Index / Performance
Ian White Book Launch
Giles Bailey records his experience of the launch event at the Old Hairdressers, Glasgow, for ’Here is Information. Mobilise. Ian White’, a book of selected writings, published by LUX
#39 - July 2017
Review
For Now / Six Propositions
Elizabeth Reeder responds to a series of performances by Siobhan Davies Dance company at TramwayIt is this it is this, it is this
A Portrait of Margaret Tait. Transcript of ‘It is this it is this, it is this’, a performative video-essay by Laura Edbrook & Sarah ForrestIt is this it is this, it is this: Documentation
Documentation of event at Glasgow Sculpture Studios, 11 June 2016The Hollow Mountain
Voice in the live performance of Maria Fusco’s, ‘Master Rock’, by Claire WalshMAP Screen | Reading in the Dark
Images from Glasgow Film Festival event curated by Suzanne van der Lingen.Unmastered, Remastered by Katherine Angel & The Blackburn Company
Curated reading of the book ‘Unmastered / A Book On Desire, Most Difficult to Tell’‘A Feminist Chorus’ by Lucy Reynolds | Recording, March 2014
Recording for A Feminist Chorus at Glasgow Kelvin College, 21 March, 2014
#26 - November 2012
Slow dissolve to—
Room Interior. Closed Door. She walks slowly through scene and exits, by Laura Edbrook and Ailsa LochheadThe Fruit of Their Actions
Laura Edbrook engages in the psychology of a recent work by artist duo Smith/StewartShoplifters Shopgirls
Glasgow-based artists Sophie Macpherson and Clare Stephenson talk to Steven Cairns about their recent collaboration and how theatrical contexts have shaped itRemarks: In These Troubled Times
Jesse Jones and Fiona Marron discuss their Dublin workshopsFootnoting the Archive at Glasgow Sculpture Studios
MAP presents an event as part of Footnoting the Archive | 2-4pm, 11 June 2016
#37 - June 2016
Living with the Promises of Appearances
Performance and Broadcast by Sarah Rose and Rebecca Wilcox | 9.45 - 10.45pm, 21 June 2016Listen up! The best art & philosophy is on YouTube 4shure
MAP presented Gillian Wylde’s ‘Will internets eat brain’ for Glasgow Film Festival 2017, Friday 24 February, 6-7.30, CCA cinema, Glasgow‘A Feminist Chorus’ by Lucy Reynolds, curated by MAP
Glasgow International: ‘A Feminist Chorus’, one film, two sound works and a performance, spanning three venues, 5—21 April, Glasgow Women’s Library, Glasgow School of Art & 5 Blythswood Square‘A Feminist Chorus’ voices at The Glasgow School of Art
The sound work installed in the Hen Run during Glasgow International 2014 is now online
#31 - September 2014
‘A Feminist Chorus’ voices at 5 Blythswood Square
The sound work installed during Glasgow International 2014 is now online‘A Feminist Chorus’
Live at Glasgow Women’s Library, Saturday 5 April, Glasgow International 2014
#29 - August 2013
In the Shadow of the Hand : Object 7a
A witness statement in the form of a text and image, produced in response to Object 6a ‘Woman Crawling On Hands And Knees’. A collaborative project by Sarah Forrest and Virginia Hutchison
#29 - August 2013
In the Shadow of the Hand : Object 7b
A witness statement in the form of a text, produced in response to Object 6b ‘The Idea’. A collaborative project by Sarah Forrest and Virginia HutchisonIn the Shadow of the Hand : Object 5a
‘Object Removed’ A collaborative project by Sarah Forrest and Virginia Hutchison
#28 - April 2013
In the Shadow of the Hand : Object 5b
‘Witness Statement’ A collaborative project by Sarah Forrest and Virginia HutchisonGuy de Cointet
Giles Bailey meets Marie de Brugerolle to talk about the renewed interest in the avant-garde artist’s surreal performancesPerformance, Land Art and Photography
Francesco Gagliardi unpicks the ambiguity of the photographic document and its role as a cipher in both performance and land art from 1960 to the late 1970sEmerging: Cara Tolmie
Will Holder examines the complex practice of this London-based artistPower Structures, Pantomimes and Parodies
The installations and performances of Paris-based artist Lili Reynaud-Dewar draw from a kaleidoscopic field of identities and histories—from Rastafarianism to Super Studio, from shorthand typists to burlesque entertainers. Here, in conversation with Joanna Fiduccia, she discusses the ambiguities, both sculptural and moral, behind her very particular Follies, and what it means to be the woman behind the curtainPerformance and Pedagogy: All Talk, Some Action
Karen Archey sheds light on the rise of performance and pedagogy in contemporary art practiceRemarks: Performa 09
Roselee Goldberg, founder and director of Performa, maps out the origins, current programme, and future of the biennial of performance in New York CityReport: Art, Adolescence and Sociality
Sean Ashton takes a view from the crowd during ‘Our Name is Legion’, an event orchestrated by Kelly Large in Sleaford at 3pm on 30 April, 2009Residency: Simon Fujiwara
Oliver Basciano meets Simon Fujiwara to discuss his work and recent residency in LABack In To It
Darren Rhymes puts words together with new ‘Write Ups’ made for these pages by Sue Tompkins, an artist known for her performance and works on paperReport: Back To You: Contemporary Performative Practice
Sarah Lowndes explores a current wave in contemporary artIain Forsyth, Jane Pollard, Jason Pierce
The collaborators behind Silent Sound on their Liverpool Biennial performance based around the idea of spiritualismEmerging: Ben and Holly
We introduce two pairs of artists who attracted attention at the Edinburgh Art Festival 2006; and two individual artists who are making a visible mark on the landscape of environmental artDiary: Theatre of Dreams
Patrick Semple reports from the terraces at this year’s Art Cup in remote Huntly, AberdeenshireCertain of Nothing: Francis Alÿs
Francis McKee traces the path of Belgian artist Francis Alÿs as he explores the boundaries between politics, poetry and artRichard Foreman: Idiot Savant, The Public Theater
27 October–20 December, 2009, New YorkWilliam Hunt
13 September–31 October, 2008, Witte de With Rotterdam, RotterdamThe International Necronautical Society (INS) 17 January
17 January, Tate Britain, London
#24 - November 2010
Review