Index / Collaboration
AFTERWORD
Louise Briggs, curator of ‘The transparent tortoiseshell and the un-ripe umbrella’, provides an intimate insight into the thought process behind the show which takes place at Glasgow Sculpture Studios 23 January - 5 March 2016 and includes work by Eva Berendes, Stephanie Mann, Rallou Panagiotou, Vanessa Safavi and Samara Scott
It is this it is this, it is this
A Portrait of Margaret Tait. Transcript of ‘It is this it is this, it is this’, a performative video-essay by Laura Edbrook & Sarah Forrest
It is this it is this, it is this: Documentation
Documentation of event at Glasgow Sculpture Studios, 11 June 2016
Ortonandon: Three Go Adventuring Again
Deborah Jackson’s essay examines Three Go Adventuring Again, a two-video installation by Ortonandon—sisters Katie, Anna and Sophie Orton. Accompanied by props inviting participation, ‘Family Patterning’ and ‘How to Die’ were first exhibited in August 2015 at Summerhall, Edinburgh.
Nervous Skies
Nervous Skies is a transatlantic collaboration between Amelia Bande, Deborah Bower, Annette Knol and Mat Fleming. An installation of 16mm film, slides and text shown in multiple projections, it was first exhibited at the NewBridge Project, Newcastle-upon-Tyne, in April and May 2015. Essay by Susannah Thompson
Footnoting the Archive at Glasgow Sculpture Studios
MAP presents an event as part of Footnoting the Archive | 2-4pm, 11 June 2016
#37 - January 2016
edits-while-u-wait
57 texts from ‘edits-while-u-wait’: the free editing service for artists’ writings aimed at exploring the role of the editor in contemporary art. Introduction by Claire Walsh
‘The transparent tortoiseshell and the un-ripe umbrella’: FOOTNOTES
The beginning of a series of footnotes to Glasgow Sculpture Studios’ new exhibition. Text by Louise Briggs
#37 - June 2016
Living with the Promises of Appearances
Performance and Broadcast by Sarah Rose and Rebecca Wilcox | 9.45 - 10.45pm, 21 June 2016
Pulling Strings
Alessandro Rabottini falls for the work of Portuguese collaborators João Maria Gusmão and Pedro Paiva
Residency: Bik van der Pol
John Calcutt talks to Rotterdam duo Bik Van der Pol about taking the collaborative route during their stay at Cove Park near Glasgow
Remarks: Face to Face
Collector, founder and president of the eponymous foundation in Turin, Patrizia Sandretto Re Rebaudengo talks about FACE.
Remarks: Read-Out! Read-In!
Faith Wilding and Kate Davis are working towards a two-woman discursive exhibition project with CCA, Glasgow, entitled ‘The Long Loch: How Do We Go On From Here?’, commissioned for Glasgow international, April 2010
Back Page: Jane and Louise Wilson
Jane and Louise Wilson, film still from ‘Unfolding the Aryan Papers’, 2009
Paulina Olowska: And it is Time
Paulina Olowska’s painterly sense of history and fascination for collaboration is discussed by Isla Leaver-Yap
A Well-Cultivated Garden
Duncan McLaren visits a Glasgow show that seems custom-made for this Enlightenment issue
Emerging: In the Fields
We introduce two pairs of artists who attracted attention at the Edinburgh Art Festival 2006; and two individual artists who are making a visible mark on the landscape of environmental art
Emerging: Ben and Holly
We introduce two pairs of artists who attracted attention at the Edinburgh Art Festival 2006; and two individual artists who are making a visible mark on the landscape of environmental art
Emerging: Richard Robinson & Robert Bermingham
Ruth Beale finds explorations of masculine fantasies in Wales
Lila de Magalhaes and Michael White
31 July–21 August 2010, SWG3, Glasgow
Throbbing Gristle/Cerith Wyn Evans
17 June 2009, Tramway, Glasgow
Books: Taking The Matter Into Common Hands: Contemporary Art and Collaborative Practices
Edited by Johanna Billing, Maria Lind and Lars Nilsson www.blackdogonline.com £19.95
Killing Time
9 September–5 November 2006, Dundee Contemporary Arts, Dundee
Double Vision
Timespan Gallery and Museum, Helmsdale 4-30 June and Australian Galleries, Collingwood 8-31 July, 2005
Folded multi-page travel itineraries with stage directions
The first in a series of research texts by Gordon Douglas reporting on encounters with collaborative practice in Japan
Handwritten personal details on a deck of fluorescent green playing cards
Second in a series of research texts by Gordon Douglas reporting on encounters with collaborative practice in Japan
The word ‘Tradition’ with several circles around it indicating it’s been alluded to multiple times in a conversation
Third in a series of research texts by Gordon Douglas reporting on encounters with collaborative practice in Japan
An upside down triangle with a two-headed arrow between the top two apexes. In the middle of this arrow, a dotted line with ‘SOCIAL’ written on one side and ‘SEXUAL’ on the other
Fourth in a series of research texts by Gordon Douglas reporting on encounters with collaborative practice in Japan
The cheapest notebook purchased hastily and a pencil decorated with the newest generation of Pokemon
Last in a series of research texts by Gordon Douglas reporting on encounters with collaborative practice in Japan.