Index / Film and video

#37 - February 2016

A conglomerate of voices rise up like hidden steam: Video

A video by Stephanie Mann
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#21 Spring - March 2010 Review

Live Film! Jack Smith! Five Flaming Days in a Rented World

28 October–1 November, various venues, Berlin
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#22 - June 2010 Review

The Inhabitants

14 March–25 April, 2010, Vilma Gold, London
Mai A  Feminist  Chorus  Image Crop
#31 - April 2014

‘A Feminist Chorus’

Live at Glasgow Women’s Library, Saturday 5 April, Glasgow International 2014
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#31 - February 2014

‘A Feminist Chorus’ by Lucy Reynolds, curated by MAP

Glasgow International: ‘A Feminist Chorus’, one film, two sound works and a performance, spanning three venues, 5—21 April, Glasgow Women’s Library, Glasgow School of Art & 5 Blythswood Square
Mai Aj2
#39 - July 2017 Review

A Series of Utterly Improbable, Yet Extraordinary Renditions

Eliel Jones reviews Arthur Jafa’s exhibition at Serpentine Sackler Gallery, 8 June - 10 September
32 6
#3 - August 2005

A Watchful Eye

Victoria Miguel interviews artist Rosalind Nashashibi about her recent residency in New York and making films
18 2
#10 - June 2007

Aernout Mik: Deadlock

Barry Schwabsky examines the truths behind the video work of renowned Netherlands artist Aernout Mik and wonders just how close we all are to being extras in one of his videos
86
#20 Winter - November 2009 Review

Alejandro Jodorowsky’s ‘Dune’: An exhibition of a film of a book that never was

17 September–25 October, 2009, The Drawing Room, London
88  Moyra  Davey  Rgb
#21 Spring - March 2010 Review

Allan Sekula

12 December 2009–28 February 2010, Zacheta National Gallery of Art, Warsaw
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#28 - May 2013

and from then on we lived on blueberries for about a week

We are pleased to present two videos by Lisa Myers, one new for MAP and both part of ‘Blueprints for a Long Walk’, an ongoing piece that works through a family story of survival and resilience
91 Andreas  Bunte  Rgb Image
#21 Spring - March 2010 Review

Andreas Bunte

7 November–9 December, 2009, Galerie Ben Kaufmann, Berlin
59 2
#13 Spring - March 2008 Review

Anri Sala

9 November–22 December 2007, Hauser & Wirth, London
96 3
#19 Autumn - September 2009

Back Page: Jane and Louise Wilson

Jane and Louise Wilson, film still from ‘Unfolding the Aryan Papers’, 2009
90
#19 Autumn - September 2009 Review

Bill Viola

19 June–5 September, 2009, Pier Arts Centre, Stromness
60 6
#13 Spring - March 2008 Review

Books & Film DVDs: Oreet Ashery

www.thisisunbound.co.uk £10
60 1 4
#10 - June 2007 Review

Books: 40 Years Videoart.de

PART1: Digital Heritage: Video Art in Germany 1963 to the present Rudolf Frieling/Wulf Herzogenrath www.hatjecantz.de English edition ISBN 978-3-77571-717-5 £24.95
62 1 6
#6 - April 2006 Review

Books: STUDIOFILMCLUB

By Peter Doig, published by Verlag Walther Konig, 2005
63 2 5
#8 - November 2006 Review

Books: Timeline

Douglas Gordon, MOMA £32
76 2 2
#14 Summer - June 2008 Review

Books: Video: The Reflexive Medium

Yvonne Spielmann www.mitpress.mit.ed ISBN: 978-0-262-19566-9
56 1 2
#2 - May 2005 Review

Briony Anderson

Ivy Buchanan’s, Banff, 14–28 March  
68 2
#14 Summer - June 2008 Review

Broadcast Yourself

28 February–5 April 2008, Hatton Gallery, Newcastle
59 5
#9 - March 2007 Review

Catherine Sullivan

2 December 2006–27 January 2007, CCA, Glasgow
69 4
#14 Summer - June 2008 Review

Chris Marker

25 February–5 April 2008, Galerie de France, Paris
56 1 5
#8 - November 2006 Review

Christian Jankowski

8–30 September 2006, Lisson Gallery, London
Naomi Lux 20170805 0001
#41 - October 2017 Review

