Index / Film and video

#39 - July 2017 Review

this scattering of minds; like seeds

Kirsty Hendry responds to a film screening and Q&A with artist Sulaïman Majali at Transmission Gallery
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#39 - July 2017 Review

A Series of Utterly Improbable, Yet Extraordinary Renditions

Eliel Jones reviews Arthur Jafa’s exhibition at Serpentine Sackler Gallery, 8 June - 10 September
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#39 - August 2017 Review

With the sun aglow, I have my pensive moods

Fourth in a series of responses to Edinburgh Art Festival, Jessica Ramm reflects on Shannon Te Ao’s installation in Gladstone Court, 27 July - 27 August
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#38 - April 2017

MULTIPLEXING II

A text by Mike Sperlinger in collaboration with MULTIPLEXING, a cinema event originally presented in south London in 2014 and restaged in Glasgow on 21 March 2017. The programme celebrates the legacy of artist, performer, curator and writer, Ian White (1971-2013) through his influential teaching position with LUX 
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#37 - November 2016

DROSTE

A new film by Mairi Lafferty made on residency at no.w.here, London was made available as part of ‘Footnoting the Archive’. 
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#35 - August 2015

The orphans of a GENERATION

Preserving the legacy of Margaret Tait. Essay by Sarah Neely
Nervous Skies
#35 - August 2015

Nervous Skies

Nervous Skies is a transatlantic collaboration between Amelia Bande, Deborah Bower, Annette Knol and Mat Fleming. An installation of 16mm film, slides and text shown in multiple projections, it was first exhibited at the NewBridge Project, Newcastle-upon-Tyne, in April and May 2015. Essay by Susannah Thompson
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#34 - March 2015 Review

O.K. Rick [Review]

Jenny Brownrigg responds to the Florrie James work screened in February at the Glasgow Film Festival.
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#32 - November 2014 Essay

I, THE OTHER, THE SPACE BETWEEN: READING IN THE DARK

Essay by Suzanne van der Lingen
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#32 - November 2014

MAP Screen | READING IN THE DARK

Curated by Suzanne van der Lingen | Instalment 1: ‘Voice—Text—Screen’, Peter Rose, Torsten Lauschmann, Allan Hughes
Mai Screen  Shot 2013 11 12 At 11 20 50 1
#30 - November 2013

Polventon

A new collaborative video by Shana Moulton and Lucy Stein
Macpherson
#25 - July 2011

Shoplifters Shopgirls

Glasgow-based artists Sophie Macpherson and Clare Stephenson talk to Steven Cairns about their recent collaboration and how theatrical contexts have shaped it
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#25 - July 2011

Ed Atkins

Q&A by Richard Whitby
Skaer
#25 - July 2011

Remarks: Lucy Skaer

Using the site of an abandoned cinema for display, the artist outlines her forthcoming project in Leeds
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#25 - July 2011 Screening

Reproductive Labour: Cinenova

93 4
#25 - July 2011 Review

Józef Robakowski

8 April–15 May, 2011, Ludlow 38, New York
#37 - January 2016

edits-while-u-wait: Video Documentation

Video documentation of the second session of edits-while-u-wait, April 2015, ESW
#37 - February 2016

A conglomerate of voices rise up like hidden steam: Video

A video by Stephanie Mann
#37 - February 2016

K’s Turn

Video by Rallou Panagiotou
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#37 - April 2016

Vulpecula

A footnote by Suzanne van der Lingen, re-published in March 2019 as part of Issue #49, Couldn’t we just bee?
#37 - November 2016

Ellipsis

a footnote by Suzanne van der Lingen
Maia 4
#37 - December 2016

The bits of ourselves we leave behind

An essay in fragments by Sarah Neely, with extracts from the archive of Margaret Tait
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#35 - August 2015

How to Fake Your Own Death

The characters in this text are fictitious and any resemblance to persons living or dead is purely coincidental. Essay film by Suzanne van der Lingen
You Are Prouvost
#33 - February 2015 Glasgow Film Festival

