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#36 - November 2015
‘Whose Gaelic is it anyway?’ Identity and perception
By Glasgow-based musician, Cassie Ezeji
#29 - August 2013
Sex in Architecture
Has urbanism become too polite? Richard Williams explores the concrete evidence in Richard Rogers’s work
#17 Spring - March 2009
Emerging: Dan Rees
John Quin vs Dan Rees
#16 Winter - November 2008
Residency: Abraham Cruzvillegas
Mexican artist Abraham Cruzvillegas spent six months at Cove Park this summer shaping an exhibition for Glasgow’s CCA. The result is Autoconstrucción
#16 Winter - November 2008
Feminism: A Question of Readership
In this issue we publish a selection of the many reader responses to the set of questions on feminism in Issue 15
#13 Spring - March 2008
Emerging: Katie Orton
Ruth Hedges discusses the work of Katie Orton
#13 Spring - March 2008
Reflection
Report: Customising the New Monument
With the advent of exhibitions underscoring the instability of the monument in contemporary art, Isla Leaver-Yap asks what form monumentality takes in the 21st century
#14 Summer - June 2008
Paulina Olowska: And it is Time
Paulina Olowska’s painterly sense of history and fascination for collaboration is discussed by Isla Leaver-Yap
#9 - March 2007
Reply: Absent Narratives
Malcolm Dickson replies to the MAP Report Issue 7
#9 - March 2007
The { } Age: Alistair Gentry on the Enlightenment
Pamphleteers of the 18th century didn’t mince their words. And neither does Alistair Gentry, writer and artist, here speaking out on the idea of Enlightenment.
#9 - March 2007
The Law of Motivation and Effort
Artist Tobias Sternberg wrestles with the temptations of supply and demand in today’s competitive contemporary art market
#8 - November 2006
Report: Art fair power and glamour is confirmed
Isla Leaver-Yap reports on art world activity.
#2 - May 2005
Commission: Walk the Walk Draw the Draw
Romanian artist Dan Perjovschi responds to the word ‘map’ with a clear outline of his world. The MAP Commission publishes new work by an artist each issue
#19 Autumn - September 2009
Review
Phil Collins/Bruce Nauman
17 April–31 May, Tramway, Glasgow