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/ #43 a gray stone wall damming my stream
#43 - May 2018
Review
We’re all strangers in someone’s pub
Nasser Hussain reviews
Liberating the Canon: An Anthology of Innovative Literature
edited by Isabel Waidner, published by Dostoyevsky Wannabe
#43 - April 2018
Review
the problem that has no name
Victoria Horne on Lara Feigel’s
Free Woman: Life, Liberation and Doris Lessing
#43 - April 2018
Prison Landscapes
An excerpt from Hatty Nestor’s forthcoming book on portraits of the incarcerated
#43 - April 2018
Interview
the chapter with the bar and the boxing
An interview with writer and curator Jeanne Graff on
Vzszhhzz,
published by Semiotext(e)
#43 - March 2018
Essay
Eyes on the Street
New writing from Martin Cathcart Froden on carceral architecture, satellite mapping, knitting in prison, shark species and the correct spelling of ‘dyslexia’
#43 - March 2018
Review
Deeper In The Pyramid
Laura O’Leary explores Melanie Jackson’s exhibition at Grand Union, Birmingham, 2 February - 21 April
#43 - March 2018
Review
Consequences of progress; remnants for the future
Jazmine Linklater on mutability in the works of Ruth Barker and Hannah Leighton-Boyce at Castlefield Gallery, Manchester, 9 March - 29 April
#43 - March 2018
Review
a new thread, wayward
Rebecca Wilcox responds to
Virginia Woolf: an exhibition inspired by her writings
at Tate St Ives, 10 February - 29 April
#43 - March 2018
Review
The you in us
Kylie Gilchrist reviews Lydia Ourahmane’s solo exhibition at Chisenhale Gallery, London, 26 January - 25 March
#43 - March 2018
Review
more of an avalanche
Helena Haimes on the group show at Wysing Arts Centre, Cambridge, 11 February - 8 April
#43 - March 2018
Review
Give Up Art
Rebecca O’Dwyer on Maria Fusco’s ‘exciting alongsidedness’
Give Up Art
(2018), collected critical writings from 2002-2017, published by New Documents
#43 - March 2018
Review
Infinite Resistance™
Eliel Jones on the healing potential of
Interlocutor
by Rachal Bradley, Gasworks, London, 25 January - 18 March
#43 - March 2018
Editorial
a gray stone wall damming my stream
Editorial: a new season of reviews and features focusing on carcerality, limit and contained energies
#43 - March 2018
Review
In Place of Hate
Jessica Ramm considers the results of Edmund Clark’s three-year residency at HMP Grendon, the UK’s only therapeutic prison. Ikon Gallery, Birmingham, 6 December 2017 - 11 March 2018