MAP Screen | READING IN THE DARK

Curated by Suzanne van der Lingen | Instalment 2: Gerard Byrne, Sarah Forrest, Laure Prouvost, Peter Rose | Readings by Laura Edbrook & Sarah Forrest and Suzanne van der Lingen | Screened 25 February. Event images online  
#32 - September 2014

MAP at Platform

‘A Feminist Chorus’ film screening during 21 Revolutions exhibition at Platform, Glasgow, 7 November—7 December, 2014
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#31 - February 2014

‘A Feminist Chorus’ by Lucy Reynolds, curated by MAP

Glasgow International: ‘A Feminist Chorus’, one film, two sound works and a performance, spanning three venues, 5—21 April, Glasgow Women’s Library, Glasgow School of Art & 5 Blythswood Square
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#31 - February 2014

Lucy Reynolds: Talks

Glasgow School of Art, Friday Event at the Glasgow Film Theatre, 11am—12:30pm, 14 February 2014 | Edinburgh College of Art, Friday Talk, Main Lecture Theatre, 11.30am—1pm, 28 March 2014 
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#31 - April 2014 MAP Project

‘A Feminist Chorus’

Live at Glasgow Women’s Library, Saturday 5 April, Glasgow International 2014
#30 - November 2013

MAP Screen | The Anthropology Effect

For the second installment of MAP Screen, Karen Cunningham selects three works—two clips from vintage television documentaries presented by David Attenborough and John Grierson and a video piece by Glasgow-based artist David Sherry
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#29 - August 2013

MAP Screen | The Anthropology Effect

This new season of film and video selected by Karen Cunningham opens with Ravi Govender, ‘Localized’, 2013 and Adam Chodzko, ‘The Pickers’, 2009
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#28 - May 2013

and from then on we lived on blueberries for about a week

We are pleased to present two videos by Lisa Myers, one new for MAP and both part of ‘Blueprints for a Long Walk’, an ongoing piece that works through a family story of survival and resilience
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#27 - December 2012

The gatekeepers’ movements invent another language

Laura Edbrook’s text was written to accompany the video work ‘The End is the Beginning’
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#27 - December 2012

The End is the Beginning

MAP presents new work by Mhari McMullan & Urara Tsuchiya with score and video edit by Nick Packer
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#24 - November 2010

Clément Rodzielski

Joanna Fiduccia unravels enigma and invention in the work of this young French artist
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#23 Autumn - September 2010

In Production: Discoteca Flaming Star

Anita Di Bianco interviews Cristina Gómez Barrio and Wolfgang Mayer
#22 - June 2010

POOL Group: Deriving History from Hindsight

Steven Cairns discovers the humanity in the films of the overlooked POOL Group
#21 Spring - March 2010

Dispatches from Ben Rivers on location for his forthcoming sci-fi project

Filmmaker Ben Rivers discusses his latest project, which has taken him to Lanzarote, Japan, New Zealand and Tuvalu
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#20 Winter - November 2009

Pulling Strings

Alessandro Rabottini falls for the work of Portuguese collaborators João Maria Gusmão and Pedro Paiva
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#20 Winter - November 2009

Emerging: Anna Molska

Malgorzata Mleczko finds the unexpected at the heart of Anna Molska’s practice
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#19 Autumn - September 2009

Pinochet Porn in Progress

Artist Ellen Cantor sketches out the narrative beginnings of an ambitious film project
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#19 Autumn - September 2009

Production: Anja Kirschner & David Panos

Steven Cairns gets to the bottom of ‘The Last Days of Jack Sheppard’, a film based on inferred prison encounters between the eponomous 18th century criminal and Daniel Defoe, ghostwriter of Sheppard’s ‘autobiography’
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#19 Autumn - September 2009