Circumstantial Evidence

Kirsty Hendry responds to ‘Every contact leaves a trace’ curated by Naomi Pearce, a LUX screening at Glasgow Film Theatre, 1 October
Andrea Zimmerman
#42 - February 2018 Review

Civil Rites

Fiona Anderson on Andrea Luka Zimmerman’s film at Tyneside cinema, Newcastle, part of Freedom City festival, 8 December 2017 - 22 January 2018
80 1 1
#24 - November 2010

Clément Rodzielski

Joanna Fiduccia unravels enigma and invention in the work of this young French artist
54 1 4
#6 - April 2006 Review

Colin Kirkpatrick

Peacock Visual Arts, Aberdeen, 10 February–25 March 2006 
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#41 - October 2017 Review

Country Grammar

Ruth Barker reviews ‘Country Grammar’ by Sue Tompkins (featuring work by Luke Fowler) at The Modern Institute Aird’s Lane, Glasgow, 30 September - 4 November
60 1 3
#3 - August 2005 Review

Craig Mulholland

The Changing Room, Stirling, 6-9 July, 2005 
32
#13 Spring - March 2008

Craig Mulholland: Viral Transmissions

Craig Mulholland talks to Susannah Thompson in the run-up to a series of exhibitions showcasing a major new body of work, Grandes et Petites Machines. A re-edited version of his new film ‘Peer to Peer’ has been commissioned for MAP and can be viewed in the Commission pages of the website or by clicking below
58 2 3
#11 Autumn - September 2007 Review

Dalziel and Scullion

18 May–30 June 2007, An Tobar, Mull
81
#20 Winter - November 2009 Review

Dance With Camera

11 September 2009–21 March 2010, ICA, Philadelphia
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#21 Spring - March 2010 Review

Danièle Huillet and Jean-Marie Straub

13 November–20 December, 2009, Extra City, Antwerp
David  Hominal 4
#23 Autumn - September 2010 Review

David Hominal

11 June–15 August 2010, Centre d’Art Contemporain, Geneva
85 1
#20 Winter - November 2009 Review

Deimantas Narkevicius

1 October–29 November, 2009, BFI, London
95 3
#17 Spring - March 2009 Review

Ding Dong

12 December 2008–22 February 2009, FACT, Liverpool
#21 Spring - March 2010

Dispatches from Ben Rivers on location for his forthcoming sci-fi project

Filmmaker Ben Rivers discusses his latest project, which has taken him to Lanzarote, Japan, New Zealand and Tuvalu
Footnote16
#45 - May 2018 MAP Editions

Do Not Make The

The Moving Image Chapters
58 1 6
#7 - September 2006 Review

Douglas Gordon: Timeline

11 JUN–2 OCT, 2006, MOMA, New York
Droste  July 2015 Flame 07Reverse
#37 - November 2016

DROSTE

A new film by Mairi Lafferty made on residency at no.w.here, London was made available as part of ‘Footnoting the Archive’. 
26 7
#1 - February 2005

Dub Rabbie: Graham Fagen

Neil Cooper mixes with Glasgow artist Graham Fagen, reggae king Adrian Sherwood and Ayrshire bard Robert Burns
37 5
#15 Autumn - September 2008

Duncan Campbell: Telling Stories

Ken Neil examines the existentialist core of Duncan Campbell’s prize-winning new film ‘Bernadette’
91 4
#22 - June 2010 Review

Dundee: Moving Images from the Attic Archive

19 March–18 April, 2010, Cooper Gallery
60 4
#25 - July 2011

Ed Atkins

Q&A by Richard Whitby
#37 - January 2016

edits-while-u-wait: Video Documentation

Video documentation of the second session of edits-while-u-wait, April 2015, ESW
#24 - November 2010 Review

Elizabeth McAlpine

26 October–20 November, Laura Bartlett Gallery, London
60 2 3
#5 - January 2006 Review

Elizabeth Ogilvie: Bodies of Water

DCA, Dundee, 16 December 2005-12 February 2006
#37 - November 2016

Ellipsis

a footnote by Suzanne van der Lingen
30 1
#14 Summer - June 2008

Emerging: Ann Bowman

Hollywood to Glasgow, this young American artist explores fantasy and glamour with a sharp film-maker’s eye
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#20 Winter - November 2009

