Grace Schwindt
Stage is empty: black floor with 10cm high board all around, 245cm high rock on stage left and a screen that covers the width of the stage. A ramp leads from the floor to stage right. Audience is seated.
Projection starts. The projected image is smaller than the screen; the image is not projected over the rock. The video shows my grandfather and me trying to identify the position on a map where he received a radio message telling the German soldiers to attack a Greek fortress.
After 30 seconds, I walk on stage via the ramp and climb the rock. When I reach the top, I pick up a microphone placed up there.
I stand on the rock, very still, in profile to the audience and facing towards the stage, I stay in this position for about 30 seconds (until the part is finished where we study the map).
In the video I ask my grandfather about the technology of the radio communication. There are English subtitles on screen. On stage, I speak the English translation of what is said in the video live into the microphone. This lasts about 20 seconds.
My grandfather makes the noise that was the code for the different letters. On stage, I translate into English and make the noise with him. This part does not have subtitles.
The screen turns white.
I turn around and put the radio microphone down.
I get up and slowly walk back. I fall backwards onto the stage. This is a single movement. There is no pause between walking back and falling.
I stay there for about 10 seconds. The video is still white.
I get up when an image of a landscape appears on the video.
I walk off the stage via the ramp. I walk through the gallery door and disappear out of sight. A female performer sits on a raft with wheels. There is a cardboard flag from behind the door on the stage. I push the raft backwards, so she faces me. I take the ramp and push her in front of a crash mat. I place her between stage centre and the rock.
When I stop, she starts to read the script of a dialogue between my grandfather and me. She speaks into a radio microphone. She reads both the parts of my grandfather’s and me.
I walk in front of her and pick up a radio microphone sitting in her lap. I place the microphone on me.
She is holding two copies of the script. I take one from her.
I read together with her: I read my part and she reads my grandfather’s part. We read for about seven minutes.
I stop reading and walk off the stage via the ramp.
She continues to read both parts of the dialogue.
I walk behind the door where the male performer is sitting in a rocking chair…
Here is the valley
and this is water
This is probably a narrow valley
but I am not sure whether I was
in this particular one
Are you trying to figure out
where you…
where this narrow valley was
where I received the message
via the radio
that the troop has to attack
This is in principle a beautiful map
but how am I supposed to
understand it?
Greece is split on this map
it probably continues on the
other side
The map is very detailed
But it makes an overall view
difficult
I want to see the whole thing as
one entity
it is separated like this…
I was somewhere up here
but I need not confuse this with
the cruise holiday
that we also did around this area
One can mix these things up
But where was it
approximately?
Approximately here
we marched down from Bulgaria
down to the coast
then we walked along for a bit
This was the place where we
waited
I was a radio operator
and thought that down in the
valley
whichever one it was
it is impossible to receive a
signal
I had to walk up the cliff
I walked up and when I
re-connected
I received the message that the
German troop had to attack the
Greeks
The Greeks had a fortress in this
valley
a special construction with
cannons and so on
The German troop attacked the
Greeks
because of the signal that I
received on the side of the cliff
I would like to mark the area
on the map that includes the
possible positions where you
received the signal
I told you that I can’t figure out
the exact position
But you can make a circle…
No, I’m not going to scribble on
the map
OK, then I’ll do it
No, that’s nonsense
You could make a cross if you
knew where it was
but it makes no sense to mark
the whole coast…
But it was approximately in
this area?
Yes
Here…
I will draw on it
I feel very uncomfortable about
this, but it’s not my map
No, it’s my map
You can draw whatever you want
but isn’t it enough for you to
know that it was somewhere in
this area?
Coming down from Bulgaria
we walked somewhere along here
but it could have been here or
here.
I don’t think we reached the
island.
It was relatively far in the east
the attack in this valley.
So you came down from up
here
Yes, of course
But don’t draw all over the map
You make your map ugly
I have more maps, don’t
worry, I got this map so
I could draw on it
Just remember it
Here is Bulgaria
here a narrow area from which
we entered Greece
walked a long a bit further
Could have been on this country
road
Is this a road or a train track?
Probably a road
We walked along that road and
then there was this place, this
valley
We can’t figure this out more
precisely than that
You can only say it was in
this…
…in this area
I bought this map to draw on
Draw on it if you have to…