Index / Critical theory
#28 - February 2013
The Objects: Chapter Two
Kyla McDonald engages with the importance of the moving image and photography as a way of capturing the ‘object’ in an increasingly fast-moving and changing age
In Production: The confraternity of neoflagellants
Neil Mulholland, Torsten Lauschmann, Alex Pollard and Norman Hogg discuss the concept of neomedievalism, introducing the subject of an exhibition opening in Edinburgh this summer
Some Shifting Nuances of Destruction
Chris Sharp breaks down a few ideas on a practice that has become essential to contemporary art
Counterpart
TJ Carlin talks to Leigh Ledare about personal subjectivity and its reception
But to Go Back
Jenny Brownrigg looks at the meaning of monuments and memory in the work of Croatian artist David Maljkovic
Report: Back To You: Contemporary Performative Practice
Sarah Lowndes explores a current wave in contemporary art
Report: Contemporary Art Writing and it’s environs
Maria Fusco dips into Art Writing definitions and comes up with her own ideas
Jordan Wolfson: In Search of the Whale
Hans Ulrich Obrist and Jordan Wolfson take a taxi to the Museum of Natural History, New York, to visit the whale. Time, travel, and time-travel come into their sights
Martin Boyce: Sculpture Scene
Alexander Kennedy outlines his thoughts on Modernism in Scotland in relation to the work of artist Martin Boyce
#16 Winter - November 2008
Review
On Knowledge Production: A Critical Reader in Contemporary Art
Maria Hlavajova, Jill Winder, Binna Choi (eds.) £20 www.bak-utrecht.nl
Chaos, Territory, Art: Deleuze and the Framing of the Earth
Elizabeth Grosz, £13, ISBN: 978-0-231-14518-3, www.cup.columbia.edu
Selected works from a private collection: Thomas Kinkade
3 July–11 July, 2009, Freymond-Guth & Co. Fine Arts, Zurich
Perpetual Inventory Rosalind E Krauss
MIT Press, 2010, ISBN 0-262-01380-0, £22.95
Canvases and Careers Today: Criticism and Its Markets
Editors: Isabelle Graw, Daniel Birnbaum, 2008