Stephen Sutcliffe: Come to the Edge

Manipulating original broadcast material from his personal archive, Stephen Sutcliffe creates ‘surfaces which become the site of much-contested truth’. Michelle Cotton investigates these subtle ‘video collages’
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#19 Autumn - September 2009

Remarks: New Films In The Making

Steven Bode, director of The Film and Video Umbrella discusses the history of the organisation and some upcoming commission. 
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#19 Autumn - September 2009

Back Page: Jane and Louise Wilson

Jane and Louise Wilson, film still from ‘Unfolding the Aryan Papers’, 2009
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#18 Summer - June 2009

The Way In

Luke Fowler’s films exist on the margins of documentary. Martin Herbert examines the artist’s archive
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#18 Summer - June 2009

Turning Around

Joanna Fiduccia examines motifs in the films of Manon de Boer
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#18 Summer - June 2009

Emerging: Stina Wirfelt

Alhena Katsof explores Stina Wirfelt’s suburban portraits
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#18 Summer - June 2009

Remarks: New Commission for Threshold

In his first solo show in the UK, Igor Krenz creates new work for Threshold artspace’s permanent collection. Here, he talks about the commission ‘Circles and Squares’ and his YouTube Mix. 
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#17 Spring - March 2009

Residency: Jordan Baseman

Ilsa Colsell discovers power and honesty in the films of Jordan Baseman
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#17 Spring - March 2009

Hayley Tompkins: Hypothetically Seeing

Joanna Fiduccia visits Glasgow to meet Hayley Tompkins, in whose work she discovers abstraction of an extended, visionary nature
#16 Winter - November 2008

Remarks: Katy Dove

Katy Dove discusses her two year residency at Platform, Glasgow, and how working with community groups has reflected on her practice. 
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#15 Autumn - September 2008

Duncan Campbell: Telling Stories

Ken Neil examines the existentialist core of Duncan Campbell’s prize-winning new film ‘Bernadette’
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#13 Spring - March 2008

Craig Mulholland: Viral Transmissions

Craig Mulholland talks to Susannah Thompson in the run-up to a series of exhibitions showcasing a major new body of work, Grandes et Petites Machines. A re-edited version of his new film ‘Peer to Peer’ has been commissioned for MAP and can be viewed in the Commission pages of the website or by clicking below
#13 Spring - March 2008

Wilhelm Sasnal: Deluxe Punk

‘You are telling me things, but what do you actually mean by that? Whats your point? Lukasz Ronduda digs deep into the work of Polish artist Wilhelm Sasnal
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#14 Summer - June 2008

Emerging: Ann Bowman

Hollywood to Glasgow, this young American artist explores fantasy and glamour with a sharp film-maker’s eye
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#9 - March 2007

Reply: Absent Narratives

Malcolm Dickson replies to the MAP Report Issue 7
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#9 - March 2007

Report: Expanded Cinema: Time/Space/Structure

Luke Fowler reports on the history of expanded cinema
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#10 - June 2007

Report: The Faces of Berlin

Berlin Alexanderplatz on Screen
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#10 - June 2007

Aernout Mik: Deadlock

Barry Schwabsky examines the truths behind the video work of renowned Netherlands artist Aernout Mik and wonders just how close we all are to being extras in one of his videos
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#7 - September 2006

Report: Can Video Thrive as a Marginal Activity?

Isla Leaver-Yap reports on the state of video art in Scotland
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#3 - August 2005

A Watchful Eye

Victoria Miguel interviews artist Rosalind Nashashibi about her recent residency in New York and making films
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#3 - August 2005

Report

Tim Abrahams reports on art world activity
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#2 - May 2005

Songs in the Key of Life

Music is the escape, the anger, the boredom, the sadness, the sex, the affirmation, the madness and sense that takes us out of the daily grind. Neil Cooper celebrates the whole beautiful, blurred shebang as it morphs into art in the exhibition ‘Pass the Time of Day’
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#2 - May 2005