Emerging: Anna Molska

Malgorzata Mleczko finds the unexpected at the heart of Anna Molska’s practice
24 1
#18 Summer - June 2009

Emerging: Stina Wirfelt

Alhena Katsof explores Stina Wirfelt’s suburban portraits
55 8
#7 - September 2006 Review

Erica Eyres

ROKEBY 17 MAY–20 JUN, 2006, London
86 1 1
#17 Spring - March 2009 Review

Expanded Cinema: The Live Record

6 December 2008, BFI Southbank, London
Tornado
#23 Autumn - September 2010 Review

Francis Alÿs

15 June–5 September 2010. Tate Modern, London
51 5
#6 - April 2006 Review

Gary Rough

Sorcha Dallas, Glasgow, 1 April–6 May 2006 
88 1
#18 Summer - June 2009 Review

Guy Benfield

1–25 April, Uplands Gallery, Melbourne  
44 5
#17 Spring - March 2009

Hayley Tompkins: Hypothetically Seeing

Joanna Fiduccia visits Glasgow to meet Hayley Tompkins, in whose work she discovers abstraction of an extended, visionary nature
57 10
#7 - September 2006 Review

Henry Coombes: Laddy and the Lady

TRAMWAY 7–30 JUL, 2006, Glasgow
Mai How  To  Fake  Your  Own  Death3
#35 - August 2015

How to Fake Your Own Death

The characters in this text are fictitious and any resemblance to persons living or dead is purely coincidental. Essay film by Suzanne van der Lingen
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#32 - November 2014

I, THE OTHER, THE SPACE BETWEEN: READING IN THE DARK

Essay by Suzanne van der Lingen
Picture 7
#23 Autumn - September 2010

In Production: Discoteca Flaming Star

Anita Di Bianco interviews Cristina Gómez Barrio and Wolfgang Mayer
Worst  Case  Scenario 2001 3
#22 - June 2010 Review

John Smith

19 March–13 April, 2010, Royal College of Art, London
24 9
#2 - May 2005

Journey Two: Tours

Continuing his series of artistic wanderings especially for MAP, Duncan McLaren takes off to France to climb a mountain of the imagination—despite the language barrier
93 4
#25 - July 2011 Review

Józef Robakowski

8 April–15 May, 2011, Ludlow 38, New York
#37 - February 2016

K’s Turn

Video by Rallou Panagiotou
#4 - December 2005 Review

Katy Dove

Metrople Galleries, Folkestone 11 September-23 October, 2005
58 7
#13 Spring - March 2008 Review

Keren Cytter

30 November 2007–6 January 2008, Cubitt, London
55 2 5
#8 - November 2006 Review

Killing Time

9 September–5 November 2006, Dundee Contemporary Arts, Dundee
90 1
#18 Summer - June 2009 Review

Kim Coleman & Jenny Hogarth

14 March–18 April, Picture This, Bristol
Tripoli06 Final
#23 Autumn - September 2010 Review

Knut Åsdam

27 May–27 August, 2010, Bergen Kunsthall
82 1
#17 Spring - March 2009 Review

Langlands & Bell

25 October–13 December, Talbot Rice Gallery, Edinburgh
Lucy  Reynolds
#31 - February 2014

Lucy Reynolds: Talks

Glasgow School of Art, Friday Event at the Glasgow Film Theatre, 11am—12:30pm, 14 February 2014 | Edinburgh College of Art, Friday Talk, Main Lecture Theatre, 11.30am—1pm, 28 March 2014 
55 9
#6 - April 2006 Review

Luke Fowler

The Modern Insitute, Glasgow, 18 February–18 March 2006 
57 2 1
#13 Spring - March 2008 Review

Luke Fowler & Charlie Hammond

19–24 January 2008, Buccleuch Street, Glasgow
60 1 9
#6 - April 2006 Review

Lumin de Lumine

Skateraw/Torness, 9 February 2006
#32 - September 2014

MAP at Platform

‘A Feminist Chorus’ film screening during 21 Revolutions exhibition at Platform, Glasgow, 7 November—7 December, 2014
Mai Screen  Shot 2014 11 29 At 12 10 21
#32 - November 2014

