Index / Footnoting the Archive, 2016: MAP Archive Spotlight
Thank you for writing to me so often, you are revealing yourself to me in the only way you can
Laura Edbrook reflects on the reading and discussion group ‘Sick Sick Sick: The Books of Ornery Women’ co-run with Emma Balkind and presented by MAP between autumn 2013 and autumn 2014. ‘Sick Sick Sick’ was an open reading project based online and at the CCA, Glasgow and examined a radical or ‘bludgeoned’ subjectivity of female writers
O.K. Rick [Review]
Jenny Brownrigg responds to the Florrie James work screened in February at the Glasgow Film Festival.
‘A Feminist Chorus’ voices at The Glasgow School of Art
The sound work installed in the Hen Run during Glasgow International 2014 is now online
MAP Screen | The Anthropology Effect
This new season of film and video selected by Karen Cunningham opens with Ravi Govender, ‘Localized’, 2013 and Adam Chodzko, ‘The Pickers’, 2009
The End is the Beginning
MAP presents new work by Mhari McMullan & Urara Tsuchiya with score and video edit by Nick Packer
A Feminist Chorus: Publication
To purchase a copy contact us on info@mapmagazine.co.uk
Jesse Jones: Men in Dark Times
Artist Jesse Jones presents an excerpt from her forthcoming project, The Centre of the Elephant
Remarks
Katrina Brown on Glasgow International Festival of Visual Art,Kathrin Rhomberg on the 6th Berlin Biennale,Josh Brand on the Whitney Biennial, New York,Polly Staple on 21st Century at Chisenhale Gallery, London,Deirdre MacKenna on Stills residencies in Edinburgh
Residency: Bik van der Pol
John Calcutt talks to Rotterdam duo Bik Van der Pol about taking the collaborative route during their stay at Cove Park near Glasgow
Pinochet Porn in Progress
Artist Ellen Cantor sketches out the narrative beginnings of an ambitious film project
Production: Anja Kirschner & David Panos
Steven Cairns gets to the bottom of ‘The Last Days of Jack Sheppard’, a film based on inferred prison encounters between the eponomous 18th century criminal and Daniel Defoe, ghostwriter of Sheppard’s ‘autobiography’
Etienne Chambaud: The Hole of the Matter
Joanna Fiduccia discovers the work of Etienne Chambaud is punctured with an element of surprise
Report: Rediscoveries & De-marginalisations
Chris Sharp delves into the practices of artists whose reputations have been lost & now found
Residency: Simon Fujiwara
Oliver Basciano meets Simon Fujiwara to discuss his work and recent residency in LA
Novel - Issue One: Edited by Alun Rowlands and Matt Williams
ISBN 978-1- 906424-07-7, www.novelpublication.org
Back In To It
Darren Rhymes puts words together with new ‘Write Ups’ made for these pages by Sue Tompkins, an artist known for her performance and works on paper
Report: Back To You: Contemporary Performative Practice
Sarah Lowndes explores a current wave in contemporary art
Feminism: A Question of Readership
In this issue we publish a selection of the many reader responses to the set of questions on feminism in Issue 15
Lara Favaretto: The End of Motion
Alessandro Rabottini discovers a rich seam of functional and philosophical investigation in the moving and constantly shifting work of Italian artist Lara Favaretto
Merlin James: Yes Yes Yes
Sherman Sam finds an uneasy longing, coupled with affirmative gesture, in the work of contemporary painter Merlin James
Back Page: Dawood/Deora
FROM: DAWOOD/DEORA SUBJECT: RE: MAP BACK PAGE DATE: THU OCT 23 18:24 TO: MAP
Duncan Campbell: Telling Stories
Ken Neil examines the existentialist core of Duncan Campbell’s prize-winning new film ‘Bernadette’
#13 Spring - March 2008
Back Page: Donelle Woolford
FROM: DONELLE WOOLFORD, SUBJECT: DOUBLE AGENT, ICA, LONDON, TO: MAP
Iain Forsyth, Jane Pollard, Jason Pierce
The collaborators behind Silent Sound on their Liverpool Biennial performance based around the idea of spiritualism
Marcel Dzama: Tree With Roots
IKON GALLERY, BIRMINGHAM 24 MAY–16 JUL; CENTRE FOR CONTEMPORARY ART, GLASGOW, 5 AUG–16 SEP, 2006
Record Restore Reconstruct?
Caoimhin Mac Giolla Leith takes stock of ‘temporary’ artwork, with Blinky Palermo at Edinburgh College of Art and Ian Hamilton Finlay at Inverleith House in mind