Issues / #69 water falls

You know it’s not the same as it was:
Caitlin Merrett King attends The Promise of Pleasure, the closing event for Good Bad Books?, a series of workshops and talks organised by Naomi Pearce and Anna Bunting-Branch and held at the Barbican in August/September 2023
‘As if writing were not sleeping’
Hilary White reviews Marie Darrieussecq’s Sleepless
Public Library
Jacob Hoffman on a new programme of events in a community space hosted by The Dissenter for Space Studies, Edinburgh
MAP x EAF
Guest editor Rosie Roberts introduces her five commissioned responses to Edinburgh Art Festival, 2023
WHAT A FEELING! ACT I
Saoirse Amira Anis responds to Christian Noelle Charles’ WHAT A FEELING! Part I, at Edinburgh Printmakers. This is one of a series on the Edinburgh Art Festival 2023, commissioned for MAP by Rosie Roberts
Calvin & Dorothy Towers
Calvin Z Laing responds to Sean Burns’ work Dorothy Towers as part of an Edinburgh Art Festival 2023 series, commissioned by Rosie Roberts
Care with Composition
MAP X EAF guest editor Rosie Roberts, writes to Markéta Luskačová regarding her 2023 exhibition at Stills, Edinburgh
Park Life
Caitlin Merrett King documents Jupiter Rising X EAF Party as part of a series of responses to Edinburgh Art Festival 2023, commissioned by Rosie Roberts for MAP
Poems as Portals
Phil Crockett Thomas responds to Nat Raha: epistolary (on carceral islands). Part of Rosie Roberts’ Edinburgh Art Festival 2023 series
Extended to Attract and Repel
Eilidh Akilade finds much to weigh up on her tour of the Edinburgh sewage works with artist Tonya McMullan. The drawing tour was part of Art Walk Porty Festival’s Extended Programme and curated project Vessel
Repeat Patterns
New work by Helen de Main & Mandy McIntosh at the Gallery of Modern Art, Glasgow. Review by Catherine Spencer
Take a Walk
‘A visit to Art Walk Porty, across the two hottest days of the year, feels like every artwork is looking over its shoulder to somewhere else along the coastline, fragments from a whole that is variably very close or out in the distance, like the tide or a toilet flush.’ Timothea Armour puts on her sunscreen.
Vessel
Founder and curator of Art Walk Projects, Rosy Naylor introduces this year’s theme, exploring questions of resilience, care and adaptability in the face of global climate questions. This also marks the continuation of an ongoing editorial partnership with MAP
The Flesh, the Mesh, the Mushroom
Writing Fungal Poetry Through Deep Collaboration. By Fiona Glen and Nina Hanz. Their book Mycoglossia is published by HVTN Press