Brasilia pic
#70 - December 2023 Poetry

‘…saudades is an overrated word, simple to translate’

Two poems by filmmaker and writer Ali Sargent
Garden refuse sacks
#70 - December 2023 Review

re-routing, rooting, writing

Lucy Rose Cunningham examines the idea of change through recent works exploring gardens
Liz Ligon study now steady live
#70 - December 2023 Review

Parallel Play

Jenny Wu reviews Ligia Lewis’s exhibition study now steady at the Center for Art, Research and Alliances (CARA), New York
Antrianna1
#70 - December 2023 Review

Radio Talk

Rebecca Wilcox takes to the air with Glasgow’s Radiophrenia
Andrew Black
#70 - November 2023 Reflection

‘Only the mineral remains’

A commentary by writer, researcher and activist Keir Milburn in response to Andrew Black’s Margaret Tait Commission film, ‘On Clogger Lane’
88 2
#19 Autumn - September 2009 Review

Daniel Richter

19 June–1 August, 2009, CFA Berlin, Berlin
10 2 2
#12 Winter - November 2007

Remarks: Landmass

21 2
#18 Summer - June 2009

Remarks: Eastside Projects

Gavin Wade, curator of Eastside Projects, which opened in Birmingham end 2008, talks about collaborative work with artists. 
Serbia Copy
#51 - August 2019 Interview series

Part 12: ‘Matter as a Hope of Finding Some Answers’ SERBIA

‘I am a European in a Brexit country, who curated a pavilion of a nation that is in the process of entering the EU but is not yet part of it.’ Response from curator Nicoletta Lambertucci continues our 15 part series.
Stolen Voices2020 CCA small2
#56 - April 2020 Review

Light Translations

Rebecca Wilcox listens in and responds to ‘Stolen Voices Album Launch’ by Johanna Linsley & Rebecca Louise Collins, CCA, Glasgow
Fig4
#48 - January 2019 Journal

An upside down triangle with a two-headed arrow between the top two apexes. In the middle of this arrow, a dotted line with ‘SOCIAL’ written on one side and ‘SEXUAL’ on the other

Fourth in a series of research texts by Gordon Douglas reporting on encounters with collaborative practice in Japan
Mai Screen  Shot 2015 11 19 At 16 34 55
#36 - November 2015

SEEING SCOTLAND: Gazes and Articulations

Essay by Tiffany Boyle, writing for Mother Tongue
Gardenlust 10 Image 1
#52 - September 2019 Column

Gardenlust #10: The Slug Murderers

A monthly column by Isabella Streffen
IMG 4118
#66 - October 2022
A Year of Carte Blanche & Other Chimeras

The Sick Train, Part 2

by Gemma Blackshaw
55 10
#1 - February 2005 Review

The Rings of Saturn

Changing Room Gallery, Stirling, 3 Nov-10 Dec 2004
Fig2
#48 - January 2019 Journal

Handwritten personal details on a deck of fluorescent green playing cards

Second in a series of research texts by Gordon Douglas reporting on encounters with collaborative practice in Japan
P9
#20 Winter - November 2009

Report: The Rise of Art Publishing

Artist-led publishing is on the increase, stimulating a growing number of both DIY and institutional publishing events. Kit Hammonds investigates
Potential thumbnail
#65 - May 2022 Good on Paper Series

Potential

Appendix 2 of Good on Paper’s second invitation to join a workshop on Performance & Energy
O Donnell 1
#67 - March 2023 Review

There’s a Ghost in my Machine

Melissa McCarthy attends the conference Photography and Memory in Edinburgh. Her story of the day includes a rollicking retrospective, cine film actually made of seaweed and storage unit musings
87 5
#19 Autumn - September 2009 Review

Phil Collins/Bruce Nauman

17 April–31 May, Tramway, Glasgow 
Katinka Bock Press Image 01
#44 - May 2018 Review

GI reviews and responses

Third in a series of reviews and responses to Glasgow International 2018 presentations, Neil Cooper reviews Katinka Bock at the Common Guild, Corin Sworn at Koppe Astner and Scott Caruth at House for an Art Lover
Ruth Ewanthe New What 1 1
#22 - June 2010 Review

