Index / Women Painting: Scottish Art 1940-1980

IMG 0102
#58 - July 2020 Women Painting: Scottish Art 1940-1980

A PLACE FOR 4 WOMEN, #4 COLD MOON

The final part of a four part poetic response by Valerie Norris to ‘The Bitter Cup’ by Joanne Tatham and Tom O’Sullivan
Val
#58 - July 2020 Women Painting: Scottish Art 1940-1980

A PLACE FOR 4 WOMEN, #3 HARVEST MOON

The third in a four part poetic response by Valerie Norris to ‘The Bitter Cup’ by Joanne Tatham and Tom O’Sullivan
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#58 - July 2020 Women Painting: Scottish Art 1940-1980

A PLACE FOR 4 WOMEN, #2 STRAWBERRY MOON

The second in a four part poetic response by Valerie Norris to ‘The Bitter Cup’ by Joanne Tatham and Tom O’Sullivan
BW Jand T insert 01 proofing
#57 - June 2020 Women Painting: Scottish Art 1940-1980

A PLACE FOR 4 WOMEN, #1 WORM MOON

The first of a four part poetic response by Valerie Norris to ‘The Bitter Cup’ by Joanne Tatham and Tom O’Sullivan
Joan Eardley Flood Tide
#56 - May 2020 Women Painting: Scottish Art 1940-1980

Flood Tide (Joan Eardley)

by Edwin Morgan
Mardi Barrie Summer Rain 1992 copy 2
#56 - May 2020 Women Painting: Scottish Art 1940-1980

Mardi Barrie and her transpositional quest

‘It is not women’s inferiority that has determined their historical insignificance: it is their historical insignificance that has doomed them to inferiority.’ Simone de Beauvoir, The Second Sex, 1949. Lauren Dyer Amazeen is drawn to the work of this Edinburgh artist
Joan Eardley 2
#56 - May 2020 Women Painting: Scottish Art 1940-1980

she didn’t paint the sea, after Joan Eardley

by Daisy Lafarge
Cordelia Oliver photograph copy
#56 - May 2020 Women Painting: Scottish Art 1940-1980

Introduction

Susannah Thompson and Marianne Greated introduce a MAP mini series, part of their recently launched, ongoing project Women Painting: Scottish Art 1940-1980