Index / Painting

Carol Rama Opera N 11 Renards
#41 - October 2017

A timely encounter

Carol Rama and the uses of biography by Kylie Gilchrist
86 1 2
#16 Winter - November 2008 Review

Alex Pollard

11 October–2 November, 2008, Whitechapel Project Space, London
#24 - November 2010 Review

Alex Pollard

12 November–18 December, Sorcha Dallas, Glasgow
50 7
#10 - June 2007 Review

Amsterdam

Morag Keil, 3 March–14 April, Grimm Fine Art 14 / Lucy Stein, 3 March–14 April, Galerie Martin van Zomeren / Sue Tompkins, 3 March–7 April, Galerie Diana Stigter
50 5
#15 Autumn - September 2008

Andreas Dobler: Uncertain Scenes

Steven Cairns examines the fundamentals of painting in the work of Andreas Dobler
56 1 1
#11 Autumn - September 2007 Review

Armen Eloyan

1 June–20 July 2007, Parasol Unit, London
54 1 2
#9 - March 2007 Review

Brice Marden

29 October 2006–15 January 2007, Museum of Modern Art, New York
60 2 6
#8 - November 2006 Review

Callum Innes

30 September–19 November 2006, The Fruitmarket Gallery, Edinburgh
60 2
#1 - February 2005 Review

Camilla Løw

Sutton Lane, London, 26 Nov- 21 Dec 2004
53 4
#13 Spring - March 2008 Review

Carol Rhodes

1 December 2007–24 February 2008, Scottish National Gallery of Modern Art, Edinburgh
34 2
#7 - September 2006

Carol Rhodes, Lucy McKenzie: Paint

Despite attempts to consign it to an early grave, painting remains a vibrant force in contemporary art. Sherman Sam explores the detached landscapes of Carol Rhodes. Barry Schwabsky analyses the mood of familiar strangeness that marks the work of Lucy McKenzie
84 1
#19 Autumn - September 2009 Review

Christopher Orr

24 May–1 August, 2009, IBID PROJECTS/Hoxton Square, London
#4 - December 2005 Review

Dana Schutz

Contemporary Fine Arts, Berlin 2 September-1 October, 2005 
88 2
#19 Autumn - September 2009 Review

Daniel Richter

19 June–1 August, 2009, CFA Berlin, Berlin
Ruth Ewanthe New What 1 1
#22 - June 2010 Review

David Burton, Ruth Ewan, Brian Moran

27 March–8 May, 2010, Rob Tufnell at 1 Sutton Lane 
26 4
#15 Autumn - September 2008

Emerging: Alan Stanners

Darren Rhymes finds the work of this young Glasgow-based painter full of surreal intentions and growing towards abstract confidence
30 1
#14 Summer - June 2008

Emerging: Ann Bowman

Hollywood to Glasgow, this young American artist explores fantasy and glamour with a sharp film-maker’s eye
#24 - November 2010

Emerging: Audrey Reynolds

Gemma Sharpe probes the mixing of incidental and appropriated materials in Audrey Reynolds’ paintings and installations
28 5
#14 Summer - June 2008

Emerging: Ben Jones

New York comic artist takes zine culture to a deadpan high in a new body of icon paintings
Nicolas  Party
#25 - July 2011

Emerging: Nicolas Party

John Calcutt examines this painter’s dynamic visual lexicon
32 1
#16 Winter - November 2008

Emerging: Phoebe Unwin

Rebecca Geldard discovers a savvy painter whose clever balance of good and bad taste is propelling her towards success
57 12
#2 - May 2005 Review

Fieldnotes & Sketchbooks

Aberdeen Art Gallery, Aberdeen, 6 April-4 June 
#22 - June 2010

Fiona Mackay, Morag Keil and Manuela Gernedel: 84 Paintings

Barry Schwabsky talks to Fiona Mackay, Morag Keil and Manuela Gernedel about their unique collaboration
Tornado
#23 Autumn - September 2010 Review

Francis Alÿs

15 June–5 September 2010. Tate Modern, London
54 11
#3 - August 2005 Review

Francis Bacon: Portraits and Heads

Scottish National Gallery of Modern Art, Edinburgh 4 June–4 September, 2005 
55 12
#3 - August 2005 Review

Frida Kahlo

9 June–2 October, Tate Modern, London
63 5
#16 Winter - November 2008

Gerhard Richter: Radical Senses

One of contemporary art’s most revered artists, a seminal and inspirational figure for many of his own and younger generations, Gerhard Richter makes paintings with an instinct that is as visually keen as it is intellectually demanding. Keith Hartley looks back at early days in Düsseldorf, in the light of his abstract period and more recent work
60 2 2
#3 - August 2005 Review

Graeme Todd

Andrew Mummery Gallery, London, 2 June-4 July, 2005 
56 8
#24 - November 2010

Gray Matters

Neil Mulholland examines the life’s work of Alasdair Gray, a Glasgow artist who has chronicled, in words and pictures, the city and the lives of his friends through the lens of a unique imagination
54 1 3
#7 - September 2006 Review

