For Artist-led publishing and production
Now
Then
Index
Subscribe
Index
/ Women Painting: Scottish Art 1940-1980
#58 - July 2020
Women Painting: Scottish Art 1940-1980
A PLACE FOR 4 WOMEN, #4 COLD MOON
The final part of a four part poetic response by Valerie Norris to ‘The Bitter Cup’ by Joanne Tatham and Tom O’Sullivan
#58 - July 2020
Women Painting: Scottish Art 1940-1980
A PLACE FOR 4 WOMEN, #3 HARVEST MOON
The third in a four part poetic response by Valerie Norris to ‘The Bitter Cup’ by Joanne Tatham and Tom O’Sullivan
#58 - July 2020
Women Painting: Scottish Art 1940-1980
A PLACE FOR 4 WOMEN, #2 STRAWBERRY MOON
The second in a four part poetic response by Valerie Norris to ‘The Bitter Cup’ by Joanne Tatham and Tom O’Sullivan
#57 - June 2020
Women Painting: Scottish Art 1940-1980
A PLACE FOR 4 WOMEN, #1 WORM MOON
The first of a four part poetic response by Valerie Norris to ‘The Bitter Cup’ by Joanne Tatham and Tom O’Sullivan
#56 - May 2020
Women Painting: Scottish Art 1940-1980
Flood Tide (Joan Eardley)
by Edwin Morgan
#56 - May 2020
Women Painting: Scottish Art 1940-1980
Mardi Barrie and her transpositional quest
‘It is not women’s inferiority that has determined their historical insignificance: it is their historical insignificance that has doomed them to inferiority.’
Simone de Beauvoir,
The Second Sex
, 1949. Lauren Dyer Amazeen is drawn to the work of this Edinburgh artist
#56 - May 2020
Women Painting: Scottish Art 1940-1980
she didn’t paint the sea, after Joan Eardley
by Daisy Lafarge
#56 - May 2020
Women Painting: Scottish Art 1940-1980
Introduction
Susannah Thompson and Marianne Greated introduce a MAP mini series, part of their recently launched, ongoing project Women Painting: Scottish Art 1940-1980