Index / Historical

Observers  Walks 900X470
#39 - August 2017 Review

To Those in Search of Immunity

Last in a series of responses to Edinburgh Art Festival, Gordon Douglas takes the latest of Collective’s ‘Oberservers’ Walks’ by Patrick Staff, engaging with Calton Hill’s botanical, queer and historical entanglements 27 July - 27 August
Charlie  Billingham  Plant  Scenery Of The  World    Inverleith  House   2017  Lrc
#39 - August 2017 Review

Plant Scenery of the World

Third in a series of responses to Edinburgh Art Festival, Catriona Gallagher visits Inverleith House’s new exhibition ‘Plant Scenery of the World’ 27 July - 29 October
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#39 - August 2017 Review

Nudes Never Wear Glasses

First in a series of responses to Edinburgh Art Festival, Victoria Horne reviews Kate Davis’ solo exhibition at Stills 28 July - 8 October
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#37 - May 2016

Challenge to Fascism: Glasgow’s May Day (1938)

Jenny Brownrigg and Shona Main write about Helen Biggar’s final film
Map Quiet Heat
#37 - November 2016

Quiet Heat: an Introduction

Dave Young introduces ‘Quiet Heat: Archive Machines and War Fever’. Commissioned as part of ‘Footnoting the Archive’, and produced using research conducted during a remote residency at the Artist Run Data Center, run by Servus in Linz, Austria, in late 2015. The extended text is hosted by the Artist Run Data Centre and accessible at quietheat.dvyng.com
St Peters Earlydays2
#24 - November 2010

NVA

Angus Farquhar, creative director of Glasgow-based public art agency NVA, looks to secure the future of the abandoned, yet inspirational, St Peter’s Seminary
#24 - November 2010

Emerging: Patrizio Di Massimo

Rebecca Geldard looks at the work of this young Italian artist
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#23 Autumn - September 2010

The Devil Makes Work

Fiona Jardine examines the relationship between art and the everyday world of work Nine Trades of Dundee, 1 July–31 October
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#23 Autumn - September 2010

In Conversation: Jonathan Horowitz

Steven Cairns talks to the artist about why he is drawn to reckless personalities, vegetarianism, the Holocaust and how art writes history
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#20 Winter - November 2009

Emerging: Corin Sworn

Isla Leaver-Yap examines radical narratives in Corin Sworn’s practice
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#20 Winter - November 2009

Performance and Pedagogy: All Talk, Some Action

Karen Archey sheds light on the rise of performance and pedagogy in contemporary art practice
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#19 Autumn - September 2009

Production: Anja Kirschner & David Panos

Steven Cairns gets to the bottom of ‘The Last Days of Jack Sheppard’, a film based on inferred prison encounters between the eponomous 18th century criminal and Daniel Defoe, ghostwriter of Sheppard’s ‘autobiography’
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#18 Summer - June 2009

Report: Rediscoveries & De-marginalisations

Chris Sharp delves into the practices of artists whose reputations have been lost & now found
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#18 Summer - June 2009

Commission: Martin Boyce

The artist presents archival material related to new work for this year’s Venice Biennale 
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#18 Summer - June 2009

Between the Furnace and the Figure

Fiona Jardine responds to Our Objects: Contemporary Ceramics in Context, a challenging exhibition at the Glasgow School of Art 
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#17 Spring - March 2009

Belief Systems

Alessandro Rabottini connects with the complex installations of Pietro Roccasalva, taking a mind-boggling journey through the many narratives of this artist’s work
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#16 Winter - November 2008

Michael Fullerton: Triangulation Theory

Michael Fullerton’s oeuvre adds up to much more than the paintings so frequently associated with it. John Calcutt discovers a playfulness of thought and fascination for chemistry, and theories in general, in this strikingly inquisitive artist’s work
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#13 Spring - March 2008

Remarks: Wild West Show

Patricia Bickers on new show Print the Legend
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#9 - March 2007

Roderick Buchanan and Thomas Muir

Duncan McLaren on a contemporary artist’s veneration for a victim of the Enlightenment
#9 - March 2007

