Issues / #14 Summer 2008
Loris Gréaud: On and Off
Christophe Gallois interviews Loris Gréaud, an artist who manipulates and expands the art of exhibition-making. Following the showing of Cellar Door at the Palais de Tokyo, the ICA hosts the second version of the exhibition which brings together opera, architecture and black champagneBack Page: Juliette Blightman
Dear Juliette We would like to invite you to write about the view from a window and whatever associated thoughts are inspired by it. We heard you are a bit of an avid rear-window photographer and thought this small project would go well with the domestic-space thematic inherent in your practice.Best, MAPEmerging: Ben Jones
New York comic artist takes zine culture to a deadpan high in a new body of icon paintingsEmerging: Ann Bowman
Hollywood to Glasgow, this young American artist explores fantasy and glamour with a sharp film-maker’s eyeReport: Exhibition by Commission
Jane Neal traces the path of a new phenomenon in British art: the meteoric rise of the public commission.Henrik Olesen: Oblique Vision
Working within the boundaries of gender, art history and sexual politics, Henrik Olesen creates a complex aesthetic with philosophical tendencies. Curator Alessandro Rabottini unravels a powerful method in this artist’s enigmatic workScott Myles: Unlike Pairs
Lilian Haberer and Regina Barunke examine the histories and dichotomies in the work of Glasgow-based Scott MylesPaulina Olowska: And it is Time
Paulina Olowska’s painterly sense of history and fascination for collaboration is discussed by Isla Leaver-YapThe Hidden / Lars Laumann
19 January–24 February 2008, Maureen Paley, London
#14 Summer - June 2008
Review