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Jim Lambie, ‘Danceteria V’, broken mirror pieces, chair, handbag, glue, 2006

Straight from a solo show at the Hirshhorn Gallery in Washington DC and a group exhibition at Chicago’s Museum of Contemporary Art, Jim Lambie continues his US tour this autumn at Boston’s Museum of Fine Arts, a grand civic museum currently undergoing a transformation. He is the third artist (and first non-American) to be commissioned to participate in the Museum’s acclaimed RSVPmfa series. The series, which began in 2000 with a commission from Jonathon Borofsky, invites artists to produce work in response to the physical presence of the MFA: its public spaces, hidden areas, collections or surrounds.

Lambie’s immersive environments, transformations of familiar objects and those characteristic floor works, manifest his approach to interior space as consistently one of both exposure and exploration. It is this particular concern with the architectural that led RSVPmfa curator, William Stover to believe Lambie was perfectly suited to this project: ‘much of his work is devised in relation to a specific space, changed through improvisatory decisions on site which enable him to point out the parameters of the existing architecture and the visitor’s direct relationship to it.’

It is this direct, visceral relationship that will be invoked when his commission opens on 10 November. Lambie has created 80 chairs adorned with brilliant colour, shattered mirror pieces and other found materials which will be suspended from one of the walls of the museum’s West Wing Galleria. Within these opulent confines, Lambie’s installation will sensationally transform mundane objects, its promised ‘rhythmic and kaleidoscopic energy’ constituting a visual jolt and an interesting juxtaposition to the concurrent major exhibition, Napoleon’s Symbols of Power.