Index / Feminism
Observing Women at Work: Franki Raffles
Catherine Spencer reviews ’Observing Women at Work: Franki Raffles’, at the Reid Gallery, The Glasgow School of Art, 4 March-27 April 2017
The Restless Image
Philomena Epps on Rose Finn-Kelcey: Life, Belief and Beyond at Modern Art Oxford, 15 July - 15 October
Nudes Never Wear Glasses
First in a series of responses to Edinburgh Art Festival, Victoria Horne reviews Kate Davis’ solo exhibition at Stills 28 July - 8 October
Notes from Venice
Claire Walsh offers notes from the Venice Biennale ‘Viva Arte Viva’ 13 May - 26 November
‘My mother,’ wrote Sontag, ‘improved her manners by losing her appetite’
‘Sick Sick Sick’ : The Books of Ornery Women | A reading project examining a radical or ‘bludgeoned’ subjectivity of female writers | Session Four, CCA, 24 April, 6.30pm
#37 - July 2016
Endnotes: On Social Reproduction
Endnotes to Victoria Horne’s essay ‘The Weight of History’ published as part of ‘Footnoting the Archive: Endnotes’
The Weight of History
Victoria Horne considers ‘Weight’, a video work by Kate Davis. Essay published as part of ‘Footnoting the Archive: Endnotes’
#32 - September 2014
MAP at Platform
‘A Feminist Chorus’ film screening during 21 Revolutions exhibition at Platform, Glasgow, 7 November—7 December, 2014
‘Sick Sick Sick’ : The Books of Ornery Women
A reading project examining a radical or ‘bludgeoned’ subjectivity of female writers
‘Sick Sick Sick’ : The Books of Ornery Women
A reading project examining a radical or ‘bludgeoned’ subjectivity of female writers initiated by Emma Balkind and Laura Edbrook in association with MAP. The project’s tumblr account goes live on 14 November
‘Sick Sick Sick’ : The Books of Ornery Women
A reading group examining a radical or ‘bludgeoned’ subjectivity of female writers
In Celebration of Grassroots and Grass Widows: Women’s Art Collaborations in Glasgow
An essay by Sarah Smith
Remarks: Read-Out! Read-In!
Faith Wilding and Kate Davis are working towards a two-woman discursive exhibition project with CCA, Glasgow, entitled ‘The Long Loch: How Do We Go On From Here?’, commissioned for Glasgow international, April 2010
Eva Hesse: Present Tense
Isla Leaver-Yap assesses the work of Eva Hesse, finding a sophisticated legacy with fresh resonance
Feminism: A Question of Readership
In this issue we publish a selection of the many reader responses to the set of questions on feminism in Issue 15
Whitney Biennial 2008 / Judy Chicago
6 March–1 June 2008, Whitney Museum of American Art / Long-term installation, Brooklyn Museum, New York
Books: After the Revolution: Women Who Transformed Contemporary Art
Eleanor Heartney, Helaine Posner, Nancy Princnthal, Sue Scott www.prestel.com ISBN 978-3-7913-3732-6 £25
a woman is our happy issue
Nisha Ramayya on ‘Some Context’, Hannah Black’s solo exhibition at Chisenhale Gallery, London, 22 September - 10 December
This Drove My Mother Up The Wall
Susan Finlay reviews Katharina Grosse at South London Gallery, 28 September - 3 December
The Engagement Party
Aniela Piasecka and Paloma Proudfoot share a text from their recent performance at Edinburgh Sculpture Workshop
a new thread, wayward
Rebecca Wilcox responds to Virginia Woolf: an exhibition inspired by her writings at Tate St Ives, 10 February - 29 April
We Who Are About To… MAP for GLASGOW INTERNATIONAL 2018
Dates and times of all project events, including shop opening times
We Who Are About To… Introduction
Project curator Deborah Jackson invites a reimagining of the future
“More generous and more suspicious”
Anna Bunting Branch examines Feminist SF as a worldbuilding practice
Xenofeminist Ecologies
(Re)producing Futures Without Reproductive Futurity by Helen Hester (Laboria Cuboniks) philosopher
The fact that we do
Joanna Peace writes on EVA International in Limerick in the context of the Irish Referendum
Make Me Up
Victoria Horne reviews the new feature-length film by Rachel Maclean
Pinochet Porn — Ellen Cantor’s dark feature at Glasgow Film Festival 2019
A MAP screening curated by artist Georgia Horgan
Soap Suds
‘Stoop, Stoop, Stooping is Stoopid!’. Rachel Adams and Tessa Lynch at Studio Pavilion, House for an Art Lover, 13 Jul-15 Sep 2019. Gwen Dupré responds.