Index / Politics

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#5 - January 2006 Review

Alan Smith: In Perpetuity

Ikon Gallery, London, 23 November 2005–22 January 2006
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#3 - August 2005

Art of the Public

Ken Neil investigates the work of Eva Merz and Dalziel + Scullion—artists taking a political view in the north
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#1 - February 2005

Certain of Nothing: Francis Alÿs

Francis McKee traces the path of Belgian artist Francis Alÿs as he explores the boundaries between politics, poetry and art
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#37 - May 2016

Challenge to Fascism: Glasgow’s May Day (1938)

Jenny Brownrigg and Shona Main write about Helen Biggar’s final film
Andrea Zimmerman
#42 - February 2018 Review

Civil Rites

Fiona Anderson on Andrea Luka Zimmerman’s film at Tyneside cinema, Newcastle, part of Freedom City festival, 8 December 2017 - 22 January 2018
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#19 Autumn - September 2009 Review

Daniel Richter

19 June–1 August, 2009, CFA Berlin, Berlin
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#40 - September 2017 Review

Dear We Have Been

Anthony Autumn responds to ‘Barricadia’ by Sahej Rahal at CCA, 16 September - 29 October
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#20 Winter - November 2009 Review

Deimantas Narkevicius

1 October–29 November, 2009, BFI, London
37 5
#15 Autumn - September 2008

Duncan Campbell: Telling Stories

Ken Neil examines the existentialist core of Duncan Campbell’s prize-winning new film ‘Bernadette’
#24 - November 2010

Emerging: Patrizio Di Massimo

Rebecca Geldard looks at the work of this young Italian artist
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#18 Summer - June 2009

Emerging: Peter Simensky

Mary Rinebold discovers the value of Neutral Capital in the investigative practice of this American artist
Adam  Lewis  Jacob    Collective  Gallery   2017    Photo Credit  Tom  Nolan 31 Sm
#39 - August 2017 Review

Every contact leaves a trace

Anna McLauchlan encourages Adam Lewis Jacob’s ‘Emotional Need’, featuring works by anarchist Donald Rooum, the third commission in Collective’s Satellites programme  
Tornado
#23 Autumn - September 2010 Review

Francis Alÿs

15 June–5 September 2010. Tate Modern, London
#8 - November 2006

Ice Station Isis

The Canadian duo Fastwürms post their Map Commission from the twin norths of Ontario and Aberdeenshire.
Wip  Issue 2  Summer  Cover 1 72Dpi
#26 - November 2012

In Celebration of Grassroots and Grass Widows: Women’s Art Collaborations in Glasgow

An essay by Sarah Smith
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#1 - February 2005 Review

Mat Collishaw

Inverleith House, Edinburgh, 15 Jan-13 Mar 2005
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#39 - August 2017 Review

May all of your dreams come true

Anna McLauchlan experiences Ross Little’s ‘The Heavy of Your Body Parts and The Cool Air of the Air Condition’, the fourth commission in Collective’s Satellites programme
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#18 Summer - June 2009 Review

Novel - Issue One: Edited by Alun Rowlands and Matt Williams

ISBN 978-1- 906424-07-7, www.novelpublication.org
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#1 - February 2005 Review

Orbus, Ellen Gallagher

The Fruitmarket Gallery, Edinburgh, 11 Dec 2004-13 Feb 2005
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#19 Autumn - September 2009

Pinochet Porn in Progress

Artist Ellen Cantor sketches out the narrative beginnings of an ambitious film project
Map Quiet Heat
#37 - November 2016

Quiet Heat: an Introduction

Dave Young introduces ‘Quiet Heat: Archive Machines and War Fever’. Commissioned as part of ‘Footnoting the Archive’, and produced using research conducted during a remote residency at the Artist Run Data Center, run by Servus in Linz, Austria, in late 2015. The extended text is hosted by the Artist Run Data Centre and accessible at quietheat.dvyng.com
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#20 Winter - November 2009

Residency: Bik van der Pol

John Calcutt talks to Rotterdam duo Bik Van der Pol about taking the collaborative route during their stay at Cove Park near Glasgow
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#7 - September 2006 Review

Ruth Ewan

21 July–20 August 2006, Studio Voltaire, London
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#1 - February 2005 Review

Swiss-Swiss Democracy, Thomas Hirschhorn

Centre Culturel Suisse, Paris, 4 Dec 2004-30 Jan 2005
#23 Autumn - September 2010 Review

The Potosí Principle

12 May–6 September 2010, Museo Nacional Centro de Arte Reina Sofía, Madrid
Otobongnkanga Press Highres New 5
#42 - February 2018 Review

The Breath From Fertile Grounds

Claire Walsh on Otobong Nkanga’s solo exhibition at Temple Bar Gallery and Studios, Dublin, 8 December 2017 - 10 February 2018
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#23 Autumn - September 2010

The Devil Makes Work

Fiona Jardine examines the relationship between art and the everyday world of work Nine Trades of Dundee, 1 July–31 October
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#2 - May 2005

Venice: The Grand Tour

Neil Mulholland scans the guest list of the venerable Venice Biennale, and ponders the question of national identity with Scotland and China in mind