Index / Footnotes
This can only be thought of as a monologue within a dialogue
This day long programme for the ECA School of Art Friday Talk series, was curated by Suzanne van der Lingen and Claire Walsh. Presented on 24 March, 2017, the full programme and images, published here, document the occasion
AFTERWORD
Louise Briggs, curator of ‘The transparent tortoiseshell and the un-ripe umbrella’, provides an intimate insight into the thought process behind the show which takes place at Glasgow Sculpture Studios 23 January - 5 March 2016 and includes work by Eva Berendes, Stephanie Mann, Rallou Panagiotou, Vanessa Safavi and Samara Scott
Voicing the Archive
An installation of readings from MAP’s archive at Edinburgh Sculpture Workshop and Centre for Contemporary Arts, Glasgow
DROSTE
A new film by Mairi Lafferty made on residency at no.w.here, London was made available as part of ‘Footnoting the Archive’.
It is this it is this, it is this
A Portrait of Margaret Tait. Transcript of ‘It is this it is this, it is this’, a performative video-essay by Laura Edbrook & Sarah Forrest
Voicing the Archive: Recording Session
Documentation of a recording session for the Voicing the Archive installation
It is this it is this, it is this: Documentation
Documentation of event at Glasgow Sculpture Studios, 11 June 2016
I, THE OTHER, THE SPACE BETWEEN: READING IN THE DARK
Essay by Suzanne van der Lingen
#28 - February 2013
The Objects: Chapter Two
Kyla McDonald engages with the importance of the moving image and photography as a way of capturing the ‘object’ in an increasingly fast-moving and changing age
#37 - January 2016
In Conversation: Alice Bain, Laura Edbrook, Julia Wylie
Discussing MAP’s history, its identity as a publishing platform and digitised archive.
Footnoting the Archive at Glasgow Sculpture Studios
MAP presents an event as part of Footnoting the Archive | 2-4pm, 11 June 2016
PREFACE
Suzanne van der Lingen & Claire Walsh introduce their 2016 MAP editorial project
#37 - January 2016
edits-while-u-wait
57 texts from ‘edits-while-u-wait’: the free editing service for artists’ writings aimed at exploring the role of the editor in contemporary art. Introduction by Claire Walsh
‘The transparent tortoiseshell and the un-ripe umbrella’: FOOTNOTES
The beginning of a series of footnotes to Glasgow Sculpture Studios’ new exhibition. Text by Louise Briggs
#37 - February 2016
A conglomerate of voices rise up like hidden steam: Video
A video by Stephanie Mann
Vulpecula
A footnote by Suzanne van der Lingen, re-published in March 2019 as part of Issue #49, Couldn’t we just bee?
Challenge to Fascism: Glasgow’s May Day (1938)
Jenny Brownrigg and Shona Main write about Helen Biggar’s final film
#37 - June 2016
Living with the Promises of Appearances
Performance and Broadcast by Sarah Rose and Rebecca Wilcox | 9.45 - 10.45pm, 21 June 2016
#37 - July 2016
Endnotes: On Social Reproduction
Endnotes to Victoria Horne’s essay ‘The Weight of History’ published as part of ‘Footnoting the Archive: Endnotes’
#37 - July 2016
a childish tune plays a keyboard anthem
A footnote by Aniela Piasecka to ‘Made to be Broken’, a collaboration with Paloma Proudfoot presented as part of Platform: 2016 at Edinburgh Art Festival
#37 - July 2016
Notes on The Miraculous at Edinburgh Sculpture Workshop [1]
Peter Amoore expands on ‘The Miraculous’ at Edinburgh Sculpture Workshop. Essay published as part of ‘Footnoting the Archive: Endnotes’. Includes comments by Raphael Rubinstein.
#37 - July 2016
Digital Marginalia
An essay by Annet Dekker exploring digital archival projects. Published as part of ‘Footnoting the Archive: Endnotes’
Speaking Nearby
Daisy Lafarge delves into MAP’s digital archive to question links between geological and creative production
The Weight of History
Victoria Horne considers ‘Weight’, a video work by Kate Davis. Essay published as part of ‘Footnoting the Archive: Endnotes’
#37 - July 2016
Possiplex*
Aideen Doran reflects upon Ted Nelson’s Project Xanadu, a lost information future. Published as part of ‘Footnoting the Archive: Endnotes’
Quiet Heat: an Introduction
Dave Young introduces ‘Quiet Heat: Archive Machines and War Fever’. Commissioned as part of ‘Footnoting the Archive’, and produced using research conducted during a remote residency at the Artist Run Data Center, run by Servus in Linz, Austria, in late 2015. The extended text is hosted by the Artist Run Data Centre and accessible at quietheat.dvyng.com
Geomancing Digital Material / Reading the MAP Archive Oracularly
Holly Pester introduces a series of ‘magical correspondences’ with MAP’s archive of past issues and content. Each instalment will be a projection that stories imagined potential from the archive data
Tomorrow is a Season: Search-Play-See
The third instalment of a series of ‘magical correspondences’ with MAP’s archive by Holly Pester
The bits of ourselves we leave behind
An essay in fragments by Sarah Neely, with extracts from the archive of Margaret Tait
Kelly Nipper: Composing Movements
Joanna Fiduccia explores a practice that reconnects movement with myth
Report: Back To You: Contemporary Performative Practice
Sarah Lowndes explores a current wave in contemporary art