Index / Reflection
‘Only the mineral remains’
A commentary by writer, researcher and activist Keir Milburn in response to Andrew Black’s Margaret Tait Commission film, ‘On Clogger Lane’
The Flesh, the Mesh, the Mushroom
Writing Fungal Poetry Through Deep Collaboration. By Fiona Glen and Nina Hanz. Their book Mycoglossia is published by HVTN Press
‘I’m getting tea, maybe the flat sweetness of a custard cream’
Timothea Armour joins hands with the past at the exhibition Granton Séance by Megan Rudden
Hands Off
Mantra Mukim reflects on repair, work and touch in a painting that has stayed with him over time
Land now fantastical when jarred
Eilidh Akilade touches on our relationship with land, a subject of examination in the Scotland + Venice exhibition this year
The Making of a Film
Jessica Higgins responds to Alex Hetherington’s new work ‘Sister Films’. This text is co-published by CCA Annex and MAP and can be viewed on both platforms
So you want to live like common pipistrelles?
Timothea Armour (sometime member of Moth Death) surveys the bat music scene
The Virgin and The Flame
An imagining of Anne Serre’s The Beginners (translated by Mark Hutchinson), by Tomoé Hill
The Deepest Gurgle I Ever Heard
Megan Rudden steps into the ‘fabricated ecosystem’ of the Jame St Findlay and Jonny Walker exhibition at Kiosk, Govanhill
Doin’ it for the kids, the ESTATE way. 13 snapshots by Neil Cooper
‘With Jimmy Cauty a kind of absentee post-apocalyptic Pied Piper, the volcanic quake of ESTATE proves an irresistible attraction.’ Parked in Muirhouse, Edinburgh throughout June, the event occupies Easterhouse, Glasgow until end July 2021
‘A city that changes every time I turn my head’
Donald Butler visits Glasgow International 2021 and finds his ‘attention’ drifting
Things, tunnels, traces, thoughts: Part Three
Tom Jeffreys’ response to new work by Stephanie Mann concludes