MAP Screen | READING IN THE DARK

Curated by Suzanne van der Lingen | Instalment 1: ‘Voice—Text—Screen’, Peter Rose, Torsten Lauschmann, Allan Hughes
You Are Prouvost
#33 - February 2015

MAP Screen | READING IN THE DARK

Curated by Suzanne van der Lingen | Instalment 2: Gerard Byrne, Sarah Forrest, Laure Prouvost, Peter Rose | Readings by Laura Edbrook & Sarah Forrest and Suzanne van der Lingen | Screened 25 February. Event images online  
#30 - November 2013

MAP Screen | The Anthropology Effect

For the second installment of MAP Screen, Karen Cunningham selects three works—two clips from vintage television documentaries presented by David Attenborough and John Grierson and a video piece by Glasgow-based artist David Sherry
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#29 - August 2013

MAP Screen | The Anthropology Effect

This new season of film and video selected by Karen Cunningham opens with Ravi Govender, ‘Localized’, 2013 and Adam Chodzko, ‘The Pickers’, 2009
55 2 2
#10 - June 2007 Review

Marc Bijl, Gerard Byrne, Valerie Jouve

21 April–23 June 2007, Aliceday, Brussels
63 1 5
#9 - March 2007 Review

Margaret Tait: Selected Films 1952–1976

LUX/Scottish Screen DVD 2006, £19.99
#8 - November 2006 Review

Mark Raidpere

20 October–19 November 2006, Tramway, Glasgow
85 5
#16 Winter - November 2008 Review

Matthieu Laurette

1 January–31 December, 2008 Blow de la Barra, London
Mikes House Bw10
#22 - June 2010 Review

Michael Smith

16 January–20, 2010, February Ellen de Bruijne Projects, Amsterdam
83 1
#19 Autumn - September 2009 Review

Michel Auder

27 May–26 July, 2009, Cubitt, London
Lux  Aap  Poster  Display
#38 - April 2017

MULTIPLEXING II

A text by Mike Sperlinger in collaboration with MULTIPLEXING, a cinema event originally presented in south London in 2014 and restaged in Glasgow on 21 March 2017. The programme celebrates the legacy of artist, performer, curator and writer, Ian White (1971-2013) through his influential teaching position with LUX 
95 2
#18 Summer - June 2009 Review

Museum Futures: Distributed

28 March, Cockpit Theatre, London
Nervous Skies
#35 - August 2015

Nervous Skies

Nervous Skies is a transatlantic collaboration between Amelia Bande, Deborah Bower, Annette Knol and Mat Fleming. An installation of 16mm film, slides and text shown in multiple projections, it was first exhibited at the NewBridge Project, Newcastle-upon-Tyne, in April and May 2015. Essay by Susannah Thompson
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#34 - March 2015 Review

O.K. Rick [Review]

Jenny Brownrigg responds to the Florrie James work screened in February at the Glasgow Film Festival.
58 2 1
#13 Spring - March 2008 Review

Pablo Bronstein

19 January–24 February 2008, Herald St, London
10
#22 - June 2010 Review

Petra Bauer

27 March–8 May, 2010, Focal Point Gallery, Southend-on-Sea
58
#19 Autumn - September 2009

Pinochet Porn in Progress

Artist Ellen Cantor sketches out the narrative beginnings of an ambitious film project
Mai Screen  Shot 2013 11 12 At 11 20 50 1
#30 - November 2013

Polventon

A new collaborative video by Shana Moulton and Lucy Stein
#22 - June 2010

POOL Group: Deriving History from Hindsight

Steven Cairns discovers the humanity in the films of the overlooked POOL Group
21
#19 Autumn - September 2009

Production: Anja Kirschner & David Panos

Steven Cairns gets to the bottom of ‘The Last Days of Jack Sheppard’, a film based on inferred prison encounters between the eponomous 18th century criminal and Daniel Defoe, ghostwriter of Sheppard’s ‘autobiography’
40 1
#20 Winter - November 2009

Pulling Strings

Alessandro Rabottini falls for the work of Portuguese collaborators João Maria Gusmão and Pedro Paiva
#16 Winter - November 2008

Remarks: Katy Dove

Katy Dove discusses her two year residency at Platform, Glasgow, and how working with community groups has reflected on her practice.