David Burton, Ruth Ewan, Brian Moran

27 March–8 May, 2010, Rob Tufnell at 1 Sutton Lane 
Fig3
#48 - January 2019 Journal

The word ‘Tradition’ with several circles around it indicating it’s been alluded to multiple times in a conversation

Third in a series of research texts by Gordon Douglas reporting on encounters with collaborative practice in Japan
#4 - December 2005 Review

Robert Smithson

Whitney Museum of American Art, New York 22 June-16 October
#15 Autumn - September 2008

Commission: Dot Dot Dot

Dorothea Tanning Family Portrait
#49 - March 2019

Dorothea Tanning: A Canine State of Mind

Natalie Ferris on the artist’s retrospective at Tate Modern and communion with the animal world
20 7
#8 - November 2006

Emerging: Maria Pires

We introduce two pairs of artists who attracted attention at the Edinburgh Art Festival 2006; and two individual artists who are making a visible mark on the landscape of environmental art
53
#20 Winter - November 2009

Power Structures, Pantomimes and Parodies

The installations and performances of Paris-based artist Lili Reynaud-Dewar draw from a kaleidoscopic field of identities and histories—from Rastafarianism to Super Studio, from shorthand typists to burlesque entertainers. Here, in conversation with Joanna Fiduccia, she discusses the ambiguities, both sculptural and moral, behind her very particular Follies, and what it means to be the woman behind the curtain
89 3
#18 Summer - June 2009 Review

Daniel Roth

21 March–25 April, Galerie Fons Welters, Amsterdam  
56 1 2
#10 - June 2007 Review

Hayley Tompkins and Sue Tompkins

3 February–25 March 2007, Spike Island, Bristol
Lauren Gault2
#66 - November 2022 Script

My Mouth is Very Hot Now

A response by Lisa Freeman to Galalith, an exhibition and publication by Lauren Gault, guest curated by Katherine Murphy. The text is a script for two characters, Ghost & Wolf, and is set in a field on the outskirts of the small fictional town of Cúl Gort
86
#20 Winter - November 2009 Review

Alejandro Jodorowsky’s ‘Dune’: An exhibition of a film of a book that never was

17 September–25 October, 2009, The Drawing Room, London
Fig1
#48 - January 2019 Journal

Folded multi-page travel itineraries with stage directions

The first in a series of research texts by Gordon Douglas reporting on encounters with collaborative practice in Japan
Alternative Economies still 01
#63 - September 2021 Review

Tax the Rich

Caitlin Merrett King visits Berwick Film & Media Arts Festival 2021 and considers the economics at play in the work of Ane Hjort Guttu, Rehana Zaman and Jordan Lord
Img 5254
#42 - January 2018 Review

Fissile States

Editorial: Daisy Lafarge introduces this issue  
#23 Autumn - September 2010

Response: Bullshit and Art’s ‘Discursive Turn’

Sean Ashton responds to Joanna Fiduccia’s provocative report on bullshit in MAP #22    
Warming yolk with milky rice
#58 - August 2020 MAP Project

TENANCY Part 5: on recipes i

a project in two parts from Rebecca May Johnson
95
#20 Winter - November 2009 Review

Spartacus Chetwynd

9 October, Witte de With, Rotterdam
Miss St
#47 - October 2018 Review

Electric Speech

Emma Balkind reviews Telephone by Ariana Reines, published by Wonder
Image1
#45 - June 2018 Review

Chapter Four

The fourth instalment of Out of Office Auto-Reply by Susan Finlay
Rachal Bradley Gasworks 10
#43 - March 2018 Review

Infinite Resistance™

Eliel Jones on the healing potential of Interlocutor by Rachal Bradley, Gasworks, London, 25 January - 18 March