Journey Two: Tours

Continuing his series of artistic wanderings especially for MAP, Duncan McLaren takes off to France to climb a mountain of the imagination—despite the language barrier
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#1 - February 2005

Dub Rabbie: Graham Fagen

Neil Cooper mixes with Glasgow artist Graham Fagen, reggae king Adrian Sherwood and Ayrshire bard Robert Burns
63 1 5
#9 - March 2007 Review

Margaret Tait: Selected Films 1952–1976

LUX/Scottish Screen DVD 2006, £19.99
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#21 Spring - March 2010 Review

Live Film! Jack Smith! Five Flaming Days in a Rented World

28 October–1 November, various venues, Berlin
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#21 Spring - March 2010 Review

Andreas Bunte

7 November–9 December, 2009, Galerie Ben Kaufmann, Berlin
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#21 Spring - March 2010 Review

Allan Sekula

12 December 2009–28 February 2010, Zacheta National Gallery of Art, Warsaw
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#21 Spring - March 2010 Review

Danièle Huillet and Jean-Marie Straub

13 November–20 December, 2009, Extra City, Antwerp
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#16 Winter - November 2008 Review

Matthieu Laurette

1 January–31 December, 2008 Blow de la Barra, London
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#19 Autumn - September 2009 Review

Bill Viola

19 June–5 September, 2009, Pier Arts Centre, Stromness
83 1
#19 Autumn - September 2009 Review

Michel Auder

27 May–26 July, 2009, Cubitt, London
10
#22 - June 2010 Review

Petra Bauer

27 March–8 May, 2010, Focal Point Gallery, Southend-on-Sea
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#22 - June 2010 Review

Michael Smith

16 January–20, 2010, February Ellen de Bruijne Projects, Amsterdam
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#22 - June 2010 Review

The Inhabitants

14 March–25 April, 2010, Vilma Gold, London
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#22 - June 2010 Review

John Smith

19 March–13 April, 2010, Royal College of Art, London
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#20 Winter - November 2009 Review

Rewind + Play: An Anthology of Early British Video Art

LUX, DVD, 2009, £30
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#20 Winter - November 2009 Review

Rosalind Nashashibi

10 September–1 November, 2009, ICA, London
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#20 Winter - November 2009 Review

Alejandro Jodorowsky’s ‘Dune’: An exhibition of a film of a book that never was

17 September–25 October, 2009, The Drawing Room, London
85 1
#20 Winter - November 2009 Review

Deimantas Narkevicius

1 October–29 November, 2009, BFI, London
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#20 Winter - November 2009 Review

Dance With Camera

11 September 2009–21 March 2010, ICA, Philadelphia
95 3
#17 Spring - March 2009 Review

Ding Dong

12 December 2008–22 February 2009, FACT, Liverpool
89 4
#17 Spring - March 2009 Review

Simon Martin

28 November 2008–18 January 2009, Chisenhale, London
88 1 1
#17 Spring - March 2009 Review

Superflex

16 January–1 March, South London Gallery, London
86 1 1
#17 Spring - March 2009 Review

Expanded Cinema: The Live Record

6 December 2008, BFI Southbank, London
82 1
#17 Spring - March 2009 Review

Langlands & Bell

25 October–13 December, Talbot Rice Gallery, Edinburgh
95 2
#18 Summer - June 2009 Review

Museum Futures: Distributed

28 March, Cockpit Theatre, London
90 1
#18 Summer - June 2009 Review

Kim Coleman & Jenny Hogarth

14 March–18 April, Picture This, Bristol
88 1
#18 Summer - June 2009 Review

Guy Benfield

1–25 April, Uplands Gallery, Melbourne  
#24 - November 2010 Review

Elizabeth McAlpine

26 October–20 November, Laura Bartlett Gallery, London
Tornado
#23 Autumn - September 2010 Review

Francis Alÿs

15 June–5 September 2010. Tate Modern, London
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#23 Autumn - September 2010 Review