Hanneline Visnes

24 May–16 Jul 2006, Pump House Gallery, London
44 5
#17 Spring - March 2009

Hayley Tompkins: Hypothetically Seeing

Joanna Fiduccia visits Glasgow to meet Hayley Tompkins, in whose work she discovers abstraction of an extended, visionary nature
#4 - December 2005 Review

James Lumsden and Andrew MacKenzie

Sarah Myerscough, London 30 September-29 October 2005 
#9 - March 2007 Review

Janice McNab

22 November 2006–12 January 2007, The Agency, London
Black
#25 - July 2011

Karla Black’s Abstraction

Briony Fer examines the tone and texture of the Glasgow-based artist’s work  
90 1
#17 Spring - March 2009 Review

Katy Moran

28 November 2008–16 February 2009, Mima, Middlesbrough
Mp  Donak 00208  A 300 1
#22 - June 2010 Review

Kaye Donachie

27 February–11 April, 2010, Maureen Paley, London
57 13
#5 - January 2006 Review

Kaye Donachie

Maureen Paley, London, 15 November 2005–15 January 2006
54 2 3
#9 - March 2007 Review

Lisa Yuskavage

18 October–18 November 2006, David Zwirner/Zwirner & Wirth, New York
57 3
#13 Spring - March 2008 Review

Live Undead

29 January–23 February 2008, Transmission Gallery, Glasgow
#4 - December 2005 Review

Lucy McKenzie

Metro Pictures, New York 10 September–8 October 2005 
Photo Of  Carole  Gibbons 2 72Dpi
#26 - November 2012

Lucy Stein and Manuela Gernedel share thoughts on Carole Gibbons as inspiration

Three women painters have shared a common address. Two have a conversation embracing their muse, home, practices, generation and serendipity 
57 2 1
#13 Spring - March 2008 Review

Luke Fowler & Charlie Hammond

19–24 January 2008, Buccleuch Street, Glasgow
#24 - November 2010 Review

Marc Camille Chaimowicz

31 October–6 February, Inverleith House, Edinburgh
75 1
#16 Winter - November 2008

Merlin James: Yes Yes Yes

Sherman Sam finds an uneasy longing, coupled with affirmative gesture, in the work of contemporary painter Merlin James
59 10
#2 - May 2005 Review

Moyna Flannigan

Sara Meltzer Gallery, New York, 7 April–14 May 
Charlie Billignham
#40 - September 2017 Review

My Favourite Sister’s Uncle

Colin Herd responds to an exhibition by Charlie Billingham and Zin Taylor at Independent Régence Brussels, 7 September - 7 October
56 2 5
#8 - November 2006 Review

Neal Tait: Now is the Discount of our Winter Tents

15 September–21 October 2006, White Cube, London
Page 7  Nicolas  Party Still Life With Sausages
#23 Autumn - September 2010

New Work Scotland

Collective Gallery director Kate Gray announces the gallery’s dynamic annual programme. Jacob Kerray / Shelly Nadashi 16 October–28 November. Nicolas Party / Catherine Payton 11 December 2010–30 January 2011
42 5
#1 - February 2005

Portfolio: Dining on Imagination

Introducing the work of emerging artists, Portfolio focuses this issue on the paintings of Rabiya Choudhry, first seen at the Collective Gallery’s New Work Scotland Programme 2004. Choudhry has since been selected to exhibit at the Prague Biennale 2005
4 2
#3 - August 2005

Report

Tim Abrahams reports on art world activity
58 2 7
#6 - April 2006 Review

Sean Landers

Greengrassi, London, 1 March–1 April 2006 
86 1
#19 Autumn - September 2009 Review

Silke Otto-Knapp

4 July–13 September, 2009, Modern Art Oxford, Oxford
22 4
#8 - November 2006

Studio: Alison Watt

Writer Diana Hope travels with photographer Luke Watson to the National Gallery in London to find painter Alison Watt in a studio under that hallowed roof
23 3
#7 - September 2006

Studio: Callum Innes

With the turps drying on his survey show in September, Callum Innes welcomes Catriona Black and Luke Watson into his busy Edinburgh studio
17 4
#3 - August 2005

Studio: Paula Rego

Hannah McGill and Luke Watson visit the London studio of painter Paula Rego and find it a ‘repository for thrilling objects’
53 11
#1 - February 2005 Review

Suck on Science, Michael Fullerton

CCA, Glasgow, 29 Jan-13 Mar 2005
50 16
#41 - October 2017 Review

This Drove My Mother Up The Wall

Susan Finlay reviews Katharina Grosse at South London Gallery, 28 September - 3 December 
43 4
#11 Autumn - September 2007

Tony Swain: Concrete Planes

Isla Leaver-Yap visits Tony Swain’s studio in Glasgow and finds him among stacks of yellowing newsprint reworking 20th century techniques towards uncharted landscapes
37 8
#11 Autumn - September 2007

Victor Man: Plural Solitude

Alessandro Rabottini discovers a quiet but resolute multiple voice in the painted and sculpted installation work of Romanian artist Victor Man
#13 Spring - March 2008

Wilhelm Sasnal: Deluxe Punk

‘You are telling me things, but what do you actually mean by that? Whats your point? Lukasz Ronduda digs deep into the work of Polish artist Wilhelm Sasnal