Issues / #50 Mid-Flight

Amba Sayal Bennett ‘ King Horn’ 2019
#50 - July 2019 Review

a plot for the multiverse

Featuring works by Shiraz Bayoo, Amba Sayal-Bennet, Harminder Judge, Hardeep Pandhal and Himali Singh-Soin. Curated by Sitara Chowfla for indigo+madder, until 10 August, 2019. Review by Emily Hale
Jeanette Doyle Rough
#50 - July 2019 Documentation

OH MY GOD, I DIDN’T SEE YOU

Thinking about air, fire, smoke, volcanoes and immateriality with The Enquiry
Sunday Fantasy 12
#50 - July 2019 Review

Sunday Fantasy, an exhibition and film by Zoe Williams

Mimosa House, London, 25 May–27 Jul. Review by Ari Níelsson
Cecilia Vacuña Highres 034
#50 - July 2019 Review

Cecilia Vicuña: A Retrospective

Witte de With Center for Contemporary Art, Rotterdam, 26 May-10 Nov 2019. Review by William Kherbek
Gardenlust 9 Header
#50 - July 2019 Column

Gardenlust #9 Nymphéas​

Isabella Streffen soaks up the summer
Legsicon
#50 - June 2019 Review

PULPO MOTORINO:

pounding the pages of Laure Prouvost’s Legsicon (Book Works 2019) with Rosie Roberts
Cian Dayrit 2261
#50 - June 2019 Review

Beyond the God’s Eye, Cian Dayrit

NOME, Berlin, 27 Apr-12 Jun, 2019. Review by William Kherbek
Be More Peony 1
#50 - May 2019 Column

Gardenlust #7 Be More Peony

Isabella Streffen continues her garden adventure in summer time
Kathy Acker San Francisco 1991  Photo Kathy Brew 3
#50 - May 2019 Review

I, I, I, I, I, I, I, Kathy Acker

Institute of Contemporary Arts, London, 1 May–4 Aug. Review by Neil Cooper
It Is Composed Of Parts Image Hannah Nussbaum
#50 - May 2019 Short Story

It is Composed of Parts

A short story by Hannah Nussbaum
Jude And Am 2
#50 - May 2019 Interview

Jude Browning talks to Anne-Marie Copestake in bed

A video conversation inspired by Copestake’s series of interviews between artists and musicians, Trigger Tonic (1999-2004).
1  Cannibal O Copy
#50 - May 2019 Visual Essay

Cannibal O

An intimate evening of feminist cannibalism hosted by Catalina Barroso-Luque around a circular dining table and premiered at Intermedia Gallery, CCA, Glasgow on 17 April 2019. Twenty eight images by Isobel Lutz-Smith tell the story.
I Am The Daughter Of Dead Fathers
#50 - May 2019 Review

Spaces, Places

Alchemy Film and Moving Image Festival, Hawick, 2-6 May, 2019. Review by Ben Nicholson
Orghast Xenakis 800X1200
#50 - May 2019 Review

‘Persepolis Now?’

A Utopian Stage at SAVVY Contemporary, Berlin. Curated by Vali Mahlouji | Archeology of the Final Decade. Review by Sumugan Sivansan
2 Flamme
#50 - May 2019 Review

New Waves: Mohamed Melehi and the Casablanca Art School

The Mosaic Rooms 12/04/19–22/06/19. Review by Kylie Gilchrist
Emilio Bianchic Impractica Ii
#50 - April 2019 Interview

Alberta Whittle and Emilio Bianchic

Curators Diego Chocano and Ellie Dobbs interview the two artists brought together in Useless, Pig Rock Bothy, Scottish National Gallery of Modern Art, 13-21 April
Pedro Neves Marques1
#50 - April 2019 Review

It Bites Back

Gabriella Beckhurst reviews the viral solo show by Pedro Neves Marques at Gasworks, London, 11 Apr-16 June 2019
Shona Mac Naughton2
#50 - April 2019 Review

We Nurture

Gordon Douglas participates in Shona MacNaughton’s new performance on Calton Hill
Ñ Map Image
#50 - April 2019 Daily instalment

A typeface narrative on the Ñ and its infected tilde

In 22 parts, one episode was added to the story every weekday throughout April 2019. This narrative by Catalina Barroso-Luque has now concluded and can be read in full.
I Fell In Love With A Tree
#50 - March 2019 Column

Gardenlust #6: Cherry Blossom Girl

A monthly column by Isabella Streffen