of Margaret Tait. Transcript of ‘It is this it is this, it is this’, a performative video-essay by Laura Edbrook & Sarah Forrest
The bits of ourselves we leave behind
An essay in fragments by Sarah Neely, with extracts from the archive of Margaret Tait
Unknown Outcomes
Debi Banerjee and Kirsty Hendry introduce ‘Unknown Outcomes’ - a website assembling the material collected and produced throughout their collaboration with Ted Odling’s archival material. Developed by designer Neil McGuire, ‘Unknown Outcomes’ is a meditation on the role of systems in structuring and legitimising information and knowledge.
Quiet Heat: an Introduction
Dave Young introduces ‘Quiet Heat: Archive Machines and War Fever’. Commissioned as part of ‘Footnoting the Archive’, and produced using research conducted during a remote residency at the Artist Run Data Center, run by Servus in Linz, Austria, in late 2015. The extended text is hosted by the Artist Run Data Centre and accessible at quietheat.dvyng.com
DROSTE
A new film by Mairi Lafferty made on residency at no.w.here, London was made available as part of ‘Footnoting the Archive’.
Tomorrow is a Season: Search-Play-See
The third instalment of a series of ‘magical correspondences’ with MAP’s archive by Holly Pester
Making People Up
Interview with Sarah Tripp about her AMIF 2016 programme, ‘Making People Up’, taking place on 5 November 2016 at Tramway 1, Glasgow.
Choral
The second instalment of a series of ‘magical correspondences’ with MAP’s archive by Holly Pester
The confessional reading group
The first instalment of a series of ‘magical correspondences’ with MAP’s archive by Holly Pester
Geomancing Digital Material / Reading the MAP Archive Oracularly
Holly Pester introduces a series of ‘magical correspondences’ with MAP’s archive of past issues and content. Each instalment will be a projection that stories imagined potential from the archive data
…where the art is: the interwoven spaces of Radiophrenia…
Anna McLauchlan channels ‘Radiophrenia’, a fortnight of live broadcast sound and transmission arts
Rondello
Jasper Coppes contemplates Alexander Grant’s rondello in this extract from the publication ‘rondello’ produced by Dorian Jose Braun as part of Platform: 2016 at Edinburgh Art Festival. ‘Rondello’ is available from the Edinburgh Art Festival Kiosk until 28 August, and the Project Café in Glasgow
#37 - July 2016
a childish tune plays a keyboard anthem
A footnote by Aniela Piasecka to ‘Made to be Broken’, a collaboration with Paloma Proudfoot presented as part of Platform: 2016 at Edinburgh Art Festival
#37 - July 2016
Endnotes: On Social Reproduction
Endnotes to Victoria Horne’s essay ‘The Weight of History’ published as part of ‘Footnoting the Archive: Endnotes’
#37 - July 2016
Notes on The Miraculous at Edinburgh Sculpture Workshop [1]
Peter Amoore expands on ‘The Miraculous’ at Edinburgh Sculpture Workshop. Essay published as part of ‘Footnoting the Archive: Endnotes’. Includes comments by Raphael Rubinstein.
#37 - July 2016
Digital Marginalia
An essay by Annet Dekker exploring digital archival projects. Published as part of ‘Footnoting the Archive: Endnotes’
The Weight of History
Victoria Horne considers ‘Weight’, a video work by Kate Davis. Essay published as part of ‘Footnoting the Archive: Endnotes’
#37 - July 2016
Possiplex*
Aideen Doran reflects upon Ted Nelson’s Project Xanadu, a lost information future. Published as part of ‘Footnoting the Archive: Endnotes’
Speaking Nearby
Daisy Lafarge delves into MAP’s digital archive to question links between geological and creative production
#37 - June 2016
Living with the Promises of Appearances
Performance and Broadcast by Sarah Rose and Rebecca Wilcox | 9.45 - 10.45pm, 21 June 2016
It is this it is this, it is this: Documentation
Documentation of event at Glasgow Sculpture Studios, 11 June 2016
Footnoting the Archive at Glasgow Sculpture Studios
MAP presents an event as part of Footnoting the Archive | 2-4pm, 11 June 2016
GMA A40/2/20/23 A Ford advert. Fainted notes written on it. Illegible. (c1970s)
Neil Ogg responds to the idea of ‘footnoting the archive’ in relation to his recent role as Archivist at the Scottish National Gallery of Modern Art
Challenge to Fascism: Glasgow’s May Day (1938)
Jenny Brownrigg and Shona Main write about Helen Biggar’s final film
Vulpecula
A footnote by Suzanne van der Lingen, re-published in March 2019 as part of Issue #49, Couldn’t we just bee?
Voicing the Archive
An installation of readings from MAP’s archive at Edinburgh Sculpture Workshop and Centre for Contemporary Arts, Glasgow
Voicing the Archive: Recording Session
Documentation of a recording session for the Voicing the Archive installation
#37 - February 2016
A conglomerate of voices rise up like hidden steam: Video
A video by Stephanie Mann
#37 - February 2016
A conglomerate of voices rise up like hidden steam.
Stephanie Mann presents a footnote to Glasgow Sculpture Studios’ exhibition, ‘The transparent tortoiseshell and the un-ripe umbrella’ (23 January – 05 March 2016).
AFTERWORD
Louise Briggs, curator of ‘The transparent tortoiseshell and the un-ripe umbrella’, provides an intimate insight into the thought process behind the show which takes place at Glasgow Sculpture Studios 23 January - 5 March 2016 and includes work by Eva Berendes, Stephanie Mann, Rallou Panagiotou, Vanessa Safavi and Samara Scott
#37 - January 2016