Tatham and O’Sullivan: House of Enlightenment

MAP’s guest editor relishes Joanne Tatham and Tom O’Sullivan’s interventions at Newhailes House
#10 - June 2007

Gustav Metzger: Revolutionary Constructions

Gustav Metzger in conversation with international curator Hans Ulrich Obrist reveals a visionary spirit active both politically and artistically across nearly seven decades. With a busy year ahead, Metzger is preparing to show at skulptur projecte munster
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#10 - June 2007

Lucy Skaer: Drawing Close

Glasgow-based artist Lucy Skaer is interested in fictions and histories. Highly articulate in the medium of drawing, she also makes films and installation and installations with charged imagination. Here, she is in conversation with Isla Leaver-Yap
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#10 - June 2007

Kate Davis: Could we? I am asking

John Calcutt finds the work of Kate Davis complex, subtle, powerful and bravely questioning of gender perspectives. Born in New Zeland, and now resident in Glasgow, Davis is attracting increasing international recognition
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#3 - August 2005

Gorbals

Ruth Hedges rediscovers the photographs of her father Nick Hedges and visits the Gorbals in Glasgow, an area which he documented in the 60s, to find art on the streets
#2 - May 2005

Bulletin

A round-up of journeys, events and spaces. Contact Jess Dolan with details of new projects, residencies or opportunities.
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#16 Winter - November 2008 Review

David Bellingham

13 September–14 October, 2008, The Changing Room, Stirling
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#19 Autumn - September 2009 Review

Silke Otto-Knapp

4 July–13 September, 2009, Modern Art Oxford, Oxford
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#20 Winter - November 2009 Review

Mathilde ter Heijne

20 September–8 November, 2009, SMBA, Amsterdam
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#17 Spring - March 2009 Review

Robert Kusmirowski

7 January–22 February, Bunkier Sztuki, Krakow
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#17 Spring - March 2009 Review

Graham Little

21 November–19 December, Alison Jacques Gallery, London
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#18 Summer - June 2009 Review

Museum Futures: Distributed

28 March, Cockpit Theatre, London
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#18 Summer - June 2009 Review

Daniel Roth

21 March–25 April, Galerie Fons Welters, Amsterdam  
Hayes By Enid Alvarez
#23 Autumn - September 2010 Review

Sharon Hayes

24 July 2010, Guggenheim, New York
Byrne Accent
#23 Autumn - September 2010 Review

The Long Dark

17 July–19 September 2010, Kettle’s Yard, Cambridge
#23 Autumn - September 2010 Review

The Potosí Principle

12 May–6 September 2010, Museo Nacional Centro de Arte Reina Sofía, Madrid
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#10 - June 2007 Review

Ross Sinclair versus Sir Edwin Landseer

13 January–9 April 2007, Aberdeen Art Gallery
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#9 - March 2007 Review

Graham Fagen

27 October–9 December, 2006, doggerfisher, Edinburgh
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#8 - November 2006 Review

The Four

19 August–23 September 2006, Collins Galery, University of Strathclyde, Glasgow
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#8 - November 2006 Review

Books: Free Association

Edited by Malcolm Dickson £10
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#8 - November 2006 Review

Books: Timeline

Douglas Gordon, MOMA £32
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#7 - September 2006 Review

East Art Map: Contemporary Art and Eastern Europe

Edited by IRWIN AFTERALL BOOKS, 2006, £24.95
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#7 - September 2006 Review

Dada’s Boys: Identity and Play in Contemporary Art

27 May–16 July 2006, Fruitmarket Gallery, Edinburgh
#24 - November 2010 Review

The Portable John Latham

Edited by Antony Hudek and Athanasios Velios, Occasional Papers in association with Whitechapel Gallery, London, 2010, £12.50,                                                   ISBN 978-0-9562605-5-0
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#42 - January 2018 Review

Spectres of the Deep

Mother Tongue review John Akomfrah’s Vertigo Sea at Talbot Rice Gallery, 21 October 2017 - 27 January 2018