David Hominal

11 June–15 August 2010, Centre d’Art Contemporain, Geneva
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#23 Autumn - September 2010 Review

Knut Åsdam

27 May–27 August, 2010, Bergen Kunsthall
91 4
#22 - June 2010 Review

Dundee: Moving Images from the Attic Archive

19 March–18 April, 2010, Cooper Gallery
70 6
#14 Summer - June 2008 Review

The Hidden / Lars Laumann

19 January–24 February 2008, Maureen Paley, London
76 2 2
#14 Summer - June 2008 Review

Books: Video: The Reflexive Medium

Yvonne Spielmann www.mitpress.mit.ed ISBN: 978-0-262-19566-9
79 1
#14 Summer - June 2008 Review

Wilhelm Sasnal: The Other Church

11–27 April 2008, 66-68 Osborne Street, Glasgow
54 2 1
#13 Spring - March 2008 Review

Ulla von Brandenburg

18 January–24 February 2008, Stedelijk Museum, Amsterdam
55 4
#13 Spring - March 2008 Review

Rosa Barba

18 November 2007–6 January 2008, Stedelijk Museum Bureau, Amsterdam
57 2 1
#13 Spring - March 2008 Review

Luke Fowler & Charlie Hammond

19–24 January 2008, Buccleuch Street, Glasgow
58 7
#13 Spring - March 2008 Review

Keren Cytter

30 November 2007–6 January 2008, Cubitt, London
68 2
#14 Summer - June 2008 Review

Broadcast Yourself

28 February–5 April 2008, Hatton Gallery, Newcastle
69 4
#14 Summer - June 2008 Review

Chris Marker

25 February–5 April 2008, Galerie de France, Paris
58 2 1
#13 Spring - March 2008 Review

Pablo Bronstein

19 January–24 February 2008, Herald St, London
59 2
#13 Spring - March 2008 Review

Anri Sala

9 November–22 December 2007, Hauser & Wirth, London
60 6
#13 Spring - March 2008 Review

Books & Film DVDs: Oreet Ashery

www.thisisunbound.co.uk £10
53 1 1
#11 Autumn - September 2007 Review

Rosalind Nashashibi: Bachelor Machines

Part 1, Scotland and Venice, 10 June–2 November 2007, Palazzo Zenobio, Venice Part 2, Art Statements, 4–8 June 2007, Art Basel
58 2 3
#11 Autumn - September 2007 Review

Dalziel and Scullion

18 May–30 June 2007, An Tobar, Mull
55 2 2
#10 - June 2007 Review

Marc Bijl, Gerard Byrne, Valerie Jouve

21 April–23 June 2007, Aliceday, Brussels
60 1 4
#10 - June 2007 Review

Books: 40 Years Videoart.de

PART1: Digital Heritage: Video Art in Germany 1963 to the present Rudolf Frieling/Wulf Herzogenrath www.hatjecantz.de English edition ISBN 978-3-77571-717-5 £24.95
59 5
#9 - March 2007 Review

Catherine Sullivan

2 December 2006–27 January 2007, CCA, Glasgow
55 2 5
#8 - November 2006 Review

Killing Time

9 September–5 November 2006, Dundee Contemporary Arts, Dundee
#8 - November 2006 Review

Mark Raidpere

20 October–19 November 2006, Tramway, Glasgow
63 2 5
#8 - November 2006 Review

Books: Timeline

Douglas Gordon, MOMA £32
56 1 5
#8 - November 2006 Review

Christian Jankowski

8–30 September 2006, Lisson Gallery, London
57 10
#7 - September 2006 Review

Henry Coombes: Laddy and the Lady

TRAMWAY 7–30 JUL, 2006, Glasgow
55 8
#7 - September 2006 Review

Erica Eyres

ROKEBY 17 MAY–20 JUN, 2006, London
59 7
#7 - September 2006 Review

Zidane: a 21st Century Portrait

CANNES FILM FESTIVAL WORLD PREMIERE 23 APR EDINBURGH INTERNATIONAL FILM FESTIVAL 19/20 AUG, 2006, Cannes
58 1 6
#7 - September 2006 Review

Douglas Gordon: Timeline

11 JUN–2 OCT, 2006, MOMA, New York
58 2 8
#3 - August 2005 Review

There Where You Are Not

John Hansard Gallery, Southampton 31 May–9 July 2005 
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#6 - April 2006 Review

What Makes You And I Different?

Tramway, Glasgow, 24 February–26 March 2006 
51 5
#6 - April 2006 Review

Gary Rough

Sorcha Dallas, Glasgow, 1 April–6 May 2006 
54 1 4
#6 - April 2006 Review

Colin Kirkpatrick

Peacock Visual Arts, Aberdeen, 10 February–25 March 2006 
55 9
#6 - April 2006 Review

Luke Fowler

The Modern Insitute, Glasgow, 18 February–18 March 2006 
60 1 9
#6 - April 2006 Review

Lumin de Lumine

Skateraw/Torness, 9 February 2006
62 1 6
#6 - April 2006 Review

Books: STUDIOFILMCLUB

By Peter Doig, published by Verlag Walther Konig, 2005
56 1 2
#2 - May 2005 Review

Briony Anderson

Ivy Buchanan’s, Banff, 14–28 March  
60 2 3
#5 - January 2006 Review

Elizabeth Ogilvie: Bodies of Water

DCA, Dundee, 16 December 2005-12 February 2006
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#1 - February 2005 Review

Torsten Lauschmann

Transmission Gallery, Glasgow, 6 Nov-4 Dec 2004
53 11
#1 - February 2005 Review

Suck on Science, Michael Fullerton

CCA, Glasgow, 29 Jan-13 Mar 2005
60 2 1
#2 - May 2005 Review

Stop, Look, Listen

The Meffan, Forfar, 26 March-23 April 
#4 - December 2005 Review

Robert Smithson

Whitney Museum of American Art, New York 22 June-16 October
#4 - December 2005 Review

Katy Dove

Metrople Galleries, Folkestone 11 September-23 October, 2005
60 1 3
#3 - August 2005 Review

Craig Mulholland

The Changing Room, Stirling, 6-9 July, 2005 
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#41 - October 2017 Review

Country Grammar

Ruth Barker reviews ‘Country Grammar’ by Sue Tompkins (featuring work by Luke Fowler) at The Modern Institute Aird’s Lane, Glasgow, 30 September - 4 November
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#41 - October 2017 Review

Circumstantial Evidence

Kirsty Hendry responds to ‘Every contact leaves a trace’ curated by Naomi Pearce, a LUX screening at Glasgow Film Theatre, 1 October
Andrea Zimmerman
#42 - February 2018 Review

Civil Rites

Fiona Anderson on Andrea Luka Zimmerman’s film at Tyneside cinema, Newcastle, part of Freedom City festival, 8 December 2017 - 22 January 2018
Footnote16
#45 - May 2018 MAP Editions

Do Not Make The

The Moving Image Chapters
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#46 - July 2018 Review

Something for the Boys

Eliel Jones reviews a new film work by Hannah Quinlan and Rosie Hastings at Two Queens, Leicester, 30 June - 1 September
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#47 - October 2018 Review

Make Me Up

Victoria Horne reviews the new feature-length film by Rachel Maclean 
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#48 - November 2018 Letters

Intentionally Unsent Letters or Letters Forgotten Unintentionally

The first in a series of letters written by Ester Krumbachová, published in conjunction with the exhibition and film programme of the Czech artist’s work at CCA Glasgow, 7 Dec 2018 to 27 January 2019
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#48 - November 2018 Letters

You, my dear beloved boy, Honza Vee, 8 February, 1985

The second in a series of letters written by Ester Krumbachová, published in conjunction with the exhibition and film programme of the Czech artist’s work at CCA Glasgow, 7 Dec 2018 to 27 January 2019
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#48 - November 2018 Letters

Letter to my cats, Prague, 5 July, 1985

The third in a series of letters written by Ester Krumbachová, published in conjunction with the exhibition and film programme of the Czech artist’s work at CCA Glasgow, 7 Dec 2018 to 27 January 2019
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#48 - February 2019 MAP Event

Pinochet Porn — Ellen Cantor’s dark feature at Glasgow Film Festival 2019

A MAP screening curated by artist Georgia Horgan
I Am The Daughter Of Dead Fathers
#50 - May 2019 Review

Spaces, Places

Alchemy Film and Moving Image Festival, Hawick, 2-6 May, 2019. Review by Ben Nicholson
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#50 - July 2019 Review

Sunday Fantasy, an exhibition and film by Zoe Williams

Mimosa House, London, 25 May–27 Jul. Review by Ari Níelsson
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#54 - October 2019 Review

Against dialogue, or, we need to sing to mountains

Notes from the 15th Berwick Film & Media Arts Festival, 19–22 September 2019. By Marcus Jack
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#55 - February 2020 MAP Event

you, there, are you there? | MAP at Glasgow Film Festival 2020

Event over. A programme of short film, artist moving image and performance curated by Rosie Roberts and including work by Rhea Storr, Jessica Higgins, Alex Culshaw and Alison Scott. Wednesday, 4 March, 6pm. CCA Cinema
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#56 - April 2020 Screening

Tongues

MAP screens a new film by Màiri Lafferty, alongside ‘Polyphonic Repentance’, a text by Holly Yeoman
Birgit Megerle The Amusement projected slide show at Flourish Nights 2003 Courtesy of Lucy Mc Kenzie
#56 - April 2020 Essay

Seizing the means of projection

Marcus Jack considers thirty years of artists’ moving image exhibition in Glasgow
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#56 - April 2020 Interview

Gay Bond

A film by Lauren La Rose: an estranged father asks his daughter to help him make a homoerotic action movie. The resulting film, which includes interviews with family and former lovers, touches on issues of identity, immigration and social justice. In this special presentation MAP screens Gay Bond online and interviews the artist
Helen Cammock Wysing Arts Centre Photo Wilf Speller 13
#57 - May 2020 Review

Why, They Call it Idlewild

Erica Scourti remotely reviews Helen Cammock’s exhibition ‘They Call It Idlewild’ at Wysing Arts Centre, affirming a vision where respecting the human need for downtime is a vital act of care.
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#57 - May 2020 Review

ALCHEMY FILM FESTIVAL, LIVE

Alexander Storey-Gordon tuned into (and out of) the digital programme, 1-3 May 2020
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#60 - March 2021 Review

CAST by Jamie Donald

A response to Sharon Hayes’ ‘Fingernails on a blackboard: Bella’ which was screened at the launch of the year long GIVE BIRTH TO ME TOMORROW—Artist Moving Image Festival 2021
Taking back the legistature
#60 - March 2021 Review

We Leave Together

Matt Turner views two films by Hong Kong Documentary Filmmakers
Ufuoma Essi Bodies In Dissent 3
#61 - April 2021 Review

They lay on the floor like starfish

Ben Nicholson looks into Alchemy Film and Moving Image Festival 2021, Thu 29 Apr-Mon 3 May
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#63 - September 2021 Essay

The intimate boundaries of Istanbul

Helen Mackreath explores the city through three films
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#63 - September 2021 Review

Tax the Rich

Caitlin Merrett King visits Berwick Film & Media Arts Festival 2021 and considers the economics at play in the work of Ane Hjort Guttu, Rehana Zaman and Jordan Lord
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#63 - October 2021 Review

Little Palestine

Elhum Shakerifar reflects on Abdallah Al-Khatib